Mackie SR408 / SR568 Owner's Manual - Page 37

Monitor, Left/right/center Meters, Metering

Page 37 highlights

MONITOR MONITOR signals are a line-level equivalent of the HEADPHONES output. The TRS MONITOR outputs are designed for special situations such as these: You can use these jacks to deliver the FOH (front-of-house) headphone mix to an engineer operating a secondary stage monitor console. If you want to drive several pairs of headphones via an outboard amplifier, patch these outputs to that amp. If the console is in a soundproof room, as in live sound-studio work or studio recording/ mixdown, patch the MONITOR outputs to your control room amplifier and speakers. LINE OUT (LEVEL) Point Before: INSERT (HEADPHONES) . Point After: MONITOR outputs. Just like the HEADPHONES, the MONITOR outputs always receive the LEFT/RIGHT mix, with the CENTER mix blended into each side. This control sets the level for those signals, and it follows the PHONES level control, meaning that the level at these outputs is controlled twice - by the PHONES level and by the LINE OUT control. SOLO signals to the MONITOR outputs are controlled by SOLO LEVEL and this MONITOR LINE OUT level - the PHONES level has no effect on SOLO signals. This is so you can tailor the "mix level" (non-SOLO signals) and the SOLO LEVEL independently. MUTE This switch is your garden-variety DPDT (double-pole, double-throw) switch. Engage it and the line-level MONITOR outputs become silent. The MONITOR MUTE is not a member of the ULTRA MUTE™ system and therefore cannot be remotely controlled. LEFT/RIGHT/CENTER METERS These individual Meters give you constant visual information about the signal level in that mix. With the METERING: OUTPUT SECTION PFL/AFL switch set to PFL (up), the Meters display the pre-Fader signal of the mix. With the switch down, the Meters display the post-Fader output of the mix. These three Meters, unlike the other fiftysix, have a secondary purpose - to display SOLO levels. Whenever SOLO is engaged, all three Meters' inputs change from the LEFT/ CENTER/RIGHT mix signals to the SOLO signals. The PFL SOLO signal will appear on the CENTER Meter and the AFL signals appear on the LEFT/RIGHT Meters. A 0dB reading on the Meters represents a 0dBu output signal, when the METERING: OUTPUT SECTION PFL/AFL switch is engaged (AFL). In other words, 0VU=0dBu. METERING INPUT SECTION PFL/AFL This switch determines the Meter's source signal for the Channels and the MAIN AUX RETURN (A1-A4). With the switch up, in PFL mode (Pre-Fader Listen), signals are sent to the Meters pre-Fader, pre-MUTE, and pre-PAN. In fact, in PFL mode, these Meters may save you the time of having to use SOLO, if all you need is a signal confirmation. With the switch down, in AFL mode, signals will be sent to the Meters post-Fader, representing the output of the circuit. With this switch set to PFL, you can perform on-the-fly TRIM settings, as explained in the Turbo Method of the LevelSetting Procedure . OO TAPE RETURNS U U RUDE U SOLO LIGHT +15 LEVEL MUTE SOLO TAPE A OO +15 LEVEL OO +15 LINE OUT MUTE SOLO TAPE B MUTE MONITOR PFL AFL INPUTS PFL AFL OUTPUTS SOLO DIMMER LOW MAX LAMP LOW MAX METER METERING INPUT SECTION OUTPUT SECTION PFL PFL AFL AFL POWER SUPPLY STATUS V.+ V.- 5 V 12 V 48 V 37

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37
MAX
LOW
MAX
LOW
INPUT
SECTION
OUTPUT
SECTION
PFL
AFL
PFL
AFL
METER
V.+
POWER SUPPLY
STATUS
V.-
5 V
12 V
48 V
DIMMER
METERING
LAMP
U
O
O
+15
U
O
O
+15
U
O
O
+15
LINE OUT
LEVEL
LEVEL
MUTE
INPUTS
MONITOR
SOLO
TAPE B
TAPE A
TAPE
RETURNS
PFL
AFL
PFL
AFL
MUTE
SOLO
MUTE
SOLO
RUDE
SOLO LIGHT
OUTPUTS
MONITOR
MONITOR
signals are a line-level equivalent
of the
HEADPHONES
output. The TRS
MONITOR
outputs are designed for special
situations such as these:
You can use these jacks to deliver the FOH
(front-of-house) headphone mix to an engineer
operating a secondary stage monitor console.
If you want to drive several pairs of head-
phones via an outboard amplifier, patch these
outputs to that amp.
If the console is in a soundproof room, as in
live sound-studio work or studio recording/
mixdown, patch the
MONITOR
outputs to
your control room amplifier and speakers.
LINE OUT (LEVEL)
Point Before:
INSERT
(
HEADPHONES
)
.
Point After:
MONITOR
outputs.
Just like the
HEADPHONES
, the
MONI-
TOR
outputs always receive the
LEFT/RIGHT
mix, with the
CENTER
mix blended into each
side. This control sets the level for those sig-
nals, and it follows the
PHONES
level control,
meaning that the level at these outputs is con-
trolled twice — by the
PHONES
level and by
the
LINE OUT
control.
SOLO
signals to the
MONITOR
outputs are
controlled by
SOLO LEVEL
and this
MONITOR
LINE OUT
level — the
PHONES
level has no
effect on
SOLO
signals. This is so you can
tailor the “mix level” (non-
SOLO
signals) and
the
SOLO LEVEL
independently.
MUTE
This switch is your garden-variety DPDT
(double-pole, double-throw) switch. Engage it
and the line-level
MONITOR
outputs become
silent. The
MONITOR MUTE
is not a member
of the
ULTRA MUTE
system and therefore
cannot be remotely controlled.
LEFT/RIGHT/CENTER METERS
These individual Meters give you constant
visual information about the signal level in
that mix. With the
METERING: OUTPUT
SECTION PFL/AFL
switch set to
PFL
(up),
the Meters display the pre-Fader signal of the
mix. With the switch down, the Meters display
the post-Fader output of the mix.
These three Meters, unlike the other fifty-
six, have a secondary purpose — to display
SOLO
levels. Whenever
SOLO
is engaged, all
three Meters’ inputs change from the
LEFT/
CENTER/RIGHT
mix signals to the
SOLO
sig-
nals. The
PFL SOLO
signal will appear on the
CENTER
Meter and the
AFL
signals appear on
the
LEFT/RIGHT
Meters.
A 0dB reading on the Meters represents a
0dBu output signal, when the
METERING:
OUTPUT SECTION PFL/AFL
switch is
engaged (
AFL
). In other words, 0VU=0dBu.
METERING
INPUT SECTION PFL/AFL
This switch determines the Meter’s source
signal for the Channels and the
MAIN AUX
RETURN
(
A1
A4
). With the switch up, in
PFL
mode (Pre-Fader Listen), signals are
sent to the Meters pre-Fader, pre-
MUTE
, and
pre-
PAN
. In fact, in
PFL
mode, these Meters
may save you the time of having to use
SOLO
,
if all you need is a signal confirmation. With
the switch down, in
AFL
mode, signals will be
sent to the Meters post-Fader, representing
the output of the circuit.
With this switch set to
PFL
, you can
perform on-the-fly
TRIM
settings, as
explained in the
Turbo Method
of the
Level-
Setting Procedure
.