Apple MA434Z/A User Manual - Page 199

6 Set the OutputFrameRate to match the InputFrameRate parameter. 7 While you're working in Shake, leave the OutputFrameInterlaced parameter in the OutputFrameRate subtree turned off. Once you've finished and you're ready to render the resulting composite from your script as an interlaced image sequence, turn OutputFrameInterlaced on. Removing Interlacing If you're reading in interlaced media with the intention of rendering out a noninterlaced result, or if you're adding an interlaced shot to other, non-interlaced media, you can permanently remove the interlacing, recreating progressive frames from the original field information. Note: This is a much higher-quality method than the DeInterlace node found in previous versions of Shake. To remove interlacing from the original source media: 1 With a FileIn node's parameters loaded into the Parameters tab, open the Timing tab. 2 Set the reTiming parameter to Convert. Additional parameters appear below. 3 Set the InputFrameRate parameter to match the format of the original interlaced video media (NTSC or PAL). 4 Open the InputFrameRate subtree, and turn on InputFrameInterlaced. The InputFrameDominance defaults to the same setting as the deInterlacing parameter in the Source tab. 5 Set the OutputFrameRate to the desired output frame rate, either to match the media's original frame rate, or to convert the media to another format. In this example, the media is being converted to 24p (progressive-scan). Chapter 6 Importing Video and Anamorphic Film 199