Yamaha CP50 Owner's Manual - Page 22

Quick Start Guide, Basic CP5 & CP50 Procedures, Using Performances - available

Page 22 highlights

Quick Start Guide Basic CP5 & CP50 Procedures Quick Start Guide Basic CP5 & CP50 Procedures Playing On-Stage Using Performances 22 Performing with a Backing Track 37 Using the Microphone while Playing (CP5 only 40 Integrating with Other MIDI Devices 45 Live Performance Applications Creating Original Performances 33 Recording Keyboard Performances 41 Connecting to a Computer Using the Stage Piano with a Computer 46 Storing & Backing Up Stage-Piano Data Storing Settings 49 Exchanging Files with USB Flash-Memory Devices 52 Using Performances Your CP5 or CP50 comes packed with a wide range of different presets, and these are referred to as Performances. Designed to allow multiple voices to be sounded together, each Performance comprises a number of parts and a Reverb block, which applies a common reverberation effect to the parts. Furthermore, Master Compressor and Master Equalizer blocks, which affect all Performances in the same way, can also be used to ensure that the sound of your CP5 or CP50 is always perfectly matched to its playing environment. For more details on Performances, refer to the Reference Manual pdf document. Parts Performance LEFT1/LEFT LEFT2* RIGHT1/RIGHT RIGHT2* TRACK MIC INPUT* Reverb block Master Compressor block Master Equalizer block *: The LEFT2, RIGHT2, and MIC INPUT parts are available on the CP5 only. 22 CP5/CP50 Owner's Manual

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22
CP5/CP50 Owner’s Manual
Quick Start Guide
Quick Start Guide
Using Performances
Your CP5 or CP50 comes packed with a wide range of different presets, and these are referred to as Performances.
Designed to allow multiple voices to be sounded together, each Performance comprises a number of parts and a Reverb
block, which applies a common reverberation effect to the parts. Furthermore, Master Compressor and Master Equalizer
blocks, which affect all Performances in the same way, can also be used to ensure that the sound of your CP5 or CP50 is
always perfectly matched to its playing environment. For more details on Performances, refer to the
Reference Manual
pdf document.
Basic CP5 & CP50 Procedures
Playing On-Stage
Using Performances . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Performing with a Backing Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Using the Microphone while Playing (CP5 only) . . . . . . . . . . . . . . . . .40
Integrating with Other MIDI Devices . . . . . . . . . . . . . . . . . . . . . . . . . .45
Live Performance Applications
Creating Original Performances . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Recording Keyboard Performances . . . . . . . . . . . . . . . . . . . . . . . . . .41
Connecting to a Computer
Using the Stage Piano with a Computer . . . . . . . . . . . . . . . . . . . . . . .46
Storing & Backing Up Stage-Piano Data
Storing Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Exchanging Files with USB Flash-Memory Devices . . . . . . . . . . . . . .52
Performance
LEFT2*
RIGHT1/RIGHT
RIGHT2*
TRACK
MIC INPUT*
Parts
LEFT1/LEFT
Reverb
block
Master
Compressor
block
Master
Equalizer
block
*: The LEFT2, RIGHT2, and MIC INPUT
parts are available on the CP5 only.