Mackie ProFX8 Owner's Manual (Español) - Page 18
Indicador Led Level Set, Conmutador Low Cut, Ganancia
View all Mackie ProFX8 manuals
Add to My Manuals
Save this manual to your list of manuals |
Page 18 highlights
ProFX8 y ProFX12 ON MIC MIC 1 LINE HI-Z BAL / UNBAL 2 LINE/HI-Z IN 1 MON SEND FOOTSWITCH SHOCK, DO NOT EXPOSE PROFESSIONAL MIC/LRINE MUIXSEBR WITRH FX R R R BAL / UNBAL MOISTURE. DO NOT REM R PARTS INSIDE. REFER SE MIC MIC MAIN 21 INSERT INSERT MAIN INSERT RIGHT 20 (BALANCED) U MIC GAIN LEVEL SET ULEFT (BMIAC GLAIAN NCLESEEVTEDL ) U MIC GAIN LEVEL SET U +50 -20dB +30dB 22POWGELAORWINCUT 100 Hz U +50 -20dB +30dB GAIN LOW CUT 100 Hz U +50 -20dB +30dB GAIN LOW CUT 100 Hz INSERT U MIC GAIN LEVEL SET USB U -20dB +50 +30dB GAIN LOW CUT 100 Hz LINE IN 6 MIC GAIN LEVEL SET U +50 GAIN LOW CUT 100 Hz LINE IN 8 LINE IN 10 MIC GAIN LEVEL U SET U +50 GAIN LOW CUT 100 Hz -20 +20 GAIN LINE IN 12 U -20 +20 GAIN ST RETURN FXSSEERNIADL NUMBMEARIN OUT STEREO GRAPHIC EQ 15 15 10 10 5 5 0 0 5 5 AVIS: RISQUE DE CH PHONMEAS NUFA 48V PHANTOM POWER U EOQN U EQ U EQ U EQ U EQ U EQ U PREOQFESSIOUNAL EMQIC/1L0INE MIXER WITH FX 10 23 HI 12kHz HI 12kHz HI 12kHz HI 12kHz HI 12kHz HI 12kHz HI 12kHz HI 15 12kHz 15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 125 250 500 1K 2K 4K 8K POWER MAIN METERS 0dB=0dBu U U U MAIN U U MAIN U U U OL 24 MID 2.5kHz -15 +15 -15 +15 MID 2.5kHz RMIGID HT MID (BA2L.5AkHNz CED) 2.5kHz -15 +15 -15 +15 MLIDEFT MID (BA2.5LkAHzNCED) 2.5kHz -15 +15 -15 +15 -15 +15 MID 2.5kHz -15 +15 MID 2.5kHz MAIN MIX MON EQ IN BYPASS 15 10 6 U U U U U U U U 3 25 LOW 80Hz -15 +15 -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOWUSB 80Hz -15 +15 LOW 80Hz FX PRESETS 01 BRIGHT ROOM 02 WARM LOUNGE 03 SMALL STAGE USB 0 2 4 U 7 OO OO U AUX 26 MON +15 27MIC U FX +15 PAN OO OO U AUX MON +15 UMIC FX +15 PAN OO OO U AUX U AUX MON MON OO OO +15 U FX +15 MIUC FX +15 PAN +15 PAN OO OO U AUX U AUX MON MON OO OO +15 +15 U MIC U FX FX +15 PAN +15 PAN OO OO U AUX U AUX 04 WARM THEATER 05 WARM HALL 06 CONCERT HALL MON MON 07 PLATE REVERB 08 CATHEDRAL OO OO 09 CHORUS +15 +15 10 CHORUS + REV U (UNBALANCED) U 11 DOUBLER 12 TAPE SLAP 13 DELAY 1 (300ms) FX FX 14 DELAY 2 (380ms) 15 DELAY 3 (480ms) L+15 PAN +15 PAN 16 REVERB + DLY (250ms) LU PRESETS MUTE U OO +10 INPUT LEVEL 10 20 30 L R USB THRU BREAK (MUTES ALL CHANNELS) U 28 TAPE OL TAPE LR LR LR LR LR LR INL R LR OO O+15UT OO +15 OO MAX +20 OO FX MASTER FX TO MON PHONES TAPE LEVEL 2 29MIC OL dB 10 MIC MIC MUTE MUTE MUTE MUTE OL OL OL OL 3301 dB 10 2 4dB 10 3 4 5/6 dB dB 10 10 MUTE 5/L6 (UNBALANCEDR) MUTE MUTE MUTE OL OL OL 7/8 7/8 dB dB 10 10 9/10 9/L10 dB 10 11/12 R MUTE OL ST RTN 11/12 dB 10 MON MAIN FPXRORTFNESSIONAL MIC/LINE MIXER WITH dB dB dB 10 10 10 TAPE TAPE 5 5 5 5 5 (MONO) IN 5 5 (MONO) O(MU5OTNO) 5 5 (MONO) 5 5 (MONO) BAL / UNBAL 3 LINEMIN I2C U BAL / 5 UNBAL 10 31 LINE MIN 3IC 4 20 U U BAL / 5 U5NBAL 10 10 5/6 LINEMINI4C 20 20 U U 5 L5 10 10 7/8 MIC LINE IN 5 20 BAL / UNBAL20 RU 5 L 10 9/10 MIC LINE IN 7 20 BAL / UNBAL U 5 R U 5L 10 10 11/12 MIC LINE IN 9 20 BAL / U2N0 BAL U U U 5 L5 5L PROFE10SSIONAL MIC1/0LINE MIXER W10ITH FX LINE IN 20 11(UUNBNABBLAA/LL2A0 NCED) BAL / 20 UNBAL U BA 5 UN 10 M20 ON SEND BAL / UNBAL BAL / UNBAL 30 30 40 40 50 60 BAL / UNBAL 50 60 OO OO OO 30 (MONO) 40 50 L60 30 30 (MONO) 40 50 R 40 50 60 L 60 OO OO 30 30 (MONO) 40 50 R 40 50 60 L 60 OO OO OO 30 (MONO) R40 50 L60 30 L 40 50 TAPE 60 IN OO 30 (MONO) R 40 50 L 60 OO 30 30 LT456000AUPBNRAEBLA/L 40 50 60 BA UN OO OO OUT INSERT LINE IN 2 INSERT LINE IN 3 INSERT LINE IN 4 INSERT LINE IN 5 BAL / UNBAL LINE IN 6 LINE IN 7 BAL / UNBAL LINE IN 8 LINE IN 9 BAL / UNBAL LINE IN 10 LINE IN 11 BAL / UNBAL LINE IRN 12 BAL / UNBAL MSTORNETSURERNND FX SENDBA UN 20. GANANCIA 1 2 3 4 Si aún no lo ha hecho, lea el procedimiento de ajuste U MIC GAIN LEVEL U LINE MIC GAHINI-Z LEVEL U MIC GAIN LEVEL U MIC GAIN R LEVEL MIC GAIN R LEVEL SET SET SET SET SET de ganancia de la página 3. Ajustar la ganancia le permi- INSERT INSERT BAL / INSERT BAL / LINE IN 6 BAL / LINE IN 8 BAL / tirá que todas las fuentes del mundo exterior sean ajus- U 20dB +50 +30dB U -20dB +50 UNBAL U +30dB -20dB +50 UNBAL U +30dB -20dB +50 UNBAL +30dB U +50 UNBAL GAIN tadas a los mismos niveles óptimos internos. Ajustar la LOUWCUT ganancia correctamente garantiza que la ganancia del MIC1G0A0INHz LEVEL GAIN LINEL/OHUWI-ZCIUNT 1 MIC1G0A0INHz LEVEL GAIN LINLOEUWINC2UT MIC1G0A0INHz LEVEL GAIN LMINILCEO1GW0IAN0ICNH3UzT LEVEL GAIN LMINILCOE1GW0IA0NICNHU4zT LEVEL 5/6 MIC GAIN R LEVEL SET (MONO) LINE IN 10 U +50 L GAIN LINLOUE1W0I0NCHUz5T BAL / UNBAL 7/8 9/10 11/12 STEREOPROGFERSSAIOPNAH U Para los caRnales híUbridosR(con BAL / entradaUNBAL dLeINEmINic12ró(MfoONnOo) g-a20na+n20cia sLólo yafd-S2eeT0cRtl+Eía2nT0aUelRa(NMmeOLsiNctOér) ór115ef50oon)FoX, .lSaEND(MOLNO) (MO MAIN OUT GAIN PLaINrUEaINlo7s cUBNaABLnA/LalesLGIeNAEsItINNé9reoSUBNTA(BLsAE/LiRnE0eOLnINtEGrIaNRd1A1aPdUHBNeABLIAC/L EQ B UN 5 SET SET SET SET SET U EQ pre-amU plifiEcQador no Usea deEmQasiadoUalta,EaQlgo que UpodríaEQ provocar distorsión, o no demasiado baja, haciendo que 20dUBGAIN+5+030d1B2HkHI z sus pasajes más suaves y exquisitamente delicados se -15LOW+1C5UT -20d-U1BIG5NLAOSEW+IRN+1CT55+0U3T0d1B2HkHI z -20d-U1BIG5NLAOSEW+IRN+1CT55+0U3T0d1B2HkHI z U +50 HI -1IG5NLAOSEW+IRN1CT5UT 12kHz U +50 HI -1GI5NLAOSWE+INR1C5TUT 12kHz U -20 +20 -1LG5INAE+IINN156 ERQ HI 12kHz me-n2i0tcrUr+aó2d0foansEodHRQ)Iellaín11g50eaan,aUcnocnia2E0sHRQóIdloB11ad50feecgtaanaanla-sR c-i1LGa5INAEy+IINN1a5t8en12ukHazció50n-L1I.5NNE +IoN151h0a1y2kLHzEVELLIN1E2S5IEN 1T2.250 500 ST R1EKTURN U100 Hz U -15 +15 U pierdan inmersos en el ruido de fondo. 21. INDICADOR LED LEVEL SET EMQID En los canales mono (entrada de 2.5kHz HI micrófono mono con una entrada de lí- Estos LED son utilizados con el control de ganancia 12kHz U100 Hz UU MIC GAIN -15 +15 U EMQID 21.2L5HkESkHIEHVTEzzL U100 Hz UU MIC GAIN -15 +15 U EMQID 21.2L5HkESkHIEHVTEzzL U100 Hz UU MIC GAIN -15 +15 U EMIQD 21.2L5HkESkHIEHVTEzzL U100 Hz UU MIC GAIN -15 +15 U EMIQD 21.2L5HkESkHIEHVTEzzL U U MIC GAIN -15 +15 U EMIQD 21.2L5HkESkHIEHVTEzzL U U MIC GAIN -15 +15 U U 5 EMIQD 2.L5HESkIEHVTEzL 12kHz 10 U 15 -15 +15 U MID 2.5kHz MAIN MIX MON U 15 S -15 +15 U LOW 80Hz -15 +15 MID -15 U+15 A2.U5kXHz nea), la ganancia ajusta la sensibilidad -1U5 -20dB U+1+55+030dL8BO0HWz -1U5 -20dB U+1+55+030dL8BO0HWz -1U5 -20dB U+1+55+030dL8BO0HWz -1U5 -20dB U+1+55+030d8LBO0HWz GAIN deGlAaINs entradas dGeAlINínea y de miGcArIóNfono. -15LO+W15CUT MID -15LO+W15CUT MID -15LO+W15CUT MID -15LO+W15CUT MID A-1j5uUs1+0t10e5HzeAl2.U5ckXHozntro-1l5dU1e+0105gHzaAn2.Ua5knXHzcia d-1e5 manera que el 100 Hz U+15 A2.U5kXHz 100 Hz -15 U+15 A2.U5kXHz [fi2c-0a1U5G]dAUo+pIrN1+a550drae8LlaO0HcWjzuanstaalr.-1U5SGlaiAU+IogN1+5ya50enad8LO0niHWscztioarasid-ó2eG01nc2A5ue+IN2na0du2Ma8L5nAO00dIHoWNzeMolIX5pm001r0BFáe-R2XsIG-G0aHPAdTmR+I1ReN2EKOp0OSsMlEuiT-sS2K 104K 5 EQ IN ccao--nn1155atLiUOl1n++We0110us55CHU,azTcAm2o.MU5emkIDXHnzpteru, ey--11b55bLeUOa1++W0jq110e55CHuUzlTeAa2.MlU5gokIDXHasznLaEnD-c15ianU+os1i5easAstMíéUOnoNXciulur00002345mrSWWWeMAAAi.ARRRnLMMMLaSLTHOTHdAAEULGoALNETGsEERenBYPAS50S 8K U +15 indicador LED LEVEL SET [21] se ilumine de vez en MON LOW cuando durante los pasajes fuertes de su interpretación 22. CONMUTADOR LOW CUT 80Hz UU +15 EQ MON LOHWI 8102HkHzz UU +15 EQ MON LOHWI 8102HkHzz UU +15 EQ MON LOHWI 8102HkHz z UU +15 EQ MON LOHWI 8102HkHz z UU +15 EQ MON LOHWI 8102HkHz z UU +15 EQ MON LOHWI 8102HkHz z U EQ MON FX PRESETSHI 01 BRIGHT+R1O5OM 12kHz EQ 06 CONCUERT HALL 07 PLATE REVERB 08 CATHEDRAL 09 CHORUS 10 CHORUS + REV HI 12kHz -15 U+15 U +15 +15 U o ca--115n5 tU+o+11,55y se apagu--115e5 Uc++1u155ando uste--1d155 sU+e+1155detenga. --1155 U++1155 U U U U AUFXX U AUFXX U AUFXX U AUFXX U AUFXX Si la señaMlIDllega a travésMdIDel conector dMeIDmicrófono MID MON PAN XcoLnR-t1,5roUlU+a++l11155tg5oaPtnMa2A.aO5lNkmnNHzceinatse-1e5hrUUáa+++11c1d555ieaPM02aA.O5bNkdNHaBzjo(lUo-1g5drUeUa+++11r1u555ánPuiMd2An.O5aNkaNHdzr)a, mco-p1n5aUU++e+d111l55e5 M2.O5kNHz PAN 50 Cada canal con una entrada de micrófono tiene un --1155 U++1155 U U AUFXX --1155 U++1155 U U AUFXX 02 03 04 SWW-M1AAA5RRLMMULUSLT+OTH1AEU5GANETGEER 05 WARM HALL FX 11 12 13 DDTA-EO1PL5UEABYSULL1E+AR(P13500ms) 14 DELAY 2 (380ms) ccdoiBan-1sp5mUpoU++u+or11155tr5oadcPdMte2Aoa.MO5brNkvINDHaadzj.oeTdcooe-1dr5altUoUes+++s1115l5d5a1es0PM02gAe.MO5rnNkHINDaHtzvzre,a000011scd678901 CPCCCDoaq-LOAHHO1AnTsOOu5NUTHERRBCEeUdUULuER+DE+SSRER1RenTV1+cA5E5HLRaRomAEBLVPrLpti2Ac.Mae5NkrInDHlóazdfsioe11n56fnrDRo-EEe1tVL5eEAcsPRYUeuRB3d+E+UeS(14evDE58nLTe0YmS1-n(s28)25.M05mkIDOsH)Lz 10 USB 15 1P2R5EUSETS 250 MUTE MA MO +10 INPUTULEVEL OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO dB de ganaL8nO0cHWzia al subirlo L8tO0oHWtzalmente. LOW 80Hz LOW 80Hz afectadas 8LyO0HlWaz s entradas de línea de los canales mono. LOW 12TAPESLAP LOW 80Hz 13 DELAY 1 (300ms) 80Hz MUTE LOW 80Hz L OL FX FX FX FX FX R +15 E-1n5L una +R15 +15 entrada mono -15L +R15 +15 de 1/4" h-1a5Ly++R211505 dB de ate-15Lnu++R1a155- PAN MUTE ción yU30MUdPATBAUENdXe ganaUncMiaUPATcAUEoNXmpleta,UcoMnUPATuAUEnNXa gananUciMaUPATAUENX "U"OiLndicadMaOeNn laOpL osicióMnOdNe lasOL12:00. MEOsNtos 2O0L dB deMON glorsaOL-1Lvb5eLeoU+rs+Rm1e15Me5cbnoUPoAmTMAcsFUEO,XaNeXNbdnaadjaoamspO-,1Ll5LoiycsU+s+Ra1q1o5cM5uniUóPeiAdTnMAFUuEoOXNdsXsNeedeme111456lDDRibO-cEcEE1LVaLL5LorEAARjYYónUBo23+Rf+mU((1o34sDM588Lni00uYmmnUoA(tss2))TtM5aé0UEaOmdtXOsNoe)iLcrxocd.eeFDO-p1XL5cecMojiUaó+rAU1nnMt+5Se1dTU5dEAodTMeREeUaOXN B LR 0 1 amd1t0BuenyLu"cUa+Rac1l5iióenntpe2u"e, dd1o0BesniLnsUee+R1rc5emsiutya3úatñd1i0BaledsiLraUul+R1in5nasegrr4taanrd1cu0BannaLtiUsd+Re1a5ñda5l /6 uid1n0BntelLarUed+Rso1a5 en7stoe/s8psaord1n0aBidseLorUs+R,e1e5s9sca/u1sc0fhraedcd10BouFeyXnfMUcil+iAt11a+r5S11sáT5En/nR1do2oolafrseld1cFo0BXegnTSrUOa+nT1r+M5aá1Rd5OTaNN 5 OL de EQ, o amFbXas cosas. Sin FeXste "espacio vFiXrtual", este FX MUTE es5 cOeLna+r1Mi5oUpToEdría5 cOoL nd+1uM5cUirTEa la5saOtLur+a1M5ciUóTnEde 5caOnL al+e1sM5.UTE qc5ruuOeLjilea+ns1M5tferUseTcFEyXuseanb5crioOaLssags+.r1M5aYvUneToFsEXisnótl5eorOeeLssoa,+n1Met5leUscToEsFrXuteendeen5 gmra+á1vs5es FX U dB 50 18 2 U dB PAN3 U PAN4 U ProFX8 ydPB roFX12 dB 150 150 150 P5A/6N U dB 150 P7A/8N aUyuda a9rP/e1Ad0uNcirU la po1si1bP/il1Aid2NadUde eSxTpeRrPiTAmNNentaUr sFitXuaRcPiToAN-N nd150Bes de realimend150Btación y prese5rvd10Ba el amplificadd150Bor. FX PRESETS 01 BRIGHT ROOM 02 WARM LO+U1N5GE 03FSXMUASTLBLOSTTAMHGEROUN 04 WARM THEATER 05 WARM HALL 06 CONCERT HALL 07 PLATE REVERB 08 CATHEDRAL FX RT 09 CHORUS 10 CHORUS + REV 1112dTDBAOPPUEHBSLLOEARPNMEAXS 131D0ELAY 1 (300ms) MON 14 DELAY 2 (380ms) 11565DREEVLEARYB3+(4D8L0Ym(s2)50 U U dB 150 OO OO OO OO LR LR LR LR LR LR LR LR +15 150 150 150 150 150 150 150 10 5 150 15F0X MASTER U20 U20 U20 U20 U20 U20 U20 20U U20 U20