Mackie SR244 VLZ Pro / SR324 VLZ Pro SRVLZ Pro Owner's Manual (Deutsch) - Page 9

ANWENDUNGSDIAGRAMME  SRM450 Aktivmonitore Bühnen-Monitor Endstufe FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN CH CH 1 2 Grafischer EQ Bühnen-Monitor Endstufe FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN CH CH 1 2 Grafischer EQ Stereo-Reverb 1 Band in einem Club Stereo Reverb 2 1 2 L R PHONES TALKBACK MAIN OUTS MONO L R 1 2 3 4 MAIN OUTS MAIN INSERTS L R AUX SENDS 5 6 CNTRL RM OUT L R 1 2 L R L R AUX RETURNS L R L R 3 4 1 2 3 4 SUB OUTS 5 6 7 8 1 2 21 22 SUB INSERTS 3 4 L R STEREO CHANNELS L R 23 24 LR TAPE IN TAPE OUT LR 2-Spur-Recorder Endstufe FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN CH CH 1 2 Zonen-Box StereoEQ StereoCompressor Sonic Maximizer Stereo Digital-Delay Tapedeck Harmonizer HINWEIS: Steuern Sie den Eingangspegel mit den Control Room Outs anstatt den Tape Outs. Kan. Gerät 1 kick 2 snare 3 hi hat 4 tom 1 5 tom 2 6 tom 3 7 drum overhead mic L 8 drum overhead mic R Input Insert mic gate mic gate mic mic gate mic gate mic mic mic compressor Zuordnung submix 1 submix 1 submix 1 submix 1 submix 1 submix 1 submix 1 submix 1 Kan. Gerät 9 bass mic 10 bass direkt 11 gitarren-mic 12 gitarre direkt 13 Akustikgitarre 14 piano tief 15 piano hoch Input Insert mic line mic compressor line compressor mic mic mic Zuordnung submix 2 submix 2 submix 3 submix 3 submix 3 L/R bus L/R bus Kan. Gerät 16 keyboard submix L 17 keyboard submix R 18 gesangs-mic 1 19 gesangs-mic 2 20 gesangs-mic 3 21-22* stereo-reverb 23-24† stereo-delay Input Insert line line mic mic mic * 29-30 beim 32•4-VLZ PRO † 31-32 beim 32•4-VLZ PRO Zuordnung L/R bus L/R bus Submix 4 Submix 4 Submix 4 L/R mix Submix 4