Yamaha HTR-5935 Owners Manual - Page 63

SOUND FIELD PROGRAMS, Selecting sound field programs

Page 63 highlights

SOUND FIELD PROGRAMS SOUND FIELD PROGRAMS What really creates the rich, full tones of a live instrument are the multiple reflections from the walls of the room. In addition to making the sound live, these reflections enable us to tell where the player is situated as well as the size and shape of the room in which we are sitting. ■ Elements of a sound field There are two distinct types of sound reflections that combine to make up the sound field in addition to the direct sound coming straight to our ears from the player's instrument. Early reflections Reflected sounds reach our ears extremely rapidly (50 ms to 100 ms after the direct sound), after reflecting from one surface only (for example, from a wall or the ceiling). Early reflections actually add clarity to the direct sound. Reverberations These are caused by reflections from more than one surface (for example, from the walls, and the ceiling) so numerous that they merge together to form a continuous sonic afterglow. They are non-directional and lessen the clarity of the direct sound. Direct sound, early reflections and subsequent reverberations taken together help us to determine the subjective size and shape of the room, and it is this information that the digital sound field processor reproduces in order to create sound fields. If you could create the appropriate early reflections and subsequent reverberations in your listening room, you would be able to create your own listening environment. The acoustics in your room could be changed to those of a concert hall, a dance floor, or a room with virtually any size at all. This ability to create sound fields at will is exactly what YAMAHA has done with the digital sound field processor. Selecting sound field programs Notes • Choose a sound field program based on your listening preference, not merely on the name of the program. • When you select an input source, this unit automatically selects the last sound field program used with the corresponding input source. • Sound field programs cannot be selected when the component connected to the MULTI CH INPUT jacks is selected as the input source (see page 35). • Sampling frequencies higher than 48 kHz (except for DTS 96/24 signals) are sampled down to 48 kHz and then sound field programs are applied. ■ Front panel operations ■ Remote control operations STANDBY /ON PHONES SPEAKERS A B SILENT CINEMA PRESET/TUNING SEARCH MODE EDIT FM/AM A/B/C/D/E CATEGORY NEXT STRAIGHT EFFECT TONE CONTROL l PROGRAM h BASS/TREBLE l PRESET/TUNING/CH h LEVEL INPUT MODE MEMORY MAN'L/AUTO FM TUNING MODE DISPLAY AUTO/MAN'L INPUT MULTI CH INPUT VOLUME VIDEO AUX VIDEO L AUDIO R PORTABLE TV VOL CH AMP VOLUME MUTE INPUT MUTE STEREO 1 MUSIC ENTERTAIN MOVIE 2 3 4 STANDARD 5 SELECT 6 EXTD SUR. 7 DIRECT ST. 8 SPEAKERS 9 ENHANCER 0 NIGHT STRAIGHT 10 ENT. AMP sound field program selector buttons PROGRAM l / h buttons Press the PROGRAM l / h buttons on the front panel repeatedly. The name of the selected sound field program appears in the front panel display. Press AMP and then press one of the sound field program selector buttons on the remote control repeatedly. The name of the selected sound field program appears in the front panel display. SOUND FIELD PROGRAMS 59

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SOUND FIELD PROGRAMS
59
SOUND FIELD
PROGRAMS
What really creates the rich, full tones of a live instrument are the multiple reflections from the walls of the room. In
addition to making the sound live, these reflections enable us to tell where the player is situated as well as the size and
shape of the room in which we are sitting.
Elements of a sound field
There are two distinct types of sound reflections that combine to make up the sound field in addition to the direct sound
coming straight to our ears from the player’s instrument.
Early reflections
Reflected sounds reach our ears extremely rapidly (50 ms to 100 ms after the direct sound), after reflecting from one
surface only (for example, from a wall or the ceiling). Early reflections actually add clarity to the direct sound.
Reverberations
These are caused by reflections from more than one surface (for example, from the walls, and the ceiling) so numerous
that they merge together to form a continuous sonic afterglow. They are non-directional and lessen the clarity of the direct
sound.
Direct sound, early reflections and subsequent reverberations taken together help us to determine the subjective size and
shape of the room, and it is this information that the digital sound field processor reproduces in order to create sound
fields.
If you could create the appropriate early reflections and subsequent reverberations in your listening room, you would be
able to create your own listening environment. The acoustics in your room could be changed to those of a concert hall, a
dance floor, or a room with virtually any size at all. This ability to create sound fields at will is exactly what YAMAHA
has done with the digital sound field processor.
Choose a sound field program based on your listening preference, not merely on the name of the program.
When you select an input source, this unit automatically selects the last sound field program used with the corresponding input source.
Sound field programs cannot be selected when the component connected to the MULTI CH INPUT jacks is selected as the input
source (see page 35).
Sampling frequencies higher than 48 kHz (except for DTS 96/24 signals) are sampled down to 48 kHz and then sound field programs
are applied.
Front panel operations
Press the PROGRAM
l
/
h
buttons on the front
panel repeatedly.
The name of the selected sound field program appears in
the front panel display.
Remote control operations
Press AMP and then press one of the sound field
program selector buttons on the remote control
repeatedly.
The name of the selected sound field program appears in
the front panel display.
SOUND FIELD PROGRAMS
Selecting sound field programs
Notes
VOLUME
MEMORY
FM/AM
PRESET/TUNING
A/B/C/D/E
l
PROGRAM
h
BASS/TREBLE
l
PRESET/TUNING/CH
h
TUNING MODE
INPUT MODE
TONE CONTROL
STRAIGHT
SPEAKERS
PHONES
SILENT CINEMA
STANDBY
/ON
B
A
MULTI CH
INPUT
INPUT
VIDEO
PORTABLE
L
AUDIO
R
VIDEO AUX
PROGRAM
l
/
h
buttons
STRAIGHT
MOVIE
ENTERTAIN
MUSIC
AMP
TV
DIRECT ST.
EXTD SUR.
STANDARD
SELECT
NIGHT
ENHANCER
SPEAKERS
MUTE
INPUT
MUTE
VOLUME
STEREO
4
3
2
1
8
10
7
0
9
6
5
ENT.
CH
VOL
AMP
sound field program
selector buttons