Yamaha A5000 Owner's Manual - Page 258

Effect Parameter List

Page 258 highlights

Effect Parameter List Effect Parameter List This section explains the meaning of each parameter in each effect. The tables give the parameter number, the range of settings (or selections), and the explanation. ("@" marked parameters have no effect even if a program controller is assigned to the function) 1: DIGITAL SCRATCH 1 Input Level 2 Initial Delay 3 Scratch Speed 4 Scratch Depth 5 Auto Pan Speed 6 Auto Pan Depth 7 EQ Frequency 8 EQ Gain 9 EQ Width 10 HPF Frequency 11 Dry/Wet Balance 0 - 127 0.1 - 460.0ms 1 - 127 0 - 127 0.00Hz - 39.7Hz 0 - 127 100Hz - 10.0kHz -12 - +12dB 1.0 - 12.0 thru, 20Hz - 8.0kHz D63>W - D=W - DW - D=W - DW - D=W - DW - D=W - DW - D=W - D

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Effect Parameter List
258
Appendix
• A5000/A4000
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Effect Parameter List
This section explains the meaning of each parameter in each effect.
The tables give the parameter number, the range of settings (or selections), and the explanation.
(“@” marked parameters have no effect even if a program controller is assigned to the function)
1: DIGITAL SCRATCH
1
Input Level
0 — 127
Scratch depth
2
Initial Delay
0.1 — 460.0ms
Delay time
3
Scratch Speed
1 — 127
Scratch modulation frequency
4
Scratch Depth
0 — 127
Scratch modulation depth
5
Auto Pan Speed
0.00Hz — 39.7Hz
Autopan frequency
6
Auto Pan Depth
0 — 127
Autopan depth
7
EQ Frequency
100Hz — 10.0kHz
Frequency at which the EQ will boost/cut the mid range
8
EQ Gain
-12 — +12dB
Gain by which the EQ will boost/cut the mid range
9
EQ Width
1.0 — 12.0
Width of the mid range area boosted/cut by the EQ
10
HPF Frequency
thru, 20Hz — 8.0kHz
Frequency at which the high pass filter will cut the low range
11
Dry/Wet Balance
D63>W — D=W — D<W63
Balance between dry sound and effect sound
2: AUTO SYNTH
1
Mod Speed
0 — 127
Modulation speed
2
Mod Wave Type
TypeA,TypeB,TypeC,TypeD
Modulation type
3
Mod Depth
0 — 127
Modulation depth
4
Mod Depth Ofst R
-64 — +63
R ch offset relative to modulation depth
5
LPF Frequency
1.0kHz — 18.0kHz,thru
Frequency at which the low pass filter will cut the high range
6
HPF Frequency
thru,22Hz — 8.0kHz
Frequency at which the high pass filter will cut the low range
7
Dry Mix Level
0 — 127
Add dry sound before the delay input
8
Delay Time
0.1 — 370.0ms
Delay time
9
Delay Time Ofst R
0 — -884
Delay time offset for the R ch offset
10
Feedback Level
-63 — +63
Feedback amount
11
FB Level Ofst R
-63 — +63
Feedback offset for the R ch
12
Delay Level
0 — 127
Delay level
13
AM Speed
0 — 127
Modulation frequency
14
AM Wave
tri,sine,saw up,saw down
Select modulation waveform
15
AM Depth
0 — 127
Amplitude modulation depth
16
AM Inverse R
normal,inverse
Left/right phase reversal of the amplitude modulation signal
3: TECH MODULATION
1
Mod Speed
0 — 127
Modulation speed
2
Mod Depth
0 — 127
Modulation depth
3
Pre Mod HPF Freq
thru, 20Hz — 8.0kHz
Frequency at which the high pass filter will cut the low range
4
Mod Gain
-12 — +12dB
Gain of the modulation signal
5
Mod LPF Frequency
1.0kHz — 18.0kHz, thru
Frequency at which the low pass filter will cut the high range
6
Mod LPF Resonance
1.0 — 12.0
Resonance of the low pass filter
7
Mod Mix Balance
D63>W — D=W — D<W63
Balance between the effect sound and the dry sound before the delay input
8
Delay Time
0.1 — 740.0ms
Delay time
9
Delay Time Ofst R
0 — -884
Delay time offset for the R ch
10
Feedback Level
-64 — +63
Feedback amount
11
FB Level Ofst R
-64 — +63
Feedback offset for the R ch
12
Feedback High Damp
0.1 — 1.0
Adjust the high range attenuation (lower values will cause the high range to decay faster)
13
FB Hi Damp Ofst R
-0.9 — +0.9
High Damp offset for the R ch
14
Dry/Wet Balance
D63>W — D=W — D<W63
Balance between the dry sound and effect sound
4: NOISY MOD DELAY
1
Dry/Wet Balance
D63>W — D=W — D<W63
Balance between the dry sound and the effect sound
2
Mod Speed
0 — 127
Delay modulation frequency
3
Mod Wave Type
Type-A, Type-B, Type-C, Type-D
Modulation type
4
Mod Depth
0 — 127
Modulation depth
5
Delay Time
0.1ms — 650.0ms
Delay time
6
Feedback Level
-63 — +63
Feedback amount
7
Mod Mix Balance
1 — 127
Balance between delay sound and delay bypass sound
8
EQ High Gain
-12dB — +12dB
Gain by which the EQ will boost/cut the high range
9
HPF Frequency
thru, 20Hz — 8.0kHz
Frequency at which the high pass filter will cut the low range
5: NOISE AMBIENT
1
Dry/Wet Balance
D63>W — D=W — D<W63
Balance between dry sound and effect sound
2
Mod Speed
0 — 127
Modulation speed
3
Mod Depth
0 — 127
Modulation depth
4
Noise Level
0 — 127
Level of noise component
5
LPF Frequency
1.0kHz — 18.0kHz,thru
Frequency at which the low pass filter will cut the high range
6
Dry Mix Level
0 — 127
Pre-delay dry level
7
Delay Time
0.1 — 370.0ms
Delay time
8
Delay Time Ofst R
0 — -884
Delay time offset for the R ch
9
Feedback Level
-63 — +63
Feedback amount
10
Dry Level
0 — 127
Delay level
11
AM Speed
0.0Hz — 39.70Hz
Modulation frequency
12
AM Wave
tri,sine,saw up,saw down
Modulation waveform selection
13
AM Depth
0 — 127
Depth of amplitude modulation
14
AM Inverse R
normal,inverse
Invert left/right phase of amplitude modulation signal