TASCAM DM-24 Installation and Use Automation Manual - Page 4

Automated Controls

Page 4 highlights

1 - Introduction Automated Controls The following mixer controls of the DM-24 can be automated: • Fader levels • Mutes • Panning (including surround panning) • EQ settings: • Gain, Frequency, Q, EQ On/Off switching • Individual EQ band TYPE switching between High/Low Pass Filter, Peaking & Shelving • Auxiliary send levels and Pre/Post switching • Auxiliary master send levels • Buss master levels • GATE settings: • THRESHold • RANGE • HYSTeresis • ATTACK • HOLD • DECAY • COMPressor settings: • THRESHold • RATIO • ATTACK • RELEASE • Library recall A Note on Touch-Sensitive Faders When using the touch-sensitivity of the faders in automation, you should always use your fingers to touch the faders. If you use a pencil or ruler, etc., or The following mixer controls of the DM-24 cannot be automated: • DIGI-TRIM • Individual EQ band On/Off switching • Effect settings • Buss assignments • MIC TRIM • Control Room monitor switching • LCD navigation • Transport control • Fader layer switching • Global mixer setup parameters Moves for different mixer controls do not have to be automated in the same pass. Just as in multi-track recording, it is possible to concentrate on one specific control at a time, building up the automated mix over a number of passes. The DM-24's automation system allows this to occur by intelligently switching automation modes transparently on a per control basis. This work done by the DM-24 automation system provides a high degree of flexibility while not requiring constant attention from you. Of course, the DM-24's automatic mode switching may be over-ridden at any time for "power user" operation. The automation is synchronized to external time code. This could be Linear Time Code (LTC or commonly referred to as SMPTE/EBU) or MIDI Time Code (MTC). The event resolution for mix moves on the DM-24 is one event per quarter time code frame. At a time code rate of 30 frames per second, non-drop, this equates to about 5 milliseconds per event. even your fingernails to touch them, the fader will not register as having been touched. 4 TASCAM DM-24 Automation

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36

1 – Introduction
4
TASCAM DM-24 Automation
Automated Controls
The following mixer controls of the DM-24 can be
automated:
Fader levels
• Mutes
Panning (including surround panning)
EQ
settings:
Gain, Frequency, Q, EQ On/Off switching
Individual EQ band
TYPE
switching between
High/Low Pass Filter, Peaking & Shelving
Auxiliary send levels and Pre/Post switching
Auxiliary master send levels
Buss master levels
GATE
settings:
THRESH
old
RANGE
HYST
eresis
ATTACK
HOLD
DECAY
COMP
ressor settings:
THRESH
old
RATIO
ATTACK
RELEASE
Library recall
The following mixer controls of the DM-24
cannot
be automated:
DIGI-TRIM
Individual EQ band On/Off switching
Effect settings
Buss assignments
MIC TRIM
Control Room monitor switching
LCD navigation
Transport control
Fader layer switching
Global mixer setup parameters
Moves for different mixer controls do not have to be
automated in the same pass. Just as in multi-track
recording, it is possible to concentrate on one spe-
cific control at a time, building up the automated mix
over a number of passes. The DM-24’s automation
system allows this to occur by intelligently switching
automation modes transparently on a per control
basis.
This work done by the DM-24 automation system
provides a high degree of flexibility while not requir-
ing constant attention from you. Of course, the
DM-24’s automatic mode switching may be over-rid-
den at any time for “power user” operation.
The automation is synchronized to external time
code. This could be Linear Time Code (LTC or com-
monly referred to as SMPTE/EBU) or MIDI Time
Code (MTC).
The event resolution for mix moves on the DM-24 is
one event per quarter time code frame. At a time
code rate of 30 frames per second, non-drop, this
equates to about 5 milliseconds per event.
A Note on Touch-Sensitive Faders
When using the touch-sensitivity of the faders in
automation, you should always use your fingers to
touch the faders. If you use a pencil or ruler, etc., or
even your fingernails to touch them, the fader will
not register as having been touched.