6
CONTENTS
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....................................................
3
LEVEL-SETTING PROCEDURE
.........................
3
HYPER-QUICK-TURBO METHOD
....................
3
ALTERNATE METHOD
....................................
3
OTHER NUGGETS OF WISDOM
......................
3
INTRODUCTION
.........................................................
4
SR40•8 HOOKUP EXAMPLES
..............................
8
OVERVIEW: THE SR40•8 IN A NUTSHELL
.................
10
MIXING
......................................................
10
MATRIX
.....................................................
10
STAGE MONITORS & EFFECTS
......................
10
MONITORING, SOLO & METERING
..............
11
TALKBACK & INTERCOM
.............................
11
ULTRA MUTE™
...........................................
11
SWITCH POSITIONS
....................................
11
PATCH PANEL
...................................................
12
E-Z INTERFACE
............................................
12
MIC INPUT
..................................................
12
LINE IN
.......................................................
13
INSERT SEND AND RETURN
.........................
13
DIRECT OUT
................................................
13
MAIN AUX RETURNS (A1–A4)
....................
14
“B” AUX RETURNS
.....................................
14
TAPE INPUT
................................................
15
TAPE A OUTPUT
..........................................
15
TAPE B OUTPUT
..........................................
15
AUX SEND
..................................................
15
MAIN OUTPUTS
..........................................
16
MAIN INSERTS
............................................
16
SUB OUTPUTS
.............................................
16
SUB INSERTS
..............................................
17
HEADPHONES
.......................................
17
L-INSERT, R-INSERT (HEADPHONES)
...........
17
MONITOR
...................................................
18
TALKBACK
..................................................
18
TALKBACK MIC INPUT
...........................
18
INTERCOM
..................................................
19
MATRIX OUTPUTS
......................................
19
MATRIX INPUTS
.........................................
19
DC POWER IN
.............................................
19
MIDI IN/OUT
..............................................
19
DATA
..........................................................
19
CHANNEL
..........................................................
20
“U” LIKE UNITY GAIN
.................................
20
CHANNEL INPUT CONTROLS
.......................
20
+48 PH (PHANTOM POWER)
................
20
TRIM
....................................................
20
Ø (POLARITY REVERSAL)
......................
20
EQ
..............................................................
21
HI 12K
.................................................
21
HI MID AND
FREQ
..........................
21
LOW MID AND
FREQ
......................
22
LOW 80HZ
...........................................
22
EQ IN
...................................................
22
HPF AND
FREQ
...............................
22
CHANNEL OUTPUT CONTROLS
....................
23
MUTE
...................................................
23
FADER
..................................................
24
A CLEAN FADE
......................................
24
PAN
.....................................................
24
CONSTANT LOUDNESS
..........................
24
1-2, 3-4, 5-6, 7-8, L-R (ASSIGN)
..........
24
CENTER (ASSIGN)
.................................
25
SOLO
...................................................
25
METER
.................................................
26
AUX SEND
............................................
26
PRE switch (AUX 1–4)
..........................
26
PRE FDR/POST EQ (AUX SENDS 5–8)
... 27
MAIN AUX RETURNS (A1–A4)
....................
27
TRIM
....................................................
27
HPF
......................................................
27
EQ
........................................................
27
PAN
.....................................................
28
1-2, 3-4, 5-6, 7-8, L-R (ASSIGN)
..........
28
CENTER (ASSIGN)
.................................
28
SOLO
...................................................
28
METER
.................................................
28
AUX SEND
............................................
28
OUTPUT SECTION
..............................................
29
LEFT/RIGHT/CENTER MIXES
.......................
29
LEFT FADER
..........................................
29
RIGHT FADER
.......................................
29
FADER LINK
..........................................
29
CENTER FADER
.....................................
30
SOLO
...................................................
30
SUBS (SUB 1-8 MIXES)
...............................
31
FADER
..................................................
31
MUTE
...................................................
31
PAN
.....................................................
31
L-R (ASSIGN)
.......................................
31
CENTER (ASSIGN)
.................................
31
SOLO
...................................................
32
AIR
......................................................
32
METERS
................................................
32
“B” AUX RETURNS and
TAPE RETURNS
... 33
LEVEL
...................................................
33
MUTE
...................................................
33
SOLO
...................................................
33