Mackie SR408 / SR568 Owner's Manual - Page 27

Main Aux Returns A1-a4

Page 27 highlights

PRE FDR/POST EQ (AUX SENDS 5-8) Point Before: Fader (switch up), EQ IN (switch down). Point After: AUX sends 5-8 . This switch has one difference from the PRE switch for AUX sends 1-4: In the PRE mode (named POST EQ), the tap point is still before the Channel Fader, but after the EQ, instead of before. If you prefer that your stage monitor mixes have EQ, use these AUX sends with this switch down. If you prefer no EQ, use AUX sends 1-4 with the PRE switch down. Main Aux +15 Returns (A1-A4) +10 Top to bottom: +5 High Shelving, 0 High-Mid Peaking, Low- -5 Mid Peaking, -10 Low Shelving, -15 High Pass 20Hz 100Hz 1kHz 10kHz 20kHz Filter. +15 +10 +5 0 -5 -10 -15 20Hz 100Hz 1kHz 10kHz 20kHz +15 +10 +5 0 -5 -10 -15 20Hz 100Hz 1kHz 10kHz 20kHz +15 +10 +5 0 -5 -10 -15 20Hz 100Hz 1kHz 10kHz 20kHz MAIN AUX RETURNS (A1-A4) You've no doubt noticed that the MAIN AUX RETURNS (A1-A4) look suspiciously like the Channels. That's because they are Channels, but they're stereo instead of mono, with full routing to the LEFT/RIGHT/CENTER and Subgroup mixes, AUX sends and SOLO. we'll just cover the things that are different. TRIM The only difference between the Channel TRIM and this one is the gain range (and the fact that this one is stereo). With the control fully down there will be 10dB of attenuation. With the control fully up, 10dB of boost. Perform the Level-Setting Procedure every time you patch in a new sound source to these stereo Channels, to assure maximum headroom and minimum noise. HPF This operates the same way as it does on the Channels - engage the switch to activate the HPF (high pass filter). The difference is that the frequency is not adjustable - it's preset at 150Hz, with a 18dB per octave curve. We recommend that you leave the HPF engaged at all times unless the signal has important ultra-low-frequency content that would be diminished by using a 150Hz HPF. However, these stereo Channels are designed to handle AUX return signals, and those signals rarely have this ultra-low-frequency content. EQ The MAIN AUX RETURNS (A1-A4) have 4-band EQ, but the two midrange bands do not have frequency sweep controls. The frequencies are fixed at 12kHz (HI shelving), 3kHz (HI-MID bandpass), 800Hz (LOW-MID bandpass), and 80Hz (LOW shelving). Using HPF with EQ allows you to boost the LOW EQ without boosting the subsonic debris, cleaning up your mix and conserving amplifier power. We highly recommend its use. +15 +10 +5 0 -5 -10 -15 20Hz 100Hz 1kHz 10kHz 20kHz 27 U -10 +10 TRIM A 4 U AUX 1 OO OO OO OO OO OO OO OO +15 U 2 +15 U 3 +15 U 4 +15 A4 PRE U 5 +15 U 6 +15 U 7 +15 U 8 +15 PRE FDR POST EQ U EQ HI 12k -15 +15 U -15 +15 U HI MID 3k -15 +15 U LOW MID 800Hz -15 +15 LOW 80Hz EQ IN LOW CUT 150 Hz 18dB/OCT

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27
PRE FDR/POST EQ (AUX SENDS 5–8)
Point Before: Fader
(switch up),
EQ IN
(switch down).
Point After:
AUX
sends
5–8
.
This switch has one difference from the
PRE
switch for
AUX
sends
1–4:
In the
PRE
mode
(named
POST EQ
), the tap point is still before
the Channel Fader, but after the
EQ
, instead of
before. If you prefer that your stage monitor
mixes have
EQ
, use these
AUX
sends with this
switch down. If you prefer no
EQ
, use
AUX
sends
1–4
with the
PRE
switch down.
MAIN AUX RETURNS (A1–A4)
You’ve no doubt noticed that the
MAIN AUX
RETURNS (A1–A4
) look suspiciously like the
Channels. That’s because they
are
Channels,
but they’re stereo instead of mono, with full
routing to the
LEFT/RIGHT/CENTER
and Sub-
group mixes,
AUX
sends and
SOLO
. we’ll just
cover the things that are different.
TRIM
The only difference between the Channel
TRIM
and this one is the gain range (and
the fact that this one is stereo). With the control
fully down there will be 10dB of attenuation.
With the control fully up, 10dB of boost.
Perform the
Level-Setting Procedure
every time you patch in a new sound source to
these stereo Channels, to assure maximum
headroom and minimum noise.
HPF
This operates the same way as it does on
the Channels — engage the switch to activate
the
HPF
(high pass filter). The difference is
that the frequency is not adjustable — it’s pre-
set at 150Hz, with a 18dB per octave curve.
We recommend that you leave the
HPF
engaged at all times unless the signal has im-
portant ultra-low-frequency content that would
be diminished by using a 150Hz
HPF
. However,
these stereo Channels are designed to handle
AUX
return signals, and those signals rarely
have this ultra-low-frequency content.
EQ
The
MAIN AUX RETURNS
(
A1
A4
) have
4-band
EQ
, but the two midrange bands do not
have frequency sweep controls. The
frequencies are fixed at 12kHz (
HI
shelving),
3kHz (
HI-MID
bandpass), 800Hz (
LOW-MID
bandpass), and 80Hz (
LOW
shelving).
Using
HPF
with
EQ
allows you to boost
the
LOW EQ
without boosting the subsonic
debris, cleaning up your mix and conserving
amplifier power. We highly recommend its use.
-10
+10
U
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
LOW CUT
150 Hz
18dB/OCT
A
4
1
PRE
2
3
5
6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
4
PRE FDR
POST EQ
7
8
HI
MID
3k
LOW
MID
800Hz
A4
TRIM
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
Main Aux
Returns
(A1–A4)
Top to bottom:
High Shelving,
High-Mid
Peaking, Low-
Mid Peaking,
Low Shelving,
High Pass
Filter.