Adobe 22020737 Acrobat X Pro Manual - Page 396

Color-managing imported images, Using a safe CMYK workflow

Page 396 highlights

USING ACROBAT X PRO 390 Color management • Select colors from a color library. Adobe applications come with several standard color libraries, which you can load using the Swatches panel menu. • Use Lab values (the default) to display predefined spot colors (such as colors from the TOYO, PANTONE, DIC, and HKS libraries) and convert these colors to process colors. Using Lab values provides the greatest accuracy and guarantees the consistent display of colors across Creative Suite applications. Note: Color-managing spot colors provides a close approximation of a spot color on your proofing device and monitor. However, it is difficult to exactly reproduce a spot color on a monitor or proofing device because many spot color inks exist outside the gamuts of many of those devices. Color-managing imported images Using a safe CMYK workflow A safe CMYK workflow ensures that CMYK color numbers are preserved all the way to the final output device, as opposed to being converted by your color management system. This workflow is beneficial if you want to incrementally adopt color management practices. For example, you can use CMYK profiles to soft-proof and hardproof documents without the possibility of unintended color conversions occurring during final output. You can override safe CMYK settings when you print a document or save it to Adobe PDF. However, doing so may cause colors to be reseparated. For example, pure CMYK black objects may be reseparated as rich black. For more information on color management options for printing and saving PDFs, search in Help. Preparing imported graphics for color management Use the following general guidelines to prepare graphics for being color-managed in Adobe applications: • Embed an ICC-compliant profile when you save the file. The file formats that support embedded profiles are JPEG, PDF, PSD (Photoshop), AI (Illustrator), INDD (InDesign), Photoshop EPS, Large Document Format, and TIFF. • If you plan to reuse a color graphic for multiple final output devices or media, such as for print, video, and the web, prepare the graphic using RGB or Lab colors whenever possible. If you must save in a color model other than RGB or Lab, keep a copy of the original graphic. RGB and Lab color models represent larger color gamuts than most output devices can reproduce, retaining as much color information as possible before being translated to a smaller output color gamut. More Help topics "Embed a color profile" on page 397 Color-managing documents for online viewing Color-managing documents for online viewing Color management for online viewing is very different from color management for printed media. With printed media, you have far more control over the appearance of the final document. With online media, your document will appear on a wide range of possibly uncalibrated monitors and video display systems, significantly limiting your control over color consistency. Last updated 10/11/2011

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390
USING ACROBAT X PRO
Color management
Last updated 10/11/2011
Select colors from a color library. Adobe applications come with several standard color libraries, which you can load
using the Swatches panel menu.
Use Lab values (the default) to display predefined spot colors (such as colors from the TOYO, PANTONE, DIC,
and HKS libraries) and convert these colors to process colors. Using Lab values provides the greatest accuracy and
guarantees the consistent display of colors across Creative Suite applications.
Note:
Color-managing spot colors provides a close approximation of a spot color on your proofing device and monitor.
However, it is difficult to exactly reproduce a spot color on a monitor or proofing device because many spot color inks exist
outside the gamuts of many of those devices.
Color-managing imported images
Using a safe CMYK workflow
A safe CMYK workflow ensures that CMYK color numbers are preserved all the way to the final output device, as
opposed to being converted by your color management system. This workflow is beneficial if you want to
incrementally adopt color management practices. For example, you can use CMYK profiles to soft-proof and hard-
proof documents without the possibility of unintended color conversions occurring during final output.
You can override safe CMYK settings when you print a document or save it to Adobe PDF. However, doing so may
cause colors to be reseparated. For example, pure CMYK black objects may be reseparated as rich black. For more
information on color management options for printing and saving PDFs, search in Help.
Preparing imported graphics for color management
Use the following general guidelines to prepare graphics for being color-managed in Adobe applications:
Embed an ICC-compliant profile when you save the file. The file formats that support embedded profiles are JPEG,
PDF, PSD (Photoshop), AI (Illustrator), INDD (InDesign), Photoshop EPS, Large Document Format, and TIFF.
If you plan to reuse a color graphic for multiple final output devices or media, such as for print, video, and the web,
prepare the graphic using RGB or Lab colors whenever possible. If you must save in a color model other than RGB
or Lab, keep a copy of the original graphic. RGB and Lab color models represent larger color gamuts than most
output devices can reproduce, retaining as much color information as possible before being translated to a smaller
output color gamut.
More Help topics
Embed a color profile
” on page
397
Color-managing documents for online viewing
Color-managing documents for online viewing
Color management for online viewing is very different from color management for printed media. With printed
media, you have far more control over the appearance of the final document. With online media, your document will
appear on a wide range of possibly uncalibrated monitors and video display systems, significantly limiting your control
over color consistency.