Behringer DEEPMIND 6 Manual - Page 29

Pedal Settings

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29 DeepMind 6 User Manual 7.3.3 PEDAL SETTINGS In this menu are all the settings relating to PEDAL/CV and SUSTAIN inputs on the rear of the DeepMind 6. 1. To navigate the options in the PEDAL SETTINGS menu, use the BANK/UP and BANK/DOWN switches. 2. In order to change any of the parameters make sure that the '

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29
DeepMind 6 User Manual
7.3.3
PEDAL SETTINGS
In this menu are all the settings relating to PEDAL/CV and SUSTAIN inputs on the
rear of the DeepMind 6.
1.
To navigate the options in the PEDAL SETTINGS menu, use the BANK/UP and
BANK/DOWN switches.
2.
In order to change any of the parameters make sure that the '<' symbol on
the respective line is highlighted.
3.
Selected parameters are adjusted using the -/NO or +/YES switches, the
rotary knob or the DATA ENTRY fader. The rotary knob has a click which
allows very accurate control. The fader allows rapid adjustment across the
full range.
•
PEDAL
- This option allows you to choose the PEDAL/CV MODE from the
following options:
The PEDAL/CV input can work with a typical foot pedal, where the voltage
is supplied by the DeepMind 6 and fed back at a level which is dependant
on the position of the pedal. The further the pedal is pressed, the higher
the voltage.
The PEDAL/CV input can also work with a CV (Control Voltage) input from
any source with a 0 to +5 Volt output, for example, the control voltage from
a modular synthesizer.
Note:
For wiring diagrams and pin connections information please consult
the guide later in this document.
The PEDAL input takes the voltage from the connector and turns it into a
control signal. The control signal can be mapped to any of the following:
•
Foot-ctrl
- The Foot-Ctrl (Foot Controller) is available as a modulation
source in the MOD MATRIX. This is the default setting.
•
Mod-Wheel
- Here the PEDAL input is mapped to the MODULATION
WHEEL which is available as a modulation source in the MOD MATRIX.
•
Breath
- Here the PEDAL input is mapped to the BREATH controller
which is available as a modulation source in the MOD MATRIX.
•
Volume
- Here the PEDAL input is mapped to the VOLUME controller.
•
Expression
- Here the PEDAL input is mapped to the
EXPRESSION controller.
•
Porta Time
- Here the PEDAL input is mapped to the
PORTAMENTO TIME.
•
Aftertouch
- Here the PEDAL input is mapped to the
AFTERTOUCH control.
•
SUSTAIN
- This option allows you to choose the SUSTAIN MODE from the
following options:
The SUSTAIN input can work with a switched input which is either open
when pressed, or closed when pressed.
Gate Functionality
- The SUSTAIN input can also be used with a GATE
signal from a CV and GATE interface or a modular synthesizer. This
functionality requires the GATE signal to operate between +5V and 0V.
Note:
For wiring diagrams and pin connections information please consult
the guide later in this document.
•
Norm-Open
- Here, when the connected switch is pressed, the notes
are held in the SUSTAIN stage of all ENVELOPEs. In this mode the correct
operation is designed for a switch whose contacts close when pressed.
This is the default setting.
•
Norm-Closed
- Here, when the connected switch is pressed, the notes
are held in the SUSTAIN stage of all ENVELOPEs. In this mode the correct
operation is designed for a switch whose contacts open when pressed.
•
Tap-N.O
- Here the SUSTAIN input is mapped to the TAP function, so
when the switch is pressed a signal is sent to the Master BPM Generator.
In this mode the correct operation is designed for a switch whose
contacts close when pressed.
•
Tap-N.C
- Here the SUSTAIN input is mapped to the TAP function, so
when the switch is pressed a signal is sent to the Master BPM Generator.
In this mode the correct operation is designed for a switch whose
contacts open when pressed.
•
Arp+Gate
- Here the SUSTAIN input is mapped to the ARPEGGIATOR
notes, so when a GATE input from a CV & GATE interface, or a modular
synthesizer is connected, the gate signal will step though the notes of
the ARPEGGIATOR. In this mode the ARPEGGIATOR note duration is set by
length of time that the gate signal is high (+5V).
•
Arp-Gate
- Here the SUSTAIN input is mapped to the ARPEGGIATOR
notes, so when a GATE input from a CV & GATE interface, or a modular
synthesizer is connected, the gate signal will step though the notes of
the ARPEGGIATOR. In this mode the ARPEGGIATOR note duration is set by
length of time that the gate signal is low (0V).
•
Seq+Gate
- Here the SUSTAIN input is mapped to the CONTROL
SEQUENCER steps, so when a GATE input from a CV & GATE interface, or
a modular synthesizer is connected, the gate signal will move though
the steps of the CONTROL SEQUENCER. In this mode the CONTROL
SEQUENCER will transition to the next step each time a positive edge (a
transition from 0V to 5V) is received.
•
Seq-Gate
- Here the SUSTAIN input is mapped to the CONTROL
SEQUENCER steps, so when a GATE input from a CV & GATE interface, or
a modular synthesizer is connected, the gate signal will move though
the steps of the CONTROL SEQUENCER. In this mode the CONTROL
SEQUENCER will transition to the next step each time a negative edge (a
transition from 5V to 0V) is received.
•
Arp&Seq+Gate
- Here the SUSTAIN input is mapped to the
ARPEGGIATOR notes, and to the CONTROL SEQUENCER steps. When
a GATE input from a CV & GATE interface, or a modular synthesizer
is connected, the gate signal will step though the notes of the
ARPEGGIATOR, and also move though the steps of the CONTROL
SEQUENCER. In this mode the ARPEGGIATOR note duration is set by
length of time that the gate signal is high (+5V). Also in this mode
the CONTROL SEQUENCER will transition to the next step each time a
positive edge (a transition from 0V to 5V) is received.
continued