TEAC 2488neo 2488neo Owner's Manual - Page 106

Mic effects, Effect, Parameter, Values

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15 − Appendix Mic effects Mic effects are controlled by channels 1 through 8 (see "Effect parameter change MIDI message" on page 105 for channel/input assignments enabled through Bank Select). One of three different types of effect can be selected as a mic effect: compressor, de-esser, exciter or noise suppressor. Effect NRPN 00 00 Compressor (CMP) De-esser (DSR) Exciter (EXC) 00 01 00 02 00 08 00 03 00 04 00 05 00 06 00 07 00 09 Noise suppressor 00 10 00 11 00 12 Parameter Threshold Ratio Attack Release Post Gain Frequency Depth Frequency Depth Threshold Suppress Attack Release Values 0 - 100 = -40.0, -39.6, -39.2, -38.8, -38.4, -38.0, -37.6, -37.2, -36.8, -36.4, -36.0, -35.6, -35.2, -34.8, -34.4, -34.0, -33.6, -33.2, -32.8, -32.4, -32.0, -31.6, -31.2, -30.8, -30.4, -30.0, -29.6, -29.2, -28.8, -28.4, -28.0, -27.6, -27.2, -26.8, -26.4, -26.0, -25.6, -25.2, -24.8, -24.4, -24.0, -23.6, -23.2, -22.8, -22.4, -22.0, -21.6, -21.2, -20.8, -20.4, -20.0, -19.6, -19.2, -18.8, -18.4, -18.0, -17.6, -17.2, -16.8, -16.4, -16.0, -15.6, -15.2, -14.8, -14.4, -14.0, -13.6, -13.2, -12.8, -12.4, -12.0, -11.6, -11.2, -10.8, -10.4, -10.0, - 9.6, - 9.2, - 8.8, - 8.4, - 8.0, -7.6, -7.2, - 6.8, - 6.4, - 6.0, - 5.6, - 5.2, - 4.8, - 4.4, - 4.0, - 3.6, - 3.2, - 2.8, - 2.4, - 2.0, - 1.6, - 1.2, - 0.8, - 0.4, 0.0 (dB) 0 - 100 = 0 - 100 0 - 100 = 0 - 100 0 - 100 = 0 - 100 0 - 100 = 0 - 100 0 - 20 = 1.00, 1.07, 1.15, 1.23, 1.32, 1.41, 1.52, 1.62, 1.74, 1.87, 2.00, 2.14, 2.30, 2.46, 2.64, 2.83, 3.03, 3.25, 3.48, 3.73, 4.00 (kHz) 0 - 100 = 0 - 100 0 - 20 = 1.00, 1.07, 1.15, 1.23, 1.32, 1.41, 1.52, 1.62, 1.74, 1.87, 2.00, 2.14, 2.30, 2.46, 2.64, 2.83, 3.03, 3.25, 3.48, 3.73, 4.00 (kHz) 0 - 100 = 0 - 100 0 - 100 = -84.0, -83.4, -82.8, -82.2, -81.6, -81.0, -80.4, -79.8, -79.2, -78.6, -78.0, -77.4, -76.8, -76.2, -75.6, -75.0, -74.4, -73.8, -73.2, -72.6, -72.0, -71.4, -70.8, -70.2, -69.6, -69.0, -68.4, -67.8, -67.2, -66.6, -66.0, -65.4, -64.8, -64.2, -63.6, -63.0, -62.4, -61.8, -61.2, -60.6, -60.0, -59.4, -58.8, -58.2, -57.6, -57.0, -56.4, -55.8, -55.2, -54.6, -54.0, -53.4, -52.8, -52.2, -51.6, -51.0, -50.4, -49.8, -49.2, -48.6, -48.0, -47.4, -46.8, -46.2, -45.6, -45.0, -44.4, -43.8, -43.2, -42.6, -42.0, -41.4, -40.8, -40.2, -39.6, -39.0, -38.4, -37.8, -37.2, -36.6, -36.0, -35.4, -34.8, -34.2, -33.6, -33.0, -32.4, -31.8, -31.2, -30.6, -30.0, -29.4, -28.8, -28.2, -27.6, -27.0, -26.4, -25.8, -25.2, -24.6, -24.0 (dB) 0 - 100 = 0 - 100 0 - 100 = 0 - 100 0 - 100 = 0 - 100 106 TASCAM 2488neo

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15 − Appendix
106
TASCAM
2488neo
Effect
NRPN
Parameter
Values
Compressor (CMP)
00 00
Threshold
0 – 100 = –40.0, –39.6, –39.2, –38.8, –38.4, –38.0, –37.6, –37.2, –36.8,
–36.4, –36.0, –35.6, –35.2, –34.8, –34.4, –34.0, –33.6, –33.2, –32.8,
–32.4, –32.0, –31.6, –31.2, –30.8, –30.4, –30.0, –29.6, –29.2, –28.8,
–28.4, –28.0, –27.6, –27.2, –26.8, –26.4, –26.0, –25.6, –25.2, –24.8,
–24.4, –24.0, –23.6, –23.2, –22.8, –22.4, –22.0, –21.6, –21.2, –20.8,
–20.4, –20.0, –19.6, –19.2, –18.8, –18.4, –18.0, –17.6, –17.2, –16.8, –16.4,
–16.0, –15.6, –15.2, –14.8, –14.4, –14.0, –13.6, –13.2, –12.8, –12.4, –12.0,
–11.6, –11.2, –10.8, –10.4, –10.0, – 9.6, – 9.2, – 8.8, – 8.4, – 8.0, –7.6,
–7.2, – 6.8, – 6.4, – 6.0, – 5.6, – 5.2, – 4.8, – 4.4, – 4.0, – 3.6, – 3.2,
– 2.8, – 2.4, – 2.0, – 1.6, – 1.2, – 0.8, – 0.4, 0.0 (dB)
00 01
Ratio
0 – 100 = 0 – 100
00 02
Attack
0 – 100 = 0 – 100
00 08
Release
0 – 100 = 0 – 100
00 03
Post Gain
0 – 100 = 0 – 100
De-esser (DSR)
00 04
Frequency
0 – 20 = 1.00, 1.07, 1.15, 1.23, 1.32, 1.41, 1.52, 1.62, 1.74, 1.87, 2.00,
2.14, 2.30, 2.46, 2.64, 2.83, 3.03, 3.25, 3.48, 3.73, 4.00 (kHz)
00 05
Depth
0 – 100 = 0 – 100
Exciter (EXC)
00 06
Frequency
0 – 20 = 1.00, 1.07, 1.15, 1.23, 1.32, 1.41, 1.52, 1.62, 1.74, 1.87, 2.00,
2.14, 2.30, 2.46, 2.64, 2.83, 3.03, 3.25, 3.48, 3.73, 4.00 (kHz)
00 07
Depth
0 – 100 = 0 – 100
Noise suppressor
00 09
Threshold
0 – 100 = –84.0, –83.4, –82.8, –82.2, –81.6, –81.0, –80.4, –79.8, –79.2,
–78.6, –78.0, –77.4, –76.8, –76.2, –75.6, –75.0, –74.4, –73.8, –73.2,
–72.6, –72.0, –71.4, –70.8, –70.2, –69.6, –69.0, –68.4, –67.8, –67.2,
–66.6, –66.0, –65.4, –64.8, –64.2, –63.6, –63.0, –62.4, –61.8, –61.2,
–60.6, –60.0, –59.4, –58.8, –58.2, –57.6, –57.0, –56.4, –55.8, –55.2,
–54.6, –54.0, –53.4, –52.8, –52.2, –51.6, –51.0, –50.4, –49.8, –49.2,
–48.6, –48.0, –47.4, –46.8, –46.2, –45.6, –45.0, –44.4, –43.8, –43.2,
–42.6, –42.0, –41.4, –40.8, –40.2, –39.6, –39.0, –38.4, –37.8, –37.2,
–36.6, –36.0, –35.4, –34.8, –34.2, –33.6, –33.0, –32.4, –31.8, –31.2,
–30.6, –30.0, –29.4, –28.8, –28.2, –27.6, –27.0, –26.4, –25.8, –25.2,
–24.6, –24.0 (dB)
00 10
Suppress
0 – 100 = 0 – 100
00 11
Attack
0 – 100 = 0 – 100
00 12
Release
0 – 100 = 0 – 100
Mic effects
Mic effects are controlled by channels 1 through 8 (see
“Effect parameter change MIDI message” on page 105 for
channel/input assignments enabled through Bank Select).
One of three different types of effect can be selected as a
mic effect: compressor, de-esser, exciter or noise suppressor.