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Canon EOS C700 User Manual - Page 153

Using the MON. Terminals, About RAW output

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Connecting to an External Monitor or Recorder • You can set [Rec/Media Setup] > [Rec Command] to [On] to use the camera's REC button to control also the recording operation of an external recorder connected to the SDI OUT terminals and MON. terminals. • About RAW output: - A special gamma curve optimized for RAW video is applied to the video output. - During RAW output, the audio output signal will be 2-channel linear PCM audio (16 bit). We recommend using instead the 4-channel linear PCM audio (24 bit) that is recorded in the camera with sub recording (XF-AVC Intra) clips. - The output signal mapping will be set to Level B. - RAW output is not available when slow & fast motion recording is activated in crop mode ([On (crop)]). • When 2K RGB 4:4:4 video is being output from the SDI OUT terminals, video output from the MON. terminals will be a 2K YCbCr video signal. 153 Using the MON. Terminals The digital signal that is output from the MON. terminals includes the video signal, audio signal (4 channels), time code, metadata and clip file name information*. Additionally, you can output also the camera's onscreen displays and various assistance displays (onscreen markers, zebra patterns, peaking, magnification, false color display, black & white image). * If the main recording format is set to [ProRes (CFast)] but no CFast card is inserted in the camera, clip file name information will not be output. 1 Activate the MON. terminals and select the desired output mode. [System Setup] (B) > [Term. Output Setup] > [MON. Output] > [1920x1080] or [2048x1080/1920x1080] • If you have no intention to use the MON. terminals, select [Off] instead. 2 If you selected 2K output, you can select the 3G-SDI mapping level for the output signal. From the same submenu: [3G-SDI Mapping] > [Level A] or [Level B] • The options correspond to a video output signal compliant with Level A or Level B of the SMPTE ST 425 standard. Options [2048x1080/1920x1080]: Outputs video with a resolution of 2048x1080 or 1920x1080. [1920x1080]: Outputs 1920x1080 (Full HD) video. When the horizontal resolution of the main recording video configuration is 4096 or 2048, the sides of the image will be displayed letterboxed. Using the HDMI OUT Terminal The HDMITM OUT terminal also offers a digital connection and outputs both a video and audio signal. You can select the maximum resolution of the video signal to output up to 4K video. Additionally, you can output also the camera's onscreen displays and various assistance displays (onscreen markers, zebra patterns, peaking, magnification, false color display, black & white image). The audio output signal will be 2-channel linear PCM audio (16-bit, 48 kHz sampling). You can select which audio channels to output (A 157). 1 Select the HDMI OUT terminal's maximum resolution. [System Setup] (B) > [Term. Output Setup] > [HDMI Max Res.] > [4096x2160/ 3840x2160] or [1920x1080]

Section	Page
Important Usage Instructions	2
Highlights of the Camera	4
Table of Contents	6
1. Introduction	11
About this Manual	11
Conventions Used in this Manual	11
Supplied Accessories	12
Names of Parts	13
Microphone Holder	18
Handle Unit	18
Clamp Base	19
EVF-V70 OLED Electronic Viewfinder (optional)	20
4K Workflow Overview	21
Color Grading with the ACES Workflow	22
2. Preparations	23
Preparing the Backup Battery	23
Removing an Extension Module	23
Inserting the Lithium Button Battery	24
Installing an Extension Module	24
Preparing the Main Power Supply	26
Acceptable Power Sources	26
Using a Battery	26
Using the DC IN 12V Terminal	27
Checking the Camera’s Power Levels	27
Power Outputs	28
Turning the Camera On and Off	28
Date, Time and Language Settings	29
Setting the Date and Time	29
Changing the Language	29
Changing Camera Settings with the Screen Buttons	30
Using the Menus	32
Selecting an Option from the Camera Menu	32
Selecting an Option from the Monitoring Menu	33
Using the Customized Submenu (My Menu)	35
Preparing the Camera	38
Shooting Configurations	38
Attaching the Handle Unit	40
Using a Tripod	40
Using the Optional EVF-V70 OLED Electronic Viewfinder	41
Attaching the Microphone Holder	43
Preparing the Lens	44
In-Camera Lens Correction	47
Preparing Recording Media	48
Compatible Recording Media	48
Inserting a CFast Card	49
Removing a CFast card	49
Inserting and Removing an SD Card	50
Initializing Recording Media	51
Switching Between the CFast Card Slots	52
Relay Recording and Double Slot Recording	52
Checking the Remaining Recording Time on Recording Media	53
Recovering Clips	53
Adjusting the Black Balance	54
3. Recording	55
Recording Video	55
Recording	55
Onscreen Displays on the HOME Screen	57
Onscreen Displays on the Shooting Screen	59
Setting the Clip File Name	62
Using the Fan	63
Video Configuration: Video Format, System Frequency, Frame Rate, Resolution and Bit Rate	65
Selecting the Main Recording Format	65
Selecting the System Frequency	65
Selecting the Frame Rate	65
Selecting the Resolution and Color Sampling Settings	65
Selecting the Bit Rate	66
Slow & Fast Motion Recording	68
Simultaneous Sub Recordings	71
Changing Main Camera Functions with the FUNC Button	73
Using the Direct Setting Mode	73
Shutter Speed	74
Changing the Shutter Speed Mode and Value	75
ISO Speed/Gain	76
Changing the ISO Speed or Gain Value	77
Using the Control Dial	77
ND Filter	78
Adjusting the Aperture	79
Manual Aperture	80
Momentary Automatic Aperture - Push Auto Iris	81
Automatic Aperture	81
Exposure Compensation - AE Shift	82
Light Metering Mode	82
Gamma Curve and Main Color Settings	84
Preset Color Settings	84
White Balance	86
Selecting the White Balance Mode/Setting	86
Auto White Balance (AWB)	87
Registering a Custom White Balance	87
Adjusting the Color Temperature or CC Value	88
Renaming User-Set White Balance Settings	88
Adjusting the Focus	89
Manual Focus	90
[C700] One-Shot AF	92
[C700] AF-Boosted MF	93
[C700] Continuous AF	93
[C700] Changing the AF Frame Size and Position	95
[C700] Face Detection	96
[C700] Tracking a Specific Subject	97
Onscreen Markers, Zebra Patterns and False Color	98
Displaying Onscreen Markers	98
Displaying Zebra Patterns	99
Using the False Color Display	100
Setting the Time Code	101
Selecting the Time Code Mode	101
Selecting Drop or Non-Drop Frame	102
Putting the Time Code Display on Hold	102
Setting the User Bit	104
Synchronizing with an External Device	105
Connecting an External Device	105
Reference Video Signal Input (Genlock Synchronization)	106
Time Code Signal Input	106
Reference Video Signal Output	107
Time Code Signal Output	107
Recording Audio	108
Audio Settings and Recorded Audio Channels	108
Connecting an External Microphone or External Audio Input Source to the Camera	109
Setting the Audio Input Type for the INPUT 1/INPUT 2 Terminals	110
Selecting the Audio Input Source for Audio Channels	111
Adjusting the Audio Recording Level	111
Additional Settings for External Analog Microphones	112
Monitoring the Audio with Headphones	113
Colors Bars/Audio Reference Signal	114
Color Bars	114
Audio Reference Signal	114
Waveform Monitor	115
Displaying the Waveform Monitor	115
Configuring the Waveform Monitor	115
Adding an OK Mark or Check Mark while Recording	117
Using Metadata	118
Setting a User Memo Created with Canon XF Utility	118
Entering Information About the Recording	119
Recording GPS Information (Geotagging)	120
Using Anamorphic Lenses	122
Using the Optional RC-V100 Remote Controller	123
Taking Photos	125
Taking Photos	125
Photo Numbering	125
4. Customization	127
Assignable Buttons and Customizable USER Screen	127
Changing the Assigned Function and Using an Assignable Button	127
Assignable Functions	128
Customizing and Using the USER Screen	130
Custom Picture Settings	131
Selecting Custom Picture Files	131
Editing a Custom Picture File’s Detailed Settings	131
Resetting Custom Picture Files	132
Renaming Custom Picture Files	132
Protecting Custom Picture Files	132
Copying Custom Picture Files	133
Embedding Custom Picture Settings in a Clip	133
Available Custom Picture Settings	134
Preset and Main Settings	134
Other Settings	135
Customizing Onscreen Displays	139
Saving and Loading Camera Settings	140
Saving Camera Settings	140
Loading Camera Settings	140
5. Playback	141
Playback	141
The PLAY (Playback Control) Screen	141
Selecting the Recording Media and Format to Play Back	142
Playing Back Clips	142
Onscreen Displays During Playback	144
Clip/Photo Operations	145
Displaying Clip Information	145
Adding and Deleting OK Marks or Check Marks	146
Deleting Clips and Photos	147
Deleting the User Memo and GPS Information	147
Copying a Custom Picture File Embedded in a Clip	148
6. External Connections	149
Video Output Configuration	149
Main Recording Video Configuration and Video Output Configuration from the SDI OUT Terminals	149
Main Recording Video Configuration and Video Output Configuration from the MON. Terminals and HDMI OUT Terminal	150
Playback Video Configuration and Video Output Configuration by Terminal	151
Connecting to an External Monitor or Recorder	152
Connection Diagram	152
Using the SDI OUT Terminals	152
Using the MON. Terminals	153
Using the HDMI OUT Terminal	153
Applying a LUT to Video Outputs	154
Superimposing Onscreen Displays on Video Outputs	155
Audio Output	157
Working with Clips on a Computer	158
Saving Clips to a Computer	158
Developing RAW Clips	158
7. Network Functions	159
About the Network Functions	159
Connecting to a Wi-Fi Network	160
Attaching the Optional Wireless File Transmitter	160
Camera Access Point	161
Connecting in Infrastructure Mode	161
Wi-Fi Protected Setup (WPS)	162
Searching for Access Points	163
Connecting to a Wired (Ethernet) Network	164
Checking the Network’s Status and Settings	165
Checking and Changing Network Settings	165
Browser Remote: Controlling the Camera from a Network Device	166
Setting Up Browser Remote	166
Starting Browser Remote	167
Using Browser Remote	169
IP Streaming	178
Preparations	178
Streaming Video over IP	179
FTP File Transfer	181
Preparations	181
Transferring Clips (FTP Transfer)	182
8. Additional Information	183
Setup Screens and Menu Options	183
Setup screens	183
Camera Menu and Monitoring Menu	186
Displaying the INFO Screens	198
Troubleshooting	201
List of Messages	206
Handling Precautions and Safety Instructions	211
Maintenance/Others	214
Optional Accessories	215
Specifications	217
Appendix: Compatible Lenses and Functions	221
Appendix: Camera Dimensions	223
Approximate Recording Times	228
Index	229

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153

Connecting to an External Monitor or Recorder

•

You can set

[Rec/Media Setup]

[Rec Command] to [On] to use the camera’s REC button to

control also the recording operation of an external recorder connected to the SDI OUT terminals and MON.

terminals.

•

About RAW output:

A special gamma curve optimized for RAW video is applied to the video output.

During RAW output, the audio output signal will be 2-channel linear PCM audio (16 bit). We recommend

using instead the 4-channel linear PCM audio (24 bit) that is recorded in the camera with sub recording

(XF-AVC Intra) clips.

The output signal mapping will be set to Level B.

RAW output is not available when slow & fast motion recording is activated in crop mode ([On (crop)]).

•

When 2K RGB 4:4:4 video is being output from the SDI OUT terminals, video output from the MON. terminals

will be a 2K YCbCr video signal.

Using the MON. Terminals

The digital signal that is output from the MON. terminals includes the video signal, audio signal (4 channels), time

code, metadata and clip file name information*. Additionally, you can output also the camera’s onscreen displays

and various assistance displays (onscreen markers, zebra patterns, peaking, magnification, false color display,

black & white image).

If the main recording format is set to [ProRes (CFast)] but no CFast card is inserted in the camera, clip file name information will

not be output.

1 Activate the MON. terminals and select the desired output mode.

[System Setup] (

)

[Term. Output Setup]

[MON. Output]

[1920x1080] or

[2048x1080/1920x1080]

•

If you have no intention to use the MON. terminals, select [Off] instead.

2 If you selected 2K output, you can select the 3G-SDI mapping level for the output signal.

From the same submenu: [3G-SDI Mapping]

[Level A] or [Level B]

•

The options correspond to a video output signal compliant with Level A or Level B of the SMPTE ST 425

standard.

Options

[2048x1080/1920x1080]: Outputs video with a resolution of 2048x1080 or 1920x1080.

[1920x1080]:

Outputs 1920x1080 (Full HD) video. When the horizontal resolution of the main recording video

configuration is 4096 or 2048, the sides of the image will be displayed letterboxed.

Using the HDMI OUT Terminal

The HDMI

OUT terminal also offers a digital connection and outputs both a video and audio signal. You can

select the maximum resolution of the video signal to output up to 4K video. Additionally, you can output also the

camera’s onscreen displays and various assistance displays (onscreen markers, zebra patterns, peaking,

magnification, false color display, black & white image). The audio output signal will be 2-channel linear PCM

audio (16-bit, 48 kHz sampling).

You can select which audio channels to output (

157).

1 Select the HDMI OUT terminal's maximum resolution.

[System Setup] (

)

[Term. Output Setup]

[HDMI Max Res.]

[4096x2160/

3840x2160] or [1920x1080]