Mackie ProFX8 Owner's Manual (Français) - Page 18

ProFX8 et ProFX12 ON MIC MIC 1 LINE HI-Z BAL / UNBAL 2 LINE/HI-Z IN 1 BAL / UNBAL MON SEND FOOTSWITCH SHOCK, DO NOT EXPOSE PROFESSIONAL MIC/LRINE MUIXSEBR WITRH FX R R R BAL / UNBAL MOISTURE. DO NOT REM R PARTS INSIDE. REFER SE MIC MIC MAIN 21 INSERT INSERT MAIN INSERT RIGHT U ULEFT U 20 (BALANCED) MICGAIN POWER LEVEL SET (BALANCED) MIC GAIN LEVEL SET MIC GAIN LEVEL SET U +50 U +50 -20dB +30dB -20dB +30dB 22 GAIN LOW CUT ON 100 Hz GAIN LOW CUT 100 Hz U +50 -20dB +30dB GAIN LOW CUT 100 Hz INSERT U MIC GAIN LEVEL SET USB U -20dB +50 +30dB GAIN LOW CUT 100 Hz LINE IN 6 MIC GAIN LEVEL SET U +50 GAIN LOW CUT 100 Hz LINE IN 8 LINE IN 10 LINE IN 12 ST RETURN FXSSEERNIADL NUMBMEARIN OUT MIC GAIN LEVEL U SET STEREO GRAPHIC EQ U 15 15 10 10 U +50 -20 +20 -20 +20 GAIN LOW CUT GAIN PROFESSGIOAINNAL 5 MIC/L0 INE MIXER WITH FX 5 0 100 Hz 5 5 AVIS: RISQUE DE CH PHONMEAS NUFA 48V PHANTOM POWER U EQ U EQ U EQ U EQ U EQ U EQ U EQ U EQ 10 23 HI 12kHz -15 +15 -15 +15 HI 12kHz M12HkHAI zIN HI 12kHz RIGHT -15 +15 -15 +15 12MHkHI Az IN HI 12kHz LEFT -15 +15 -15 +15 -15 +15 HI 12kHz -15 +15 HI 12kHz 15 125 250 500 1K U U U (BALANCED)U U (BALANCEDU) U U 10 15 2K 4K 8K POWER MAIN METERS 0dB=0dBu OL 24 MID 2.5kHz -15 +15 -15 +15 MID 2.5kHz -15 +15 MID 2.5kHz -15 +15 MID 2.5kHz -15 +15 MID 2.5kHz -15 +15 MID 2.5kHz MID MID 2.5kHzUSB 2.5kHz -15 +15 -15 +15 MAIN MIX MON EQ IN BYPASS 15 10 6 U U U U U U U U 3 25 LOW 80Hz -15 +15 -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz FX PRESETS 01 BRIGHT ROOM 02 WARM LOUNGE 03 SMALL STAGE USB 0 2 4 U 7 OO OO U AUX 26 MON +15 27MIC U FX +15 PAN OO OO U AUX MON +15 UMIC FX +15 PAN OO OO U AUX U AUX MON MON OO OO +15 U FX +15 MIUC FX +15 PAN +15 PAN OO OO U AUX U AUX MON MON OO OO +15 +15 U MIC U FX FX +15 PAN +15 PAN OO OO U AUX U AUX 04 WARM THEATER 05 WARM HALL 06 CONCERT HALL MON MON 07 PLATE REVERB 08 CATHEDRAL OO OO 09 CHORUS +15 +15 10 CHORUS + REV U (UNBALANCED) U 11 DOUBLER 12 TAPE SLAP 13 DELAY 1 (300ms) FX FX 14 DELAY 2 (380ms) 15 DELAY 3 (480ms) L+15 PAN +15 PAN 16 REVERB + DLY (250ms) LU PRESETS MUTE U OO +10 INPUT LEVEL 10 20 30 L R USB THRU BREAK (MUTES ALL CHANNELS) U 28 TAPE OL TAPE LR LR LR LR LR LR INL R LR OO O+15UT OO +15 OO MAX +20 OO FX MASTER FX TO MON PHONES TAPE LEVEL 2 29MIC OL dB 10 MIC MIC MUTE MUTE MUTE MUTE OL OL OL OL 3301 dB 10 2 4dB 10 3 4 5/6 dB dB 10 10 MUTE 5/L6 (UNBALANCEDR) MUTE MUTE MUTE OL OL OL 7/8 7/8 dB dB 10 10 9/10 9/L10 dB 10 11/12 R MUTE OL ST RTN 11/12 dB 10 MON MAIN FPXRORTFNESSIONAL MIC/LINE MIXER WITH dB dB dB 10 10 10 TAPE TAPE 5 5 5 5 5 (MONO) IN 5 5 (MONO) O(MU5OTNO) 5 5 (MONO) 5 5 (MONO) BAL / MIC UNBAL LINE IN 2 3 U BAL / 31MI5C UNBAL 10 LINE IN 3 20 4 U U BAL / 5 MIC U5NBAL 10 10 5/6 LINE IN 4 20 20 U U 5MIC L 5 10 10 7/8 LINE IN 5 20 BAL / UNBAL20 RU MI5C L 10 9/10 LINE IN 7 20 BAL / UNBAL U 5 R MIC U 5L 10 10 11/12 LINE IN 9 20 BAL / U2N0 BAL U U U 5 (UNLBAL5ANCED) 5 L PROFE10SSIONAL MIC1/0LINE MIXER W10ITH FX L LINE IN 11 20 BAL / UNBAL 20 BAL / L20 UNBAL U BA 5 UN 10 M20 ON SEND BAL / UNBAL 30 30 40 40 50 60 BAL / UNBAL 50 60 OO OO OO 30 (MONO) 40 50 L60 30 30 (MONO) 40 50 R 40 50 60 L 60 OO OO 30 30 (MONO) 40 50 R 40 50 60 L 60 OO OO OO 30 (MONO) R40 50 L60 30 TAPE IN 40 50 60 R OO 30 (MONO) R 40 50 L 60 OO 30 30 TAPE OO R456O000 UUBNRATBLA/L 40 50 60 OO BA UN INSERT LINE IN 2 INSERT LINE IN 3 1 20. GAIN LINE HI-Z INSERT LINE IN 4 2 INSERT LINE IN 5 BAL / UNBAL 3 LINE IN 6 LINE IN 7 BAL / UNBAL 4 LINE IN 8 LINE IN 9 BAL / UNBAL 5/6 LINE IN 10 LINE IN 11 BAL / UNBAL 7/8 LINE IN 12 BAL / UNBAL 9/10 ST RETURN PRFOXFESSESNIODNBAA 11/12 MON SEND UN STEREO GRAPH U MIC GAIN INSERT LEVEL U SiMICvGoAuIN s nL'EaVvELez U paMIsC eu GAIN leLEtVeEmL ps U de le MIC GAIN faLiErRVeE,L liseMzIClGaAIN R LEVEL SET BSAELT/ BSAELT/ BSAELT/ BSAELT/ procédure UdNeBALréglage du gUNaBiAnL en page 3. ULNeBALgain permeUtNBAL INSERT INSERT LINE IN 6 LINE IN 8 MIC GAIN LINE IN 10 (MORNO) LEVEL SLET U Sur les v(oMOiReNOs) U hybrides ((MeORnNtOr) ée micro BAL / et(UMNOBNAOL ) liLgINnE eIN s12téréLo), leSbToRuETtUoRnNdLe 15 ga10inFaXffSeEcNtDe L (MO MAIN OUT d'optimiser le niveau des sources externes en fonction U 20dB +50 +30dB U +50 -2L0IdNBE/HI-Z +IN301dB U +50 -20dLBINE IN +230dB U +50 -20dLBINE IN 3+30dB U +50 LINE IN 4 GAIN des étages d'entrée de la console. LOUW CUT MIC1G0A0INHz Un réglage correct du gain vous garantit un signal U LEVEL SET EQ GAIN LOUW CUT MIC1G0A0INHz U LEVEL SET EQ GAIN LOUW CUT MIC1G0A0INHz U LEVEL SET EQ GAIN LOW CUT MIC1G0A0INHz U LEVEL SET EQ GAIN LOW CUT MIC1G0A0INHz U LEVEL SET EQ U +50 LINE IN 5 GAIN LOW CUT U100 Hz U BAL / UNBAL R EQ uniquement l'entrée micro. -20 +20 LINE IN 7 GAIN BAL / UNBAL -20 +20 LINE IN 9 GAIN BAL / UNBAL 5 LINE IN 11 BAL / UNBAL STERE0 O GRAPHIC EQ SurUles voies stéréo (sans entrée micro), le gUain afEfeRQcte15uniqU uemeEnRQt 5 le10s entrées R B UN ssaannss sbartuuitradteiofnon(dni(vneiavueaturotproéplefvaéi)b,lem)a. is également lniugnaeti,oanvedce u2n0 dgBai.nPdaes 2d0e dLBed, edteunnieveaatuté.- 20dUBGAIN+5+030d1B2HkHI z -15LOW+1C5UT U100 Hz Senutrrléeeslvigonieesmmoonnoo)(, elentbroéuetomnicdreogaavienc 21. LED DE RÉGLAGE DE NIVEAU U EMQID -20dUBIGNASEIRN+T5+030d1B2HkHI z -15LOW+1C5UT U1U00 Hz MIC GAIN U EQ LEVEL MSIDET -20dUBIGNASEIRN+T5+030d1B2HkHI z -15LOW+1C5UT U1U00 Hz MIC GAIN U EQ LEVEL MSIDET UINSER+T50 HI GAIN 12kHz -15LOW+1C5UT U1U00 Hz MIC GAIN U EQ LEVEL MSIDET UINSE+R5T0 HI GAIN 12kHz -15LOW+1C5UT U1U00 Hz MIC GAIN U EQ LEVEL MSIDET -2L0INE+IN206 GAIN -15 +15 U MIC GAIN U HI 12kHz EQ LEVEL MSIDET -2L0INE+IN208 GAIN -15 +15 U MIC GAIN U HI 12kHz EQ LEVEL MSIDET 10 LINE IN 10 HI 5 12kHz 0 -15 +15 U 5 U 10 MID 15 LINE IN 12 ST RETURN 125 250 500 U MAIN MIX MON 15 1K S 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz -15 +15 U -15 +15 U HI 12kHz LOW 80Hz -15 +15 HI U -20dB U +50 12kHz +30dB -15GA+IN15 LUOW CUT LOW 80Hz d-1é5te+r15mineHI la se-n15si+b1i5lité HdI es en-1t5ré+e15s HI ligne et micro. U -20dB U +50 12kHz +30dB -15GA+IN15 LUOW CUT LOW 80Hz U -20dB U +50 12kHz +30dB -15GA+IN15 LUOW CUT LOW 80Hz U -20dB U +50 12kHz +30dB -15GA+IN15 LUOW CUT LOW 80Hz -C1U5eUs+1+L550ed1s2HkHvI zous -a15id+e1n5 t U U +50 à12HrkHIézgle15r--1l25e0 Ug++1a250in [20] avec -20 beau- +20 coup de précision. -15GA+IN15 LUOW CUT LOW 80Hz -15GA+IN15 LUOW CUT LOW 80Hz G12A5IN 250 LOW 80Hz 500 GAI1NK 2K FX PRESETS 10 5 4K 0 8K -15 +15 -15 U+15 MID Réglez 100 Hz -15 +15 le gain MID d-e15 s1o+010r5Htze que MID la L-1e5 d1+010[5H2z1]MIsD'allu-m15e1+0u105Hnzi- MID A2.U5kXHz que-1m5 UeU+n15t sA2u.UE5rkQXHlzes s-i1g5nUUa+1u5xAl2e.UE5ksQXHzplus-1f5oUUr+t1s5. A2.UE5kQXHz -15 UU+15 A2.UE5kQXHz Si vous entendez de la distorsion sur une voie, vérifiez 100Hz -15 +15 MID 100 Hz -15 +15 MID MAIN MIX01 BRIGHT ROOM -15 +15 MON 02 WARM LOUNGE 03 SMALL STAGE BYEPQASI5NS que -15 lUUa+1L5 eAd2.UE5nkQXHez soi-t15pUUa+1s5 aAl2l.uUE5kmQXHz ée en UpU ermAaUEnQXenc0045eWW.AARRDMMUiTHmHAELALiT-ER EQ 10 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO U +15 -15 U+15 MON U HI U HI U HI U Si le signM1a2OklNHvz ient de l'enM1t2OkrNHéze micro XLMR12O,kNHlze gain de HI M12OkNHz nuezUle gaM1i2OnHkNHI szi c'estUle cas.HI M12OkNHz 22. TOUCHE LOW CUT LOW 80Hz 0 dB-15(U+U+115,5 ouL8O0UHWznitai-r15e)U++11e55st L8oO0bHWztenu-1e5nU++1p155osi8LtO0iHWozn mi-n15imU++11u55m,8LO0HWz le g-1a5iUn+1é5tant de 50-15dUB+15en positio-n15mU+a15ximale. -15 U+15 -15 U++1155 -15 U+15 LOW 80Hz -15 U++1155 -15 U+15 LOW 80Hz HI M12OkNHz F-1X5 PR+1E5SETS 01 BRIGHUT+R1O5OM 02 WARMULOUNGE 03 SMALL STAGE 06 CONCERT HALL HI 07 PLATE REVERB 12kHz 08 CATHEDRAL 09 C-H1O5RU+S 15 10 CHORUUS + REV 11 DOUBLER 12 TAPE SLAP U +15 +15 U AUFXX U A2UF.M5XkIXDHz U A2UF.M5XkIXDHz U A2UF.M5XkIXDHz U A2UF.M5XkIXDHz MON PAN edsetS3-ia105tlUetUd++é+11sB1n555iguePnéMnAL8aOO0dNplHNWezovis2ei0tnidt-o15nBdUUe++m+e11155ln5a'expPnMiAoL8mtOO0sNrHNWiaéztleieom.nL-om1e5nUigUo++n+a111iJ555imanPcuMuAkL8mOO0nNHNW6i,zt,l3ae5irgem-a15i"mnUUU+++,"11é155i5telasPnMtAL8tOO0NHNWz en p-1o5 s+it1i5on centra-l1e5 . +L1'5atténuatio-1n5 d+1e5 20 dB est-1p5 r+a1t5i- U A2UF.M5XkIXDHz chCehdaeqfuiletrceapnaaslsaev-ehcauutn/ecoeunpteré-beams qicurioaptotésnsèudeeleusnferéto- u- -15 U++1155 MON U A2UF.M5XkIXDHz -15 U++1155 MON 04 WARM THEATER MID 05 WARM HALL 2F.5XkHz 06 07 08 CPC-LOA1AT5NTHECEUER+D+RER1TV1A5E5HLRABLL 13 DELAY 1 (300ms) MID 14 DELAY 2 (380ms)2.5kHz 15 D-E1L5AY 3+(14580ms) 16 REVERUB + DLY (250ms) qpua-re15noUcc++1et15a5svPienA8L.O0fNHéTWzroiuetuer-s1e5slUe++à1s1551e0Pn0At8LO0rNHHWézezs, 10111a39012mDCCDTvA-HHEO1iePLOO5UcEAcRRBYSrUULL1E+SSAouR(1P+350nRs0EmoeVPsn)A8LpO0tNeHWaznftfeecdM-t1eUé5TPeER1+EsU8S1,E5TdaSiBn8LO0sHWiOzL LR FX FX FX FX FX que lLoUrRsquAeUlXe signaLlURd'enAtUréXe est LdeURnivAeUauX élevéL.URSanAsUX queLlUeRs enAtFUrXéXes ligLnUeR des voies mono. AUX AUX FX 14 15 DDEELLLAAYYU23R((348800mmss)) +15 +15 +15 +15 +15 +15 +15 16 REVERB + DLY (250ms) FX MU A+S1T5EARUX 15 USB 125 250 PRESETS U MA MUTE MO +10 INFXPUPTRULEESVEETSL 01 BRIGHT ROOM 02 WARM LOUNGE 03 SMALL STAGE 04 WARM TH+E1A5TER 0056FCWXUOANRSTMCBOEHRTATMHLHLAROLULN OO OO OO OO PAN atténuatioPnMAONeNn entrée, voPMuAOsNNrisquez de PnMAeONpNas pouvoirPMAONN Il est cPoMAnONsNeillé d'utilisPeMArONNle filtre tUoutMleONtemps, sUauf MON 07 PLATE REVERB 08 CATHEDRAL OL MUTE égaOlLise+r1M5sUanTEs écrêOtLage+1M5deUTlEa voie. OL MUTE +15 MUTE OL +15 suOrLla+g1M5roUsTsEe caisOsLe, +l1aM5 gUuTiEtare bOaLsse+1,M5eUtTlEeOsL sonOsL de+1M5 UTE 09 CHORUS 10 CHORUS + REV B LR 0 U 1 dB L R 10 U 2 FX dB L R 10 U 3 FX dB L R 10 U 4 FX dB L R 10 5/6 FX synthUé av7e/c8beaucouU p ddB'obLteRnir uFnX sodnB clLaiRr 10 10 e9dt/ep1FbrX0aéscsid1se0B,sFe.XtCMUreAé1+fSd11iT5lutE/riR1tFeX2lveosupsd1Fo0BXpsseTSUiOrbTm+iM1lRei5OttTéNFsNX 11 DOUBLER FX RT 12 TAPE SLAP 1134dDDBEEPLLAAHYYO12 ((N33M0800EAmmXSss)) 151D0ELAY 3 (480ms) +15 +15 +15 +15 de Lar+1s5en sur scène+t1o5ut en amélio+r1a5nt le rendem+e15nt 16 REVERB + DLY (250 5 MUTE 5 MUPTAEN 5 MUPTAEN 5 MUPTAEN 5 MUPTAEN d5 es amMplUiPfTAiEcNate5urs deMpUuPTiAsEsNan5ce. MUPTAEN 5 PAN 5MOU N OL OL OL OL OL OL OL OL OO OO OO OO U dB 50 18 2 U dB 3U 4U ProFX8 etdBProFX12 dB 5/6 U dB 7/8 U dB 9/10 U 11/12 U ST RTN dB dB 150 L R 150 L R 150 L R 150 L R 150 L R 150 L R 5 10 L R U FX RTN dB 150 L R U dB 15F0 X +15 MASTER 150 150 150 150 150 150 150 10 5 150 150 MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE U20 U20 OL U20 OL U20 OL U20 OL U20 OL U20 OL 20UOL U2O0 L U2O0 L