Canon Pro90 PowerShot Pro90IS Camera User Guide - Page 52

Shooting

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• Compose each frame so that it overlaps 30 to 50% of the adjoining image. Try to keep the vertical misalignment to within 10% of the image height. • Do not include moving items in the overlap. • Do not try to stitch images that include both distant and close items. Objects may appear warped or doubled up. To Shoot a Distant Subject As shown below, move the camera around its axis to take successive shots. Horizontal: move left to right or vice versa Vertical: move up and down or vice versa To Shoot a Close Subject Slide the camera (move the camera parallel to the subject) to take successive shots. Shooting Images can be shot in the following 5 sequences in Stitch Assist mode. Horizontally, left to right Horizontally, right to left Vertically, bottom to top Vertically, top to bottom Clockwise starting at the top left 1 Turn the mode dial to . 50 Shooting - Letting the Camera Select Settings

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50
Shooting - Letting the Camera Select Settings
•
Compose each frame so that it overlaps 30 to 50% of the adjoining image. Try to
keep the vertical misalignment to within 10% of the image height.
•
Do not include moving items in the overlap.
•
Do not try to stitch images that include both distant and close items. Objects may
appear warped or doubled up.
To Shoot a Distant Subject
As shown below, move the camera around its axis
to take successive shots.
Shooting
Images can be shot in the following 5 sequences in Stitch Assist mode.
1
Turn the mode dial to
.
Horizontal:
move left to right
or vice versa
Vertical:
move up and down
or vice versa
To Shoot a Close
Subject
Slide the camera (move
the camera parallel to
the subject) to take
successive shots.
Horizontally, left to right
Horizontally, right to left
Vertically, bottom to top
Vertically, top to bottom
Clockwise starting at the top left