Yamaha PSR-I500 PSR-I500 Owners Manual - Page 57

Parameters Assigned to the Knobs

Page 57 highlights

Parameters Assigned to the Knobs This section describes each of the parameters which can be assigned to the Knobs (page 24). z RIYAZ BALANCE Knob A adjusts the volume balance between the sounds Level of Tabla 1 and 2, while Knob B adjusts the volume bal- ance between the sounds of Tabla and Tanpura. Resonance x RIYAZ TEMPO/RIYAZ KEY Knob A adjusts the tempo of Tabla playback while the Tanpura playback tempo is maintained. This follows typical Indian music stylistic conventions. Knob B raises or lowers the pitch of the Riyaz sound in semitones, with the exception of Tabla 1. This accurately simulates the characteristics of the Tabla, in which the lower sound is not affected by the tuning. Note that also the pitch of Tabla 2 may not be changed depending on the Riyaz pattern. NOTE • When Knob B is turned all the way left, only the pitch of the Tabla 2 sound is raised abruptly by an octave. This is due to a limitation in this instrument. c CUTOFF/RESONANCE These effects shape the sound by allowing only a specified range of frequencies to pass and/or by producing a resonance peak at the "cutoff" frequency. These effects can be used to create a range of synthesizer-like sounds. NOTE • When the target is KEYBOARD, these effects are applied to the Main/Dual Voices. When the target is BACKING, these effects are applied to the Styles and Riyaz patterns. • These effects can sometimes cause distortion, especially in the bass frequencies.  Knob A: CUTOFF Adjusts the cutoff frequency, and therefore the brightness of the sound. Turning the knob to the left makes the sound more muffled or darker, while turning the knob A to the right makes the sound brighter. Level Cutoff Frequency Frequency v REVERB/CHORUS  Knob A: REVERB Reproduces the acoustic ambience of a concert hall or club. Turning the knob to the right increases the Reverb depth.  Knob B: CHORUS Produces a rich and warm layered effect. Turning the knob to the right increases the Chorus depth. NOTE • When the target is KEYBOARD, these effects are applied to the Main/Dual Voices. When the target is BACKING, these effects are applied to the Styles and Riyaz patterns. b DSP  Knob A/B: DSP PARAMETER A/B With the digital effects built into the instrument, you can add DSP effects to your keyboard performance and the playback sound of Styles, etc. (page 23). Each effect has two parameters which are assigned to Knobs A and B. By turning the knobs in real-time, you can alter the music in various dynamic ways, such as changing the rotating speed (slow/fast) of the rotary speaker or changing the degree of the Distortion. n ATTACK/RELEASE These effects determine how the level of the sound varies over time. You can make the attack faster for a more percussive sound or slower for a violin-like sound, for example. Or you can lengthen or shorten the sustain to best match the music you're playing. Frequencies in this range are passed. Frequency Frequencies in this range are cut off.  Knob B: RESONANCE Adjusts the amount of Resonance applied at the cutoff frequency. Turning the knob to the right increases the Resonance to emphasize the frequencies at the cutoff frequency, resulting in an exaggerated peak. Level Sustain Level ATTACK DECAY RELEASE Time Key Played Key Released PSR-I500 Owner's Manual 57 Reference

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PSR-I500
O
w
ner’s Man
u
al
57
Reference
Parameters Assigned to the Knobs
This section describes each of the parameters which can be assi
g
ned to the Knobs (pa
g
e 24).
z
RIYAZ BALANCE
Kno
b
A adj
u
sts the
v
ol
u
me
b
alance
b
et
w
een the so
u
nds
of Ta
b
la 1 and 2,
w
hile Kno
b
B adj
u
sts the
v
ol
u
me
b
al-
ance
b
et
w
een the so
u
nds of Ta
b
la and Tanp
u
ra.
x
RIYAZ TEMPO/RIYAZ KEY
Kno
b
A adj
u
sts the tempo of Ta
b
la play
b
ack
w
hile
the Tanp
u
ra play
b
ack tempo is maintained. This fol-
lo
w
s typical Indian m
u
sic stylistic con
v
entions. Kno
b
B raises or lo
w
ers the pitch of the Riyaz so
u
nd in
semitones,
w
ith the exception of Ta
b
la 1. This acc
u
-
rately sim
u
lates the characteristics of the Ta
b
la, in
w
hich the lo
w
er so
u
nd is not affected
b
y the t
u
ning.
Note that also the pitch of Ta
b
la 2 may not
b
e
changed depending on the Riyaz pattern.
c
CUTOFF/RESONANCE
These effects shape the so
u
nd
b
y allo
w
ing only a
specified range of freq
u
encies to pass and/or
b
y pro-
d
u
cing a resonance peak at the “c
u
toff” freq
u
ency.
These effects can
b
e
u
sed to create a range of syn-
thesizer-like so
u
nds.
Knob A: CUTOFF
Adj
u
sts the c
u
toff freq
u
ency, and therefore the
b
right-
ness of the so
u
nd. T
u
rning the kno
b
to the left makes
the so
u
nd more m
u
ffled or darker,
w
hile t
u
rning the
kno
b
A to the right makes the so
u
nd
b
righter.
Knob B: RESONANCE
Adj
u
sts the amo
u
nt of Resonance applied at the
c
u
toff freq
u
ency. T
u
rning the kno
b
to the right
increases the Resonance to emphasize the fre-
q
u
encies at the c
u
toff freq
u
ency, res
u
lting in an
exaggerated peak.
v
REVERB/CHORUS
Knob A: REVERB
Reprod
u
ces the aco
u
stic am
b
ience of a concert
hall or cl
ub
. T
u
rning the kno
b
to the right increases
the Re
v
er
b
depth.
Knob B: CHORUS
Prod
u
ces a rich and
w
arm layered effect. T
u
rning
the kno
b
to the right increases the Chor
u
s depth.
b
DSP
Knob A/B: DSP PARAMETER A/B
W
ith the digital effects
bu
ilt into the instr
u
ment, yo
u
can add DSP effects to yo
u
r key
b
oard performance
and the play
b
ack so
u
nd of Styles, etc. (page 23).
Each effect has t
w
o parameters
w
hich are
assigned to Kno
b
s A and B. By t
u
rning the kno
b
s
in real-time, yo
u
can alter the m
u
sic in
v
ario
u
s
dynamic
w
ays, s
u
ch as changing the rotating
speed (slo
w
/fast) of the rotary speaker or changing
the degree of the Distortion.
n
ATTACK/RELEASE
These effects determine ho
w
the le
v
el of the so
u
nd
v
aries o
v
er time. Yo
u
can make the attack faster for a
more perc
u
ssi
v
e so
u
nd or slo
w
er for a
v
iolin-like
so
u
nd, for example. Or yo
u
can lengthen or shorten
the s
u
stain to
b
est match the m
u
sic yo
u
’re playing.
• When Knob B is turned all the way left, only the pitch of the
Tabla 2 sound is raised abruptly by an octave. This is due to a
limitation in this instrument.
• When the target is KEYBOARD, these effects are applied to
the Main/Dual Voices. When the target is BACKING, these
effects are applied to the Styles and Riyaz patterns.
• These effects can sometimes cause distortion, especially in
the bass frequencies.
NOTE
NOTE
Le
v
el
Freq
u
ency
C
u
toff Freq
u
ency
Freq
u
encies in this
range are passed.
Freq
u
encies in this
range are c
u
t off.
• When the target is KEYBOARD, these effects are applied to
the Main/Dual Voices. When the target is BACKING, these
effects are applied to the Styles and Riyaz patterns.
Le
v
el
Freq
u
ency
Resonance
NOTE
S
u
stain Le
v
el
Le
v
el
Time
Key Played
Key Released
ATTACK
DECAY
RELEASE