Yamaha CVP-601 Reference Manual - Page 37

3 HIGH KEY / NOTE LIMIT [4]/ HIGH KEY [5] This sets the highest key (upper octave limit) of the note transposition for the chord root change. Any notes calculated to be higher than the highest key are transposed down to the next lowest octave. This setting is available only when the NTR parameter (page 35) is set to "Root Trans." Example - When the highest key is F. Root changes Notes played CM C3-E3-G3 C♯M C♯ 3-E♯ 3-G♯ 3 FM F3-A3-C4 F♯M F♯ 2-A♯ 2-C♯ 3 Styles - Playing Rhythm and Accompaniment - [6] NOTE LIMIT These set the note range (highest and lowest notes) for Voices recorded to LOW the Style channels. By judicious setting of this range, you can ensure that [7] NOTE LIMIT the Voices sound as realistic as possible - in other words, that no notes outside the natural range are sounded (e.g., high bass sounds or low pic- 3 HIGH colo sounds). Example - When the lowest note is C3 and the highest is D4. Root changes Notes played CM E3-G3-C4 C♯M E♯ 3-G♯ 3-C♯ 4 FM F3-A3-C4 High Limit Low Limit 4 RTR (Retrigger Rule) These settings determine whether notes stop sounding or not and how they change pitch in response to chord changes. STOP PITCH SHIFT The notes stop sounding. The pitch of the note will bend without a new attack to match the type of the new chord. PITCH SHIFT TO ROOT RETRIGGER RETRIGGER TO ROOT The pitch of the note will bend without a new attack to match the root of the new chord. The note is retriggered with a new attack at a new pitch corresponding to the next chord. The note is retriggered with a new attack at the root note of the next chord. However, the octave of the new note remains the same. CVP-601 Reference Manual 37