Mackie SR408 / SR568 Owner's Manual - Page 30

Center Fader

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CENTER FADER Point Before: MAIN INSERTS . Point After: MAIN OUTPUTS . The CENTER mix is off with this Fader fully down, the "U" marking is unity gain, and fully up provides 10dB additional gain. Remember that the CENTER mix is not actually related to the LEFT and RIGHT mix (except that they usually wind up singing to the same audience). Ride the CENTER Fader as needed, regardless of the position of the FADER LINK switch and LEFT and RIGHT Faders. SOLO PFL Point Before: LEFT, RIGHT and CENTER mix . PFL Point After: PFL mix (mono) . AFL Point Before: LEFT, RIGHT and CENTER Faders . AFL Point After: AFL mix (stereo) . SOLO allows you to audition signals through your headphones. You can simultaneously SOLO as many signals as you like. The SR40•8 features nondestructive solo: Engaging SOLO does not interrupt any of the other Channels, buses, or outputs. Not only that, the SOLO system comes in two flavors: PFL (PreFader Listen) and AFL (After-Fader Listen, Solo-In-Place). M-1IC0dGBAVIN U +48 PH TRIM 23 U M-1IC0dGBAVIN +48 PH TRIM 24 0 60 +10dB -40dB 0 0 60 +10dB -40dB 0 U AUX U AUX 1 1 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO +15 U +15 U 2 2 +15 U +15 U 3 +15 U 3 +15 U 4 4 +15 23 PRE U +15 24 PRE U 5 +15 U 5 +15 U 6 +15 U 6 +15 U 7 +15 U 7 +15 U 8 8 +15 PRE FDR POST EQ U -15 +15 2.5k EQ HI 12k +15 PRE FDR POST EQ U EQ HI 12k -15 +15 2.5k 700 6k HI MID 450 15k 3k 700 6k HI MID 450 15k 3k 1k 5k FREQ 1k 5k FREQ 500 15k 250 500 15k 250 70 700 LOW MID 45 3k 250 70 700 LOW MID 45 3k 250 220 350 FREQ 220 350 FREQ 45 3k U -15 +15 LOW 80Hz 45 3k U -15 +15 LOW 80Hz HPF 150 EQ IN 75 220 45 350 FREQ HPF 150 EQ IN 75 220 45 350 FREQ 30 800 30 800 U TRIM A 1 -20 +20 U TRIM A 2 -20 +20 U -20 +20 TRIM A 3 U -20 +20 TRIM A 4 U AUX 1 +15 U U AUX 1 +15 U U AUX 1 +15 U U AUX 1 +15 U OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO 2 +15 U 2 +15 U 2 +15 U 2 +15 U 3 +15 U 3 +15 U 3 +15 U 3 +15 U 4 +15 A1 PRE U 4 +15 A2 PRE U 4 +15 A3 PRE U 4 +15 A4 PRE U 5 +15 U 5 +15 U 5 +15 U 5 +15 U 6 +15 U 6 +15 U 6 +15 U 6 +15 U 7 +15 U 7 +15 U 7 +15 U 7 +15 U 8 +15 PRE FDR POST EQ U -15 +15 U EQ HI 12k 8 +15 PRE FDR POST EQ U -15 +15 U EQ HI 12k 8 +15 PRE FDR POST EQ U -15 +15 U EQ HI 12k 8 +15 PRE FDR POST EQ U -15 +15 U EQ HI 12k -15 +15 U HI MID 3k -15 +15 U LOW MID 800Hz -15 +15 LOW 80Hz -15 +15 U HI MID 3k -15 +15 U LOW MID 800Hz -15 +15 LOW 80Hz -15 +15 U HI MID 3k -15 +15 U LOW MID 800Hz -15 +15 LOW 80Hz -15 +15 U -15 +15 U -15 +15 HI MID 3k LOW MID 800Hz LOW 80Hz EQ IN LOW CUT 150 Hz 18dB/OCT EQ IN LOW CUT 150 Hz 18dB/OCT EQ IN LOW CUT 150 Hz 18dB/OCT EQ IN LOW CUT 150 Hz 18dB/OCT LR PAN 23 MUTE LR PAN 24 MUTE LR PAN A1 MUTE LR PAN A2 MUTE LR PAN A3 MUTE LR PAN A4 MUTE dB dB 10 10 dB dB dB dB 10 10 10 10 5 1-2 5 1-2 5 1-2 5 1-2 5 1-2 5 1-2 U 3-4 U 3-4 U 3-4 U 3-4 U 3-4 U 3-4 5-6 5-6 5-6 5-6 5-6 5-6 5 5 5 5 5 5 7-8 7-8 7-8 7-8 7-8 7-8 10 10 10 10 10 10 DIMMER METERING INPUT SECTION OUTPUT SECTION POWER SUPPLY STATUS V.+ V.- 5 V 12 V 48 V LOW MAX LOW MAX PFL PFL LAMP METER AFL AFL 40•8•2 AUDIO MIXING CONSOLE OO OO OO FLIP U +15 FLIP U +15 AUX SEND MASTERS FLIP U FLIP U FLIP U +15 +15 +15 FLIP U +15 FLIP U +15 FLIP U +15 SUB 1 SUB 2 OO OO OO OO OO OO OO OO MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE SUB 3 SOLO 1 U +20 LEVEL MUTE SOLO B1 OO SOLO 2 SOLO 3 SOLO 4 AUX RETURNS U U ASSIGNED TO CENTER U +20 LEVEL OO +20 LEVEL OO +20 LEVEL MUTE MUTE MUTE SOLO B2 SOLO B3 SOLO B4 OO SOLO 5 SOLO 6 SOLO 7 TAPE RETURNS U U U +20 LEVEL OO +20 LEVEL OO 10 LINE OUT MUTE SOLO TAPE A MUTE SOLO TAPE B MUTE MONITOR SUB 4 SOLO 8 SUB 5 RUDE SOLO LIGHT SUB 6 PFL AFL INPUTS SUB 7 PFL AFL OUTPUTS SOLO SUB 8 OO OO OO OO OO OO OO OO OO U +10 U +10 U +10 U +10 U +10 U +10 U +10 U +10 U OO OO OO OO OO OO OO OO U +10 U +10 U +10 U +10 U +10 U +10 U +10 U +10 U OO OO OO OO OO OO OO OO U +10 U +10 U +10 U +10 U +10 U +10 U +10 U +10 U OO OO OO OO OO OO OO OO U +10 U MAX RECEIVE +10 U IGNORE CALL +10 COMMUNICATIONS U +10 U +10 U +10 U MAX LEVEL ON 400Hz PINK NOISE OSCILLATOR +10 U +10 U CTR TALKBACK MIC 0 1 2 3 4 5 6 7 8 9 OO +10 U OO +10 U OO +10 U OO +10 U LEFT OO +10 U OO +10 U OO +10 U OO +10 U MAX TALKBACK LEVEL MODE GRP SNAP 1 2 5 5 ULTRA MUTE™ 3 4 5 5 0 +10 AIR 0 +10 AIR 0 +10 AIR 0 +10 AIR SYSTEM BY PASS 5 5 MUTE PREVIEW 6 5 STORE CLEAR 7 5 0 +10 AIR 0 +10 AIR 0 +10 AIR RIGHT 0-9 OO OO OO +10 +10 +10 +10 MATRIX A AUX 1-4 OO DO IT 8 5 0 +10 AIR MATRIX A MATRIX B MATRIX C MATRIX D MATRIX B AUX 5-8 MATRIX C EXTERNAL A MUTE A U B MUTE B U C MUTE C U D MUTE D U MATRIX D L/R ASSIGN TALKBACK 16kHz ASSIGN 16kHz ASSIGN 16kHz ASSIGN 16kHz ASSIGN 16kHz ASSIGN 16kHz ASSIGN 16kHz ASSIGN 16kHz ASSIGN OO +10 MASTER OO +10 MASTER OO +10 MASTER OO +10 MASTER OO MAX SOLO LEVEL CENTER L-R CENTER L-R CENTER L-R CENTER L-R CENTER L-R CENTER L-R CENTER L-R CENTER L-R SOLO SOLO SOLO SOLO FADER LINK OO MAX PHONES M-1IC0dGBAVIN U +48 PH TRIM 25 U M-1IC0dGBAVIN +48 PH TRIM 26 0 60 +10dB -40dB 0 0 60 +10dB -40dB 0 U AUX U AUX 1 1 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO +15 U +15 U 2 2 +15 U +15 U 3 +15 U 3 +15 U 4 4 +15 25 PRE U +15 26 PRE U 5 +15 U 5 +15 U 6 +15 U 6 +15 U 7 +15 U 7 +15 U 8 8 +15 PRE FDR POST EQ U -15 +15 2.5k EQ HI 12k +15 PRE FDR POST EQ U EQ HI 12k -15 +15 2.5k 700 6k HI MID 450 15k 3k 700 6k HI MID 450 15k 3k 1k 5k FREQ 1k 5k FREQ 500 15k 250 500 15k 250 70 700 LOW MID 45 3k 250 70 700 LOW MID 45 3k 250 220 350 FREQ 220 350 FREQ 45 3k U -15 +15 LOW 80Hz 45 3k U -15 +15 LOW 80Hz HPF 150 EQ IN 75 220 45 350 FREQ HPF 150 EQ IN 75 220 45 350 FREQ 30 800 30 800 LR PAN LR PAN LR PAN LR PAN LR PAN LR PAN LR PAN LR PAN 1 2 3 4 5 6 7 8 MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE dB dB dB dB dB dB dB dB 10 10 10 10 10 10 10 10 CENTER dB 10 L & R R = L/R LEFT RIGHT INTERCOM LR PAN 25 MUTE dB dB 10 10 TALKBACK dB COMMUNICATIONS 10 LR PAN 26 MUTE dB 10 5 5 5 5 5 5 5 5 5 5 5 5 1-2 5 1-2 U U U U U U U U 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 U U U 5 5 5 10 10 10 U 3-4 U 3-4 5-6 5-6 5 5 7-8 7-8 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 CENTER CENTER CENTER CENTER CENTER CENTER 30 30 30 30 30 30 30 30 30 30 30 30 30 30 L-R L-R L-R L-R L-R L-R 40 40 50 50 60 60 40 40 40 40 50 50 50 50 60 60 60 60 40 40 40 40 40 40 40 40 50 50 50 50 50 50 50 50 60 60 60 60 60 60 60 60 20 20 20 20 20 CENTER CENTER 30 30 30 30 30 PHONES L-R L-R 40 40 40 40 40 50 50 50 50 50 60 60 60 60 60 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO SOLO SOLO SOLO SOLO 30 SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO

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30
CENTER FADER
Point Before:
MAIN INSERTS
.
Point After:
MAIN OUTPUTS
.
The
CENTER
mix is off with this Fader fully
down, the “
U
” marking is unity gain, and fully
up provides 10dB additional gain.
Remember that the
CENTER
mix is not actu-
ally related to the
LEFT
and
RIGHT
mix (except
that they usually wind up singing to the same
audience). Ride the
CENTER
Fader as needed,
regardless of the position of the
FADER LINK
switch and
LEFT
and
RIGHT
Faders.
SOLO
PFL Point Before:
LEFT
,
RIGHT
and
CENTER
mix
.
PFL Point After:
PFL
mix (mono)
.
AFL Point Before:
LEFT
,
RIGHT
and
CENTER
Faders
.
AFL Point After:
AFL
mix (stereo)
.
SOLO
allows you to audition signals
through your headphones. You can simulta-
neously
SOLO
as many signals as you like. The
SR40•8 features nondestructive solo: Engaging
SOLO
does not interrupt any of the other
Channels, buses, or outputs. Not only that, the
SOLO
system comes in two flavors:
PFL
(Pre-
Fader Listen) and
AFL
(After-Fader Listen,
Solo-In-Place).
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
O
O
O
O
O
O
O
O
U
O
O
+20
U
O
O
+20
U
O
O
+20
U
O
O
+20
U
O
O
10
U
O
O
+20
U
O
O
+20
L
R
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
O
O
U
+10
U
+10
U
+10
16kHz
5
+10
0
U
+10
U
+10
L
R
16kHz
5
+10
0
L
R
16kHz
5
+10
0
L
R
16kHz
5
+10
0
L
R
16kHz
5
+10
0
L
R
16kHz
5
+10
0
L
R
16kHz
5
+10
0
L
R
16kHz
5
+10
0
O
O
MAX
O
O
MAX
MAX
LOW
MAX
LOW
O
O
MAX
-20
+20
U
L
R
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
150
220
350
45
75
800
30
150
220
350
45
75
800
30
150
220
350
45
75
800
30
250
700
70
3k
45
2.5k
6k
700
15k
450
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
250
350
220
3k
45
3k
5k
1k
15k
500
M
I
C
G
A
I
N
+10dB
-40dB
-
1
0
d
B
V
U
0
60
250
700
70
3k
45
2.5k
6k
700
15k
450
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
250
350
220
3k
45
3k
5k
1k
15k
500
M
I
C
G
A
I
N
+10dB
-40dB
-
1
0
d
B
V
U
0
60
L
R
250
700
70
3k
45
2.5k
6k
700
15k
450
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
250
350
220
3k
45
3k
5k
1k
15k
500
M
I
C
G
A
I
N
+10dB
-40dB
-
1
0
d
B
V
U
0
60
L
R
800
30
150
220
350
45
75
800
30
800
30
250
700
70
3k
45
2.5k
6k
700
15k
450
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
250
350
220
3k
45
3k
5k
1k
15k
500
M
I
C
G
A
I
N
+10dB
-40dB
-
1
0
d
B
V
U
0
60
-20
+20
U
L
R
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
-20
+20
U
L
R
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
-20
+20
U
L
R
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
O
O
+15
U
+15
-15
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
PAN
1
2
3
4
B
1
B
2
B
3
B
4
5
6
7
8
1
2
3
4
5
6
7
8
MUTE
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
ASSIGN
TALKBACK MIC
TALKBACK
MUTE
LINE OUT
LEVEL
LEVEL
LEVEL
LEVEL
LEVEL
LEVEL
MUTE
INPUTS
MONITOR
SOLO
TAPE B
TAPE A
FLIP
FLIP
FLIP
FLIP
FLIP
FLIP
FLIP
INPUT
SECTION
OUTPUT
SECTION
FLIP
AUX SEND MASTERS
AUX
RETURNS
ASSIGNED TO
CENTER
TAPE
RETURNS
MATRIX
A
MATRIX
B
MATRIX
C
MATRIX
D
MASTER
A
B
C
D
MASTER
MASTER
MASTER
SUB
1
SUB
2
SUB
3
SUB
4
SUB
5
SUB
6
SUB
7
SUB
8
CTR
LEFT
RIGHT
PFL
AFL
PFL
AFL
PFL
AFL
PFL
AFL
CLEAR
DO IT
STORE
SYSTEM
BY PASS
MUTE
PREVIEW
SOLO
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
GRP
SNAP
MODE
RUDE
SOLO LIGHT
SOLO
FADER LINK
SOLO
SOLO
SOLO
MUTE
MUTE
MUTE
MUTE
AIR
AIR
AIR
AIR
AIR
AIR
AIR
AIR
AUX 1-4
MATRIX A
AUX 5-8
MATRIX B
EXTERNAL
MATRIX C
L/R
MATRIX D
INTERCOM
PHONES
SOLO LEVEL
LEVEL
METER
TALKBACK LEVEL
ULTRA MUTE
™
V.+
POWER SUPPLY
STATUS
V.-
5 V
12 V
48 V
PHONES
0
1
2
3
4
5
6
7
8
9
10
dB
30
20
10
O
O
40
5
5
U
60
50
10
dB
30
20
10
O
O
40
5
5
U
60
50
10
dB
30
20
10
O
O
40
5
5
U
60
50
10
dB
30
20
10
O
O
40
5
5
U
60
50
10
dB
30
20
10
O
O
40
5
5
U
60
50
10
dB
30
20
10
O
O
40
5
5
U
60
50
10
dB
30
20
10
O
O
40
5
5
U
60
50
10
dB
30
20
10
O
O
40
5
5
U
60
50
10
dB
30
20
10
O
O
40
5
5
U
60
50
10
dB
30
20
10
O
O
40
5
5
U
60
50
10
dB
30
20
10
O
O
40
5
5
U
60
50
LOW CUT
150 Hz
18dB/OCT
A
1
1
PRE
2
3
5
6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
SOLO
CENTER
4
PRE FDR
POST EQ
7
8
HI
MID
3k
LOW
MID
800Hz
PAN
A1
10
dB
30
20
10
O
O
40
5
5
U
60
50
TRIM
DIMMER
METERING
ON
IGNORE
CALL
COMMUNICATIONS
OSCILLATOR
RECEIVE
400Hz
PINK NOISE
OUTPUTS
0-9
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
LAMP
40•8•2
AUDIO MIXING CONSOLE
1
PRE
2
3
5
12k
HI
FREQ
FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
25
10
dB
30
20
10
O
O
40
5
5
U
60
50
0
6
7
TRIM
25
SOLO
+48 PH
1
PRE
2
3
5
12k
HI
FREQ
FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
26
10
dB
30
20
10
O
O
40
5
5
U
60
50
0
6
7
TRIM
26
SOLO
+48 PH
1
PRE
2
3
5
12k
HI
FREQ
FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
23
10
dB
30
20
10
O
O
40
5
5
U
60
50
0
6
7
TRIM
23
SOLO
+48 PH
1
PRE
2
3
5
12k
HI
FREQ
FREQ
FREQ
80Hz
EQ IN
HPF
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
CENTER
4
PRE FDR
POST EQ
8
HI
MID
LOW
MID
PAN
24
10
dB
30
20
10
O
O
40
5
5
U
60
50
0
6
7
TRIM
24
SOLO
+48 PH
LOW CUT
150 Hz
18dB/OCT
A
2
1
PRE
2
3
5
6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
SOLO
CENTER
4
PRE FDR
POST EQ
7
8
HI
MID
3k
LOW
MID
800Hz
PAN
A2
10
dB
30
20
10
O
O
40
5
5
U
60
50
TRIM
LOW CUT
150 Hz
18dB/OCT
A
3
1
PRE
2
3
5
6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
SOLO
CENTER
4
PRE FDR
POST EQ
7
8
HI
MID
3k
LOW
MID
800Hz
PAN
A3
10
dB
30
20
10
O
O
40
5
5
U
60
50
TRIM
LOW CUT
150 Hz
18dB/OCT
A
4
1
PRE
2
3
5
6
12k
HI
80Hz
EQ IN
LOW
AUX
EQ
1-2
3-4
5-6
7-8
L-R
SOLO
CENTER
4
PRE FDR
POST EQ
7
8
HI
MID
3k
LOW
MID
800Hz
PAN
A4
10
dB
30
20
10
O
O
40
5
5
U
60
50
TRIM
TALKBACK
L
R
L
R
O
O
MAX
O
O
MAX
COMMUNICATIONS
L & R
R =
L/R
A1
MUTE
A2
MUTE
A3
MUTE
A4
MUTE
24
MUTE
23
MUTE
1
2
3
4
5
6
7
8
A
B
C
D
25
CENTER
LEFT
RIGHT
MUTE
26
MUTE