Canon PowerShot SD770 IS Silver PowerShot SD770 IS / DIGITAL IXUS 85 IS Camera - Page 100

Adjusting the Tone White Balance

Page 100 highlights

98 z Use the LCD monitor to confirm that the image was recorded at the desired brightness. z Please note that camera shake becomes a factor at low shutter speeds. Shoot with the camera attached to a tripod. z Use of the flash may result in an over-exposed image. If this occurs, shoot with the flash set to . Adjusting the Tone (White Balance) Available Shooting Modes p. 222 Normally, the (Auto) white balance setting selects an optimal white balance. When the setting cannot produce natural looking colors, change the white balance using a setting appropriate for the light source. Auto Settings are automatically set by the camera. Day Light For recording outdoors on a bright day. Cloudy For recording under overcast, shady or twilight skies. Tungsten For recording under tungsten and bulb-type 3wavelength fluorescent lighting. Fluorescent For recording under warm-white, cool-white or warm-white (3-wavelength) fluorescent lighting. Fluorescent H For recording under daylight fluorescent, or daylight fluorescent-type 3-wavelength fluorescent lighting. Custom Adjusts the optimal white balance for the shooting conditions using the white balance data retained in the camera from a white-colored object, such as a white paper or cloth.

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98
Normally, the
(Auto) white balance setting selects an optimal white
balance. When the
setting cannot produce natural looking colors,
change the white balance using a setting appropriate for the light
source.
Use the LCD monitor to confirm that the image was recorded
at the desired brightness.
Please note that camera shake becomes a factor at low
shutter speeds. Shoot with the camera attached to a tripod.
Use of the flash may result in an over-exposed image. If this
occurs, shoot with the flash set to
.
Adjusting the Tone (White Balance)
Available Shooting Modes
p. 222
Auto
Settings are automatically set by the camera.
Day Light
For recording outdoors on a bright day.
Cloudy
For recording under overcast, shady or twilight
skies.
Tungsten
For recording under tungsten and bulb-type 3-
wavelength fluorescent lighting.
Fluorescent
For recording under warm-white, cool-white or
warm-white (3-wavelength) fluorescent lighting.
Fluorescent H
For recording under daylight fluorescent, or daylight
fluorescent-type 3-wavelength fluorescent lighting.
Custom
Adjusts the optimal white balance for the shooting
conditions using the white balance data retained in
the camera from a white-colored object, such as a
white paper or cloth.