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TEAC 2488neo 2488neo Owner's Manual - Page 94

MIDI synchronization, MIDI clock - videos

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12 − Tempo and MIDI 2 Use the cursor keys to move the cursor around the screen, and use the JOG/DATA dial to set the values. 3 To add a time signature change, place the cursor on the time signature line that is after the location where you want to add a time signature change and press the INSERT key. To erase a time signature change, select the line you want to remove with the cursor and press the DELETE key. MIDI synchronization The 2488neo can synchronize to external MIDI Time Code (MTC) or can generate MTC in order to synchronize other MIDI devices. Other devices may be sequencers or DAWs which are enabled for MTC.In addition it is capable of generating MIDI Clock commands which are typically used by drum and rhythm machines, as well as by some sequencers. With the transport stopped, from the SYNC/MIDI menu, select the SYNC option and press YES/ENTER: 4 Press the YES/ENTER key when you are finished making settings. ªª MIDI clock MIDI Clock and associated MIDI commands (Start/Stop, Song Position Pointer etc.) can be transmitted from the 2488neo when it is in INTERNAL mode and the GENERATOR parameter is set to CLOCK. In this setting, the 2488neo can be used to control an external sequencers, drum machines, etc. whose audio outputs are fed to the 2488neo. NOTE Remember that there is no absolute time information contained in this MIDI Clock data. Any external devices synchronized to the 2488neo which need timing information should either be synchronized using MTC, or have their own tempo maps. ••SOURCE can be INTERNAL (the 2488neo acts as the master unit) or EXTERNAL (the 2488neo takes its synchronization from another unit). ••FRAME TYPE refers to the format of the MTC sent and received by the 2488neo. This can be either 24 (film), 25 (EBU TV), 29D (29 fps drop-frame, used with NTSC color), 29ND (29fps non-drop, also used with NTSC color), or 30 (NTSTC monochrome and often used for audio-only work) ••OFFSET allows you to select the offset of the 2488neo relative to the incoming time code (outgoing time code is always the same as the absolute position). For example, your song always starts at the "all zeroes" position, but if you are dubbing it onto video at 30 minutes into the video, you should have an offset of 30 minutes set here. ••GENERATOR can be OFF, MTC or CLOCK. OFF and MTC explain themselves. See below for an explanation of the CLOCK setting. TIP Timecode (including MTC) does not include any information about bars and beats or tempo. MIDI Clock does not contain any information about the absolute time at which events take place. 94 TASCAM 2488neo

Section	Page
1 − Introductions	8
Supplied accessories	8
Use with a personal computer	8
About this User's Guide	9
Manual conventions	9
Precautions and notes for placement and use	10
Handling of compact discs	10
Beware of condensation	10
Never use a stabilizer or printable discs	10
About CD-R and CD-RW discs	11
About finalizing	11
2 − Setting up and basic knowledge	12
Setting up the 2488MKII	12
Shutdown	13
Basic knowledge	13
Hard disk and partitions	13
Selecting the active partition	13
Songs	14
Screen	14
Menu screen	14
Home screen	14
Direct access screens	15
Some general notes on using the 2488MKII	15
Navigation	15
YES/ENTER key	15
NO/EXIT key	15
Changing values	15
Titling	15
SHIFT key	16
3 − Names and functions of the 2488MKII	17
Top panel	17
Input channel section	17
Effects section	18
Track mixer section	18
Sub mixer section	18
Stereo Bus section	18
Monitor Section	19
LCD display section	19
Access indicator section	19
Utility section	19
Screen operation section	19
Channel section	20
Locate section	20
Mark/Title section	20
Transport section	21
Transport keys	21
Mixdown section	21
Routing section	22
Other keys	22
Front panel	22
Rear panel	23
4 − Recording	24
Setting up your first song	24
New song	24
Setting the tempo	25
Making the first recording	26
Recording the guitar	26
Lead line	28
5 − Mixer	29
Inputs and assignments	29
Assignment to a stereo track	29
Digital input assignment	29
Checking assignments	30
Breaking assignments	30
Saving and loading assignments (QUICK ROUTING)	30
Channel functions	31
Track channels and input channels	31
EQ	31
Digital pad/gain	31
EQ	31
Effect send	32
Fader/pan	32
Phase	32
Pan	32
Faders	32
Mute	33
Linking channels	33
Stereo bus functions	33
Stereo EQ	33
Stereo dynamics	34
Stereo fader	34
Direct output	35
Sub mixer	35
Monitoring	36
Monitor selection	36
Mono monitoring	36
Record source monitoring	36
Monitor muting	36
Soloing and toggle	37
Scene memories	37
Scene recall	37
Internal faders and physical faders	37
Fader matching	37
Matching the physical faders with internal fader values	38
Saving scenes	38
6 − Effects	39
Settings insert effect modes	39
Mic effects	39
Assigning mic effects	39
Selecting mic effects	40
Editing mic effects	40
Multi-effect	41
Assigning the multi-effect	41
Editing the multi-effect	41
Using the multi-effect library	41
Saving multi-effect settings	42
Single effect	42
Saving single effects	42
Tuner	43
7 − Recorder	44
First steps in recording (song management)	44
Creating a song	44
Loading a song	44
Saving a song	45
Reverting to the previously saved version of a song	45
Erasing a song	45
Copying songs	46
Erasing unneeded audio data from songs	46
Protecting a song	47
Transport controls	47
Setting the playback position	47
Return to zero (RTZ)	47
Last Recording Position (LRP)	47
Jog positioning	48
Fast forward and rewind	49
Skipping to marks	49
Recording	49
PUNCH recording	49
Hands-free recording	50
Undo recordings	50
Rehearsing recording	50
IN, OUT, TO and FROM points	50
Setting the IN, OUT, TO and FROM points	50
Locating to the points	50
Editing the IN, OUT, TO and FROM points	51
Mark functions	51
Inserting marks	51
Active marks	51
Giving a title to the active mark	51
Deleting the active mark	51
Editing the active mark	52
Skip between marks	52
Using the mark list	53
Locating using the list	53
Titling using the list	53
Erasing marks using the list	53
Direct location	54
Direct location (i)	54
Direct location (ii)	54
Repeat	55
Setting the repeat interval	55
Auto punch operations	55
Setting the punch points	56
Checking the punch points	56
Rehearsing the punch	56
Recording the punch	57
Checking the take	57
After finishing the punch	57
If you change your mind	57
Bouncing tracks	58
Making a bounce mix	58
About track editing	58
IN, OUT, TO and FROM	59
Entering the edit mode	59
Track editing functions	59
COPY PASTE	60
COPY FROM TO	60
COPY INSERT	61
MOVE PASTE	61
MOVE INSERT	62
OPEN	62
CUT	62
SILENCE	63
CLONE TRACK	63
CLEAN OUT	63
UNDO and REDO	64
Undoing and redoing actions	64
An undo/redo example	65
Virtual tracks	66
Varispeed operations (pitch and SSA)	68
Pitch	68
SSA (Slow Speed Audition)	68
8 − Mastering and CD recorder	69
Pre-mastering	69
Recording the master track	69
Checking the master	70
Exiting master check mode	70
Creating an audio CD	75
Creating an audio CD using TAO	75
Finalizing the disc	76
Creating an audio CD using DAO	76
Creating an audio CD using Live Writer	77
Playing CDs	78
CD-RW erase	78
CD EJECT	78
9 − Reformatting	79
Reformatting the entire hard disk	79
Reformatting TASCAM partitions	80
Reformatting the FAT partition	80
10 − File import/export	81
USB mode	81
Opening the USB connection	81
Closing the USB connection	81
USB import (mono WAV files)	82
USB import (stereo WAV files)	82
USB import (SMF files)	83
USB export (virtual tracks)	84
Exporting master tracks	85
Importing from CD (mono WAV files)	85
Exporting to CD (virtual tracks)	86
11 − Backup and restoration	87
Backup	87
Restoring from CD	88
Using USB for backup and restore	88
Backing up	89
Restoring	90
12 − Tempo and MIDI	91
Metronome	91
Using the metronome	92
In FREE mode	92
In REC mode or REC&PLAY mode	92
Tempo map	92
Setting the tempo	93
Time signature setting	93
MIDI synchronization	94
MIDI clock	94
SMF playback	95
MIDI remote control	96
MMC MODE	96
MMC Device ID	96
REMOTE CONTROL	96
13 − General preferences	97
Global preferences	97
Key sense time	97
Meter peak hold mode	97
Meter release time	97
Shift key behavior	97
Mixer preferences	97
Fader matching	97
Digital input channel selection	98
Recorder preferences	98
User words	98
14 − Specifications, etc.	99
Block diagram	99
Level diagram	100
Specifications	101
Audio connections	101
Audio performance	101
Physical specifications, etc.	102
Dimensional drawing	102
15 − Appendix	103
Library of mastering compressor presets	103
MIDI Control/Program change message	104
Mixer Control Change parameters	104
Effect parameter change MIDI messages	105
Mic effects	106
Stereo dynamics processor	107
Single effect	107
Multi effect	108
MIDI Program Change messages	111
Preset mic effects	112
Preset stereo dynamics effects	112
Preset Multi effects	112
Preset single effects	113
MIDI Implementation chart	114
MMC Bit map commands	115
Bit-map array of MMC commands	115
Bit-map array of Response/Information field	116
Warning and status messages	117

Match case Limit results 1 per page

TASCAM

2488neo

12 − Tempo and MIDI

MIDI synchronization

The 2488neo can synchronize to external MIDI Time Code

(MTC) or can generate MTC in order to synchronize other

MIDI devices.

Other devices may be sequencers or DAWs which are

enabled for MTC.In addition it is capable of generating

MIDI Clock commands which are typically used by drum

and rhythm machines, as well as by some sequencers.

With the transport stopped, from the SYNC/MIDI menu,

select the SYNC option and press

YES/ENTER

SOURCE

•

can be INTERNAL (the 2488neo acts as the

master unit) or EXTERNAL (the 2488neo takes its syn-

chronization from another unit).

FRAME TYPE

•

refers to the format of the MTC sent and

received by the 2488neo. This can be either 24 (film), 25

(EBU TV), 29D (29 fps drop-frame, used with NTSC

color), 29ND (29fps non-drop, also used with NTSC

color), or 30 (NTSTC monochrome and often used for

audio-only work)

OFFSET

•

allows you to select the offset of the 2488neo

relative to the incoming time code (outgoing time code is

always the same as the absolute position). For example,

your song always starts at the “all zeroes” position, but

if you are dubbing it onto video at 30 minutes into the

video, you should have an offset of 30 minutes set here.

GENERATOR

•

can be OFF, MTC or CLOCK. OFF and MTC

explain themselves. See below for an explanation of the

CLOCK setting.

TIP

Timecode (including MTC) does not include any infor-

mation about bars and beats or tempo. MIDI Clock

does not contain any information about the absolute

time at which events take place.

MIDI clock

MIDI Clock and associated MIDI commands (Start/Stop, Song

Position Pointer etc.) can be transmitted from the 2488neo

when it is in INTERNAL mode and the

GENERATOR

param-

eter is set to CLOCK. In this setting, the 2488neo can be used

to control an external sequencers, drum machines, etc. whose

audio outputs are fed to the 2488neo.

NOTE

Remember that there is no absolute time information

contained in this MIDI Clock data. Any external de-

vices synchronized to the 2488neo which need timing

information should either be synchronized using MTC,

or have their own tempo maps.

Use the cursor keys to move the cursor around the

screen, and use the

JOG/DATA

dial to set the values.

To add a time signature change, place the cursor

on the time signature line that is after the location

where you want to add a time signature change and

press the

INSERT

key.

To erase a time signature change, select the line

you want to remove with the cursor and press the

DELETE

key.

Press the

YES/ENTER

key when you are finished

making settings.