Yamaha DGX-640 Owner's Manual - Page 26

Start playing., Stop playing

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Playing Styles 4 Start playing. Style playback will begin as soon as you play a chord in the accompaniment range of the keyboard. Try playing the chord progression shown below. The accompaniment will change according to the lefthand notes you play. NOTE • Chords (page 27) • Looking Up Chords Using the Chord Dictionary (page 82) Split point Auto accompaniment range C F C G F C This progression provides varied harmonic backing with just three chords. When you get a feel for the progression in the score, try changing the order of the chords! Quick Guide Indicates the chord currently being played in the accompaniment range of the keyboard. 5 Stop playing. Press the [START/STOP] button to stop style playback when you're done. NOTE • You can also stop playing by pressing the [INTRO/ENDING/rit.] button so that an appropriate ending pattern will play and then style playback will stop. NOTE • You can switch style "sec- tions" to add variety to the accompaniment. Refer to "Pattern Variation (Sections)" on page 76. 26 Owner's Manual

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Playing Styles
Owner’s Manual
26
Quick Guide
4
Start playing.
Style playback will begin as soon as you play a chord in the accompa-
niment range of the keyboard. Try playing the chord progression
shown below. The accompaniment will change according to the left-
hand notes you play.
This progression provides varied harmonic backing with just three
chords. When you get a feel for the progression in the score, try
changing the order of the chords!
5
Stop playing.
Press the [START/STOP] button to stop style playback when you’re
done.
• Chords (page 27)
• Looking Up Chords Using
the Chord Dictionary (page
82)
NOTE
F
G
F
C
C
C
Auto accompaniment
range
Split point
Indicates the chord currently
being played in the accompani-
ment range of the keyboard.
• You can also stop playing by
pressing the [INTRO/END-
ING/rit.] button so that an
appropriate ending pattern
will play and then style play-
back will stop.
• You can switch style “sec-
tions” to add variety to the
accompaniment. Refer to
“Pattern Variation (Sec-
tions)” on page 76.
NOTE
NOTE