Mackie SR408 / SR568 Owner's Manual - Page 6

Contents

Page 6 highlights

CONTENTS READ THIS PAGE 3 LEVEL-SETTING PROCEDURE 3 HYPER-QUICK-TURBO METHOD 3 ALTERNATE METHOD 3 OTHER NUGGETS OF WISDOM 3 INTRODUCTION 4 SR40•8 HOOKUP EXAMPLES 8 OVERVIEW: THE SR40•8 IN A NUTSHELL 10 MIXING 10 MATRIX 10 STAGE MONITORS & EFFECTS 10 MONITORING, SOLO & METERING 11 TALKBACK & INTERCOM 11 ULTRA MUTE 11 SWITCH POSITIONS 11 PATCH PANEL 12 E-Z INTERFACE 12 MIC INPUT 12 LINE IN 13 INSERT SEND AND RETURN 13 DIRECT OUT 13 MAIN AUX RETURNS (A1-A4 14 "B" AUX RETURNS 14 TAPE INPUT 15 TAPE A OUTPUT 15 TAPE B OUTPUT 15 AUX SEND 15 MAIN OUTPUTS 16 MAIN INSERTS 16 SUB OUTPUTS 16 SUB INSERTS 17 HEADPHONES 17 L-INSERT, R-INSERT (HEADPHONES 17 MONITOR 18 TALKBACK 18 TALKBACK MIC INPUT 18 INTERCOM 19 MATRIX OUTPUTS 19 MATRIX INPUTS 19 DC POWER IN 19 MIDI IN/OUT 19 DATA 19 CHANNEL 20 "U" LIKE UNITY GAIN 20 CHANNEL INPUT CONTROLS 20 +48 PH (PHANTOM POWER 20 TRIM 20 Ø (POLARITY REVERSAL 20 EQ 21 HI 12K 21 HI MID AND FREQ 21 LOW MID AND FREQ 22 LOW 80HZ 22 EQ IN 22 HPF AND FREQ 22 CHANNEL OUTPUT CONTROLS 23 MUTE 23 FADER 24 A CLEAN FADE 24 PAN 24 CONSTANT LOUDNESS 24 1-2, 3-4, 5-6, 7-8, L-R (ASSIGN 24 CENTER (ASSIGN 25 SOLO 25 METER 26 AUX SEND 26 PRE switch (AUX 1-4 26 PRE FDR/POST EQ (AUX SENDS 5-8) ... 27 MAIN AUX RETURNS (A1-A4 27 TRIM 27 HPF 27 EQ 27 PAN 28 1-2, 3-4, 5-6, 7-8, L-R (ASSIGN 28 CENTER (ASSIGN 28 SOLO 28 METER 28 AUX SEND 28 OUTPUT SECTION 29 LEFT/RIGHT/CENTER MIXES 29 LEFT FADER 29 RIGHT FADER 29 FADER LINK 29 CENTER FADER 30 SOLO 30 SUBS (SUB 1-8 MIXES 31 FADER 31 MUTE 31 PAN 31 L-R (ASSIGN 31 CENTER (ASSIGN 31 SOLO 32 AIR 32 METERS 32 "B" AUX RETURNS and TAPE RETURNS ... 33 LEVEL 33 MUTE 33 SOLO 33 6

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6
CONTENTS
READ THIS PAGE!!!
....................................................
3
LEVEL-SETTING PROCEDURE
.........................
3
HYPER-QUICK-TURBO METHOD
....................
3
ALTERNATE METHOD
....................................
3
OTHER NUGGETS OF WISDOM
......................
3
INTRODUCTION
.........................................................
4
SR40•8 HOOKUP EXAMPLES
..............................
8
OVERVIEW: THE SR40•8 IN A NUTSHELL
.................
10
MIXING
......................................................
10
MATRIX
.....................................................
10
STAGE MONITORS & EFFECTS
......................
10
MONITORING, SOLO & METERING
..............
11
TALKBACK & INTERCOM
.............................
11
ULTRA MUTE™
...........................................
11
SWITCH POSITIONS
....................................
11
PATCH PANEL
...................................................
12
E-Z INTERFACE
............................................
12
MIC INPUT
..................................................
12
LINE IN
.......................................................
13
INSERT SEND AND RETURN
.........................
13
DIRECT OUT
................................................
13
MAIN AUX RETURNS (A1–A4)
....................
14
“B” AUX RETURNS
.....................................
14
TAPE INPUT
................................................
15
TAPE A OUTPUT
..........................................
15
TAPE B OUTPUT
..........................................
15
AUX SEND
..................................................
15
MAIN OUTPUTS
..........................................
16
MAIN INSERTS
............................................
16
SUB OUTPUTS
.............................................
16
SUB INSERTS
..............................................
17
HEADPHONES
.......................................
17
L-INSERT, R-INSERT (HEADPHONES)
...........
17
MONITOR
...................................................
18
TALKBACK
..................................................
18
TALKBACK MIC INPUT
...........................
18
INTERCOM
..................................................
19
MATRIX OUTPUTS
......................................
19
MATRIX INPUTS
.........................................
19
DC POWER IN
.............................................
19
MIDI IN/OUT
..............................................
19
DATA
..........................................................
19
CHANNEL
..........................................................
20
“U” LIKE UNITY GAIN
.................................
20
CHANNEL INPUT CONTROLS
.......................
20
+48 PH (PHANTOM POWER)
................
20
TRIM
....................................................
20
Ø (POLARITY REVERSAL)
......................
20
EQ
..............................................................
21
HI 12K
.................................................
21
HI MID AND
FREQ
..........................
21
LOW MID AND
FREQ
......................
22
LOW 80HZ
...........................................
22
EQ IN
...................................................
22
HPF AND
FREQ
...............................
22
CHANNEL OUTPUT CONTROLS
....................
23
MUTE
...................................................
23
FADER
..................................................
24
A CLEAN FADE
......................................
24
PAN
.....................................................
24
CONSTANT LOUDNESS
..........................
24
1-2, 3-4, 5-6, 7-8, L-R (ASSIGN)
..........
24
CENTER (ASSIGN)
.................................
25
SOLO
...................................................
25
METER
.................................................
26
AUX SEND
............................................
26
PRE switch (AUX 1–4)
..........................
26
PRE FDR/POST EQ (AUX SENDS 5–8)
... 27
MAIN AUX RETURNS (A1–A4)
....................
27
TRIM
....................................................
27
HPF
......................................................
27
EQ
........................................................
27
PAN
.....................................................
28
1-2, 3-4, 5-6, 7-8, L-R (ASSIGN)
..........
28
CENTER (ASSIGN)
.................................
28
SOLO
...................................................
28
METER
.................................................
28
AUX SEND
............................................
28
OUTPUT SECTION
..............................................
29
LEFT/RIGHT/CENTER MIXES
.......................
29
LEFT FADER
..........................................
29
RIGHT FADER
.......................................
29
FADER LINK
..........................................
29
CENTER FADER
.....................................
30
SOLO
...................................................
30
SUBS (SUB 1-8 MIXES)
...............................
31
FADER
..................................................
31
MUTE
...................................................
31
PAN
.....................................................
31
L-R (ASSIGN)
.......................................
31
CENTER (ASSIGN)
.................................
31
SOLO
...................................................
32
AIR
......................................................
32
METERS
................................................
32
“B” AUX RETURNS and
TAPE RETURNS
... 33
LEVEL
...................................................
33
MUTE
...................................................
33
SOLO
...................................................
33