Yamaha A5000 Owner's Manual - Page 134

Knob 3, Display], Edit-filter

Page 134 highlights

EDIT-FILTER Knob 3 [ Turn] Cutoff Use this knob to set the filter's cutoff frequency. As shown in the filter response graphs on page 133, the cutoff frequency is either the point at which the filter cutoff begins, or it is the center frequency of the pass/elimination band, depending on the filter type. [Range] 0 - 127 [ Press] QUICK... Calls the quick entry menu (page 83). Knob 4 [ Turn] Q/Width This knob sets the Q value (resonance) or width setting, depending on the filter type. [Range] 0 - 31 • When any filter type other than BandPass, BandElim, or 2Dips is selected, this parameter will vary the size of the emphasis peak near the filter cutoff frequency. With the LowPass2, HiPass2, Peak1, and Peak2 filters, setting this parameter too high can cause the sound to become distorted. • When the BandPass filter type is selected, higher values increase the width of the filter passband. • When the BandElim or 2Dips filter is selected, smaller values increase the width of the filter's elimination band. [ Press] QUICK... Calls the quick entry menu (page 83). Knob 5 [ Turn] Cutoff Distance For filter types which combine two filters (2Peaks ... LPF+HPF), it is necessary to set the cutoff frequencies for both filters. This parameter specifies the "distance" of the cutoff frequency of the second filter from that of the first filter (specified by Knob 3: Cutoff). [Range] -63 - +63 • For the LPF+Peak, HPF+Peak, and LPF+HPF filters, the cutoff frequency of the filter named to the left of the "+" is determined by Knob 3 (Cutoff). The cutoff frequency of the filter named to the right of the "+" is determined by adding the Knob 5 (Cutoff Distance) value to the Cutoff value. When Cutoff Distance is set to "0", both filters will have the same cutoff frequency. • The Cutoff Distance parameter is only available when a composite filter type is selected. [ Press] QUICK... Calls the quick entry menu (page 83). [DISPLAY] q An approximate graphic representation of the selected filter's response. Cursor w (Filter Sensitivity) Cursor w Knob 1 Turn action Cursor/Page Press action Tree View Knob 2 - - Knob 3 Cutoff Velocity Sensitivity QUICK... Knob 4 Q/Width Velocity Sensitivity QUICK... Knob 5 Filter Gain QUICK... Knob 1 Same function as Cursor q (page 133). Knob 3 [ Turn] Cutoff Velocity Sensitivity Determines how the cutoff frequency changes in response to velocity. If you set the value to 0, the cutoff frequency remains the same at all velocities. [Range] -63 - +63, Rnd1 - Rnd5 • Positive values cause the cutoff frequency to move up as velocity increases, while negative values cause the frequency to move down as velocity increases. • For the Rnd1 - Rnd 5 settings, higher Rnd values produce a greater random variation in cutoff frequency for each note sounded. [ Press] QUICK... Calls the quick entry menu (page 83). Knob 4 [ Turn] Q/Width Velocity Sensitivity Determines how the Q/width value changes in response to velocity. [Range] -63 - +63, Rnd1 - Rnd5 • If you set the value to 0, the Q/width value remains the same at all velocities. Positive values cause the value to increase as velocity increases, while negative values cause the value to decrease as velocity increases. • For the Rnd1 - Rnd 5 settings, higher Rnd values produce a greater random variation in Q/Width for each note sounded. [ Press] QUICK... Calls the quick entry menu (page 83). Knob 5 [ Turn] Filter Gain Use this knob to set the filter's output level. Note that high settings may produce distortion when used with certain sample sounds or when many samples are played together. [Range] -31 - +31 [ Press] QUICK... Calls the quick entry menu (page 83). 134 Chapter 5 EDIT Mode • A5000/A4000 q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q q

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EDIT-FILTER
134
Chapter 5
EDIT Mode
• A5000/A4000
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
Knob 3
[
Turn]
Cutoff
Use this knob to set the filter’s cutoff frequency.
As shown in the filter response graphs on page 133, the
cutoff frequency is either the point at which the filter cutoff
begins, or it is the center frequency of the pass/elimina-
tion band, depending on the filter type.
[Range]
0 — 127
[
Press] QUICK...
Calls the quick entry menu (page 83).
Knob 4
[
Turn]
Q/Width
This knob sets the Q value (resonance) or width setting,
depending on the filter type.
[Range]
0 — 31
When any filter type other than BandPass, BandElim,
or 2Dips is selected, this parameter will vary the size
of the emphasis peak near the filter cutoff frequency.
With the LowPass2, HiPass2, Peak1, and Peak2 fil-
ters, setting this parameter too high can cause the
sound to become distorted.
• When the BandPass filter type is selected, higher
values increase the width of the filter passband.
• When the BandElim or 2Dips filter is selected,
smaller values increase the width of the filter's elimi-
nation band.
[
Press] QUICK...
Calls the quick entry menu (page 83).
Knob 5
[
Turn]
Cutoff Distance
For filter types which combine two filters (2Peaks ...
LPF+HPF), it is necessary to set the cutoff frequencies
for both filters. This parameter specifies the "distance" of
the cutoff frequency of the second filter from that of the
first filter (specified by Knob 3: Cutoff).
[Range]
-63 — +63
For the LPF+Peak, HPF+Peak, and LPF+HPF filters,
the cutoff frequency of the filter named to the left of
the "+" is determined by Knob 3 (Cutoff). The cutoff
frequency of the filter named to the right of the "+" is
determined by adding the Knob 5 (Cutoff Distance)
value to the Cutoff value. When Cutoff Distance is
set to "0", both filters will have the same cutoff fre-
quency.
• The Cutoff Distance parameter is only available
when
a composite filter type is selected.
[
Press] QUICK...
Calls the quick entry menu (page 83).
[DISPLAY]
q
An approximate graphic representation of the selected filter's
response.
Knob 1
Same function as Cursor
q
(page 133).
Knob 3
[
Turn]
Cutoff Velocity Sensitivity
Determines how the cutoff frequency changes in
response to velocity. If you set the value to 0, the cutoff
frequency remains the same at all velocities.
[Range]
-63 — +63,
Rnd1 — Rnd5
• Positive values cause the cutoff frequency to move
up as velocity increases, while negative values
cause the frequency to move down as velocity
increases.
• For the Rnd1 — Rnd 5 settings, higher Rnd values
produce a greater random variation in cutoff fre-
quency for each note sounded.
[
Press] QUICK...
Calls the quick entry menu (page 83).
Knob 4
[
Turn]
Q/Width Velocity Sensitivity
Determines how the Q/width value changes in response
to velocity.
[Range]
-63 — +63,
Rnd1 — Rnd5
• If you set the value to 0, the Q/width value remains
the same at all velocities. Positive values cause the
value to increase as velocity increases, while nega-
tive values cause the value to decrease as velocity
increases.
• For the Rnd1 — Rnd 5 settings, higher Rnd values
produce a greater random variation in Q/Width for
each note sounded.
[
Press] QUICK...
Calls the quick entry menu (page 83).
Knob 5
[
Turn]
Filter Gain
Use this knob to set the filter’s output level.
Note that high settings may produce distortion when used
with certain sample sounds or when many samples are
played together.
[Range]
-31 — +31
[
Press] QUICK...
Calls the quick entry menu (page 83).
Cursor
w
(Filter Sensitivity)
Knob 1
Knob 2
Knob 3
Knob 4
Knob 5
Turn
action
Cursor/Page
Cutoff Veloci-
ty Sensitivity
Q/Width
Velocity
Sensitivity
Filter Gain
Press
action
Tree View
QUICK...
QUICK...
QUICK...
w
Cursor