Adobe 29180155 User Guide - Page 104

To edit the layer masks

Page 104 highlights

ADOBE PHOTOSHOP ELEMENTS 4.0 99 User Guide To edit the layer masks A layer mask prevents sections of a layer, or an entire layer, from being visible. You use the mask to show or hide sections of an image or an effect. When the layer mask (right thumbnail) attached to an adjustment layer is completely white, the adjustment effect is applied to all underlying layers. If you don't want to apply the effect to certain portions of the underlying layers, paint the corresponding area of the mask with black. When attached to a fill layer, the mask defines the filled-in area in the fill layer. Painting a mask with black increases the area protected. 1 In the Editor, select the adjustment or fill layer in the Layers palette. 2 Select the Brush tool , or any painting or editing tool. 3 Use the following methods to view the layer mask: • To view only the mask, Option-click the layer's rightmost thumbnail. Option-click the thumbnail again to redisplay the other layers. • To view the mask in a red masking color, hold down Option+Shift and click the layer's rightmost thumbnail. Hold down Option+Shift and click the thumbnail again to turn off the red display. • To constrain editing to part of the mask, select the corresponding pixels. 4 Edit the layer mask: • To remove areas of the adjustment effect or fill, paint the layer mask with black. • To add areas to the adjustment effect or fill, paint the layer mask with white. • To partially remove the adjustment effect or fill so that it shows in various levels of transparency, paint the layer mask with gray. (Single-click the foreground color swatch in the toolbox to choose a gray shade from the Swatches palette.) The extent to which the effect or fill is removed depends on the tones of gray you use to paint. Darker shades result in more transparency; lighter shades in more opacity. Shift-click the mask thumbnail (the layer's rightmost thumbnail) in the Layers palette to turn off the mask; click the thumbnail again to turn on the mask. See also "About selections" on page 102

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ADOBE PHOTOSHOP ELEMENTS 4.0
User Guide
99
To edit the layer masks
A layer mask prevents sections of a layer, or an entire layer, from being visible. You use the mask to show or hide
sections of an image or an effect. When the layer mask (right thumbnail) attached to an adjustment layer is
completely white, the adjustment effect is applied to all underlying layers. If you don’t want to apply the effect to
certain portions of the underlying layers, paint the corresponding area of the mask with black. When attached to a
fill layer, the mask defines the filled-in area in the fill layer.
Painting a mask with black increases the area protected.
1
In the Editor, select the adjustment or fill layer in the Layers palette.
2
Select the Brush tool
, or any painting or editing tool.
3
Use the following methods to view the layer mask:
To view only the mask, Option-click the layer’s rightmost thumbnail. Option-click the thumbnail again to
redisplay the other layers.
To view the mask in a red masking color, hold down Option+Shift and click the layer’s rightmost thumbnail. Hold
down Option+Shift and click the thumbnail again to turn off the red display.
To constrain editing to part of the mask, select the corresponding pixels.
4
Edit the layer mask:
To remove areas of the adjustment effect or fill, paint the layer mask with black.
To add areas to the adjustment effect or fill, paint the layer mask with white.
To partially remove the adjustment effect or fill so that it shows in various levels of transparency, paint the layer
mask with gray. (Single-click the foreground color swatch in the toolbox to choose a gray shade from the Swatches
palette.) The extent to which the effect or fill is removed depends on the tones of gray you use to paint. Darker
shades result in more transparency; lighter shades in more opacity.
Shift-click the mask thumbnail (the layer’s rightmost thumbnail) in the Layers palette to turn off the mask; click the
thumbnail again to turn on the mask.
See also
“About selections” on page 102