Yamaha CLP-240 Owner's Manual - Page 29

Recording Your Performance, Recording a performance quickly - vs

Page 29 highlights

ENGLISH Recording Your Performance Recording Your Performance The ability to record and play back what you've played on the CLP240/230 keyboard can be an effective practice aid. You can, for example, record just the left-hand part, and then practice the right-hand part while playing back the recorded left-hand part. Or, since you can record up to two parts separately, you could record the left- and righthand parts separately, or record both parts of a duet and hear how they sound when played back. The two-part Song Recorder on the CLP240/230 allows the recording of up to three User songs (U01-U03) to the instrument. On the CLP-240, the User songs can be saved to an optional USB storage device. TERMINOLOGY Recording vs. Saving: The format of performance data recorded on a cassette tape differs from that of data recorded on the Clavinova. A cassette tape records audio signals. The Clavinova "saves" information regarding note timing, voices, and a tempo value, but not audio signals. When you play back recorded songs, the Clavinova produces sound based on the saved information. Therefore, recording on the Clavinova may be more accurately called "saving information." However, this book often uses the word "recording" because it seems to make more sense. NOTE You can record your performance (audio data) to a cassette tape recorder or other recording device via the AUX OUT jack (page 56). Recording a performance quickly This convenient and simple recording method lets you quickly record your performance without specifying the recording parts-useful, for example, in recording solo piano pieces. In this way, the performance is automatically recorded to right part. 24 4 35 NOTE When the unit is in Demo Song mode or during a file operation (CLP-240), Record mode cannot be engaged. MIN MAX MASTER VOLUME DEMO ON TRANSPOSE REC LEFT RIGHT STOP PLAY/PAUSE USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. ON/OFF TEMPO METRONOME FUNCTION# SYNC START SONG SONG SELECT FILE TEMPO / FUNCTION# TEMPO/OTHER VALUE - / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSI- E.CLAVICHORD CHORD VIBRAPHONE VARIATION CHURCH JAZZ ORGAN ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT ROOM CHORUS BRIGHT HALL 1 PHASER HARD NORMAL HALL 2 TREMOLO MEDIUM MELLOW STAGE ROTARY SP SOFT ON VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP- 240 Procedure CAUTION To avoid erasing previously recorded song(s): If the song contains data, the part indicator lights up green when you select a song. Note that recording new data on this part will erase the existing data. (CLP-240) You cannot record the performance to the connected USB storage device directly. The recorded songs are saved to the instrument automatically. If you want to save data to the device, perform the Save operation (page 36) after stopping recording. 1. Make all the initial settings. Before you begin to record, select the voice you want to record (or voices if you will be using Dual or Split mode). Make any other desired settings (reverb, effect, etc.) as well. You might also want to set the volume. You can also adjust the playback volume using the [MASTER VOLUME] slider. CLP-240/230 Owner's Manual 29

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Recording Your Performance
CLP-240/230
Owner’s Manual
ENGLISH
29
Recording Your Performance
The ability to record and play back what you’ve played on the CLP-
240/230 keyboard can be an effective practice aid. You can, for exam-
ple, record just the left-hand part, and then practice the right-hand
part while playing back the recorded left-hand part. Or, since you can
record up to two parts separately, you could record the left- and right-
hand parts separately, or record both parts of a duet and hear how they
sound when played back. The two-part Song Recorder on the CLP-
240/230 allows the recording of up to three User songs (U01-U03) to
the instrument. On the CLP-240, the User songs can be saved to an
optional USB storage device.
Recording a performance quickly
This convenient and simple recording method lets you quickly record
your performance without specifying the recording parts—useful, for
example, in recording solo piano pieces.
In this way, the performance is automatically recorded to right part.
CAUTION
To avoid erasing previously recorded song(s):
If the song contains data, the part indicator lights up green when you select a song.
Note that recording new data on this part will erase the existing data.
(CLP-240)
You cannot record the performance to the connected USB storage device
directly. The recorded songs are saved to the instrument automatically. If you want to
save data to the device, perform the Save operation (page 36) after stopping recording.
1.
Make all the initial settings.
Before you begin to record, select the voice you want to record (or voices if you
will be using Dual or Split mode). Make any other desired settings (reverb,
effect, etc.) as well. You might also want to set the volume.
You can also adjust the playback volume using the
[MASTER VOLUME]
slider.
NOTE
You can record your performance
(audio data) to a cassette tape
recorder or other recording
device via the AUX OUT jack
(page 56).
TERMINOLOGY
Recording vs. Saving:
The format of performance data recorded on a cassette tape differs from that of data recorded on the
Clavinova. A cassette tape records audio signals. The Clavinova “saves” information regarding note
timing, voices, and a tempo value, but not audio signals. When you play back recorded songs, the
Clavinova produces sound based on the saved information. Therefore, recording on the Clavinova
may be more accurately called “saving information.” However, this book often uses the word “record-
ing” because it seems to make more sense.
NOTE
When the unit is in Demo Song
mode or during a file operation
(CLP-240), Record mode cannot
be engaged.
MAX
MIN
MASTER
V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT
RIGHT
S
O
NG SELE
C
T
FILE
PLAY
/
PAUSE
STOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N
#
TEMP
O
/
O
THER
VALUE
USB
USER
PRESET
SAVE
/
EXP.
L
O
AD
F
O
RMAT
/
DEL.
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TARY
SP
TOUCH
DDE
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N
#
VARIATI
O
N
SPLIT
ON
GUITAR
VIBRA-
PH
O
NE
E.CLAVI-
C
H
O
RD
HARPSI-
CH
O
RD
W
OO
D
BASS
E.BASS
E.PIAN
O
2
E.PIAN
O
1
GRAND
PIANO
1
CHURCH
ORGAN
JAZZ
O
RGAN
GRAND
PIAN
O
2
STRINGS
CH
O
IR
V
O
ICE
CLP
-240
2 4
4
3 5
Procedure