Behringer MonoPoly Quick Start Guide - Page 6

MONOPOLY Controls

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10 MONOPOLY MONOPOLY Controls (9) (10) (11) (12) (13) (14) (15)(16) (17) (18) (19) (8) (20) (21) (7) (22) (6) (23) (5) (24) (4) (25) (3) (2) (1) (26) (27) (28) (29) (30) (31) (32) (33) (34) (35) (36) (37) Quick Start Guide 11 (EN) Step 2: Controls (1) KEYBOARD - the keyboard has 37 semiweighted, full-size keys. (2) MG1 WHEEL - adjust the modulation depth from off to maximum. The operation of both wheels can be adjusted and customized using the WHEEL controls (7). (3) BEND WHEEL - raise or lower the pitch, with a center detent position. (4) KEY ASSIGN MODE - these switches select how the keyboard is assigned to the synthesizer. (See "Getting Started" for more details. HOLD - holds all notes played. (Select a KEY ASSIGN switch, before pressing HOLD.) CHORD MEMORY - play and hold any desired chord in POLY or UNISON/SHARE mode, and then press CHORD MEMORY. The chord will be memorized and can be played back with a single key press. UNISON - this monophonic mode plays all the VCOs when playing one key. Each VCO can be adjusted individually. UNISON/SHARE - this polyphonic mode automatically shares the number of notes played, among the VCOs POLY - this conventional polyphonic mode assigns the notes in the playing order to each VCO. (5) EFFECTS ON/OFF - enable/disable the effects produced using the X-MOD/FREQ-MOD/MODE controls (see item 11 below). (6) ARPEGGIATOR - three switches are used to set up the arpeggiator: ALL/2OCT/1OCT - selects the octave range. UP/DOWN/UP-DOWN - selects the playback note order. LATCH/ON/OFF - select LATCH to hold the arpeggio when all notes are released. Select ON or OFF to engage/disengage the arpeggio. Use the MG2 FREQUENCY knob to adjust the arpeggio tempo. Make sure it is not on zero when first creating an arpeggio. (7) WHEEL - this section allows you to select the operation and adjust the intensity of the BEND and MG1 wheels. INTENSITY - adjusts the intensity or effect of each wheel. On zero, the wheels will have no effect. SELECTOR - select the operation of each wheel: VC0 1/SLAVE VCOs - the BEND wheel affects VCO1 if the EFFECTS switch is Off. If EFFECTS is On, then it affects the slave VCOs. The MG1 wheel can modulate VCO1 or the slave VCOs. Pitch - the BEND wheel can pitch bend all VCOs. The MG1 wheel can modulate the pitch. VCF - the BEND wheel directly affects the filter cutoff frequency, and the MG1 wheel modulates it. (8) OUTPUT - adjust the overall volume level of the main and headphone outputs. Turn this down before turning on power, or connecting headphones or external amplifiers and equipment. (9) FREQUENCY MG1 - adjust the frequency of Modulation Generator 1 (MG1). The LED will flash at the current frequency. WAVEFORM MG1 - select the wave shape of MG1 from: triangular, reverse sawtooth, sawtooth, or pulse. (10) FREQUENCY MG2 - adjust the frequency of Modulation Generator 2 (MG2). The LED will flash at the current frequency. The MG2 waveform is triangular. (11) X-MOD/FREQ-MOD/MODE - use these controls to setup the effects, and then use the EFFECTS switch to turn these on or off. The various effects are based upon the relationship between a master VCO, and slave VCOs. X-MOD - adjusts the level of cross-modulation when in X-MOD or S & X mode. FREQ MOD - the knob and switch control the frequency modulation given to the slave VCOs only (as set by the SINGLE/DOUBLE switch). MOD MODES - SYNC - the slave VCOs are synchronised in tune with their respective master VCO. S & X - a combination of synchronised oscillators (S) and cross-modulation (X). X-MOD - cross-modulation, where VCOs are frequency-modulated by another VCO. SINGLE - VCO1 is the master and VCO2-4 are all slaves DOUBLE - VCO1 is a master and VCO2 its slave. VCO3 is a master and VCO4 its slave. (12) PWM- if you select PWM as a waveform for the VCOs, use these controls to make adjustments: VCO EG/MG1/MG2 - selects the source used to modulate the pulse width. INTENSITY - adjusts the modulation intensity. (13) PW WIDTH - if you select PW as a waveform for the VCOs, use this control to adjust the pulse width from narrow to wide. (14) TRANSPOSE - this switch raises or lowers the keyboard by one octave, without having to adjust any VCO settings. It also affects the rear panel CV OUT, and the VCF's KYB TRACK control. UP - raises the keyboard by one octave. NORMAL - this is the normal octave position. DOWN - lowers the keyboard by one octave. (15) PORTAMENTO - adjust the amount of Portamento (or Glide), between notes as they are played. (16) DETUNE - adjust this control in Unison mode to detune the 4 VCOs in opposite directions to produce a fatter sound. Reset to zero to return all the VCOs for polyphonic playing. (17) MASTER TUNE - adjust the frequency of all VCOs 1 to 4. (18) VCO 1, 2, 3, 4 - the MONOPOLY has four voltage controlled oscillators (VCO), with similar controls. An LED indicates when each VCO is on. TUNE- adjust the frequency of VCO 2, 3, or 4. WAVEFORM - select the wave shape from: triangular, reverse sawtooth, PWM, or PW. OCTAVE - select the VCO octave from 2', 4', 8', and 16'. LEVEL - adjust the output level of each VCO. (19) VCF - the voltage controlled filter (VCF) is a low-pass filter, where audio frequencies above the cutoff frequency are attenuated. CUTOFF - adjusts the cutoff frequency. RESONANCE - adjusts the amount of volume level boost given at the cutoff frequency. EG INTENSITY - adjusts how much the Filter Envelope affects the VCF. KYB TRACK - adjusts how much the cutoff frequency follows (tracks) the keyboard. (For example, if you play higher notes, does the cutoff frequency also increase, or stay fixed.)

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10
MONOPOLY
Quick Start Guide
11
MONOPOLY Controls
(1)
KEYBOARD
- the keyboard has 37 semi-
weighted, full-size keys.
(2)
MG1 WHEEL
- adjust the modulation depth
from off to maximum. The operation of both
wheels can be adjusted and customized using
the WHEEL controls (7).
(3)
BEND WHEEL
- raise or lower the pitch, with a
center detent position.
(4)
KEY ASSIGN MODE
- these switches
select how the keyboard is assigned to the
synthesizer. (See "Getting Started" for more
details.
HOLD
- holds all notes played. (Select a KEY
ASSIGN switch, before pressing HOLD.)
CHORD MEMORY
- play and hold any desired
chord in POLY or UNISON/SHARE mode, and
then press CHORD MEMORY. The chord will
be memorized and can be played back with a
single key press.
UNISON
- this monophonic mode plays all the
VCOs when playing one key. Each VCO can be
adjusted individually.
UNISON/SHARE
- this polyphonic mode
automatically shares the number of notes
played, among the VCOs
POLY
- this conventional polyphonic mode
assigns the notes in the playing order to
each VCO.
(5)
EFFECTS ON/OFF
- enable/disable the effects
produced using the X-MOD/FREQ-MOD/MODE
controls (see item 11 below).
(6)
ARPEGGIATOR
- three switches are used to
set up the arpeggiator:
ALL/2OCT/1OCT
- selects the octave range.
UP/DOWN/UP-DOWN
- selects the playback
note order.
LATCH/ON/OFF
- select LATCH to hold the
arpeggio when all notes are released. Select
ON or OFF to engage/disengage the arpeggio.
Use the MG2 FREQUENCY knob to adjust the
arpeggio tempo. Make sure it is not on zero
when first creating an arpeggio.
(7)
WHEEL
- this section allows you to select the
operation and adjust the intensity of the BEND
and MG1 wheels.
INTENSITY
- adjusts the intensity or effect
of each wheel. On zero, the wheels will have
no effect.
(6)
(5)
(4)
(3) (2)
(1)
(7)
(8)
(10)
(9)
(11) (12)
(13) (14) (15)(16) (17)
(18)
(19)
(26)
(27)
(28)
(29) (30) (31) (32) (33)
(34)
(35) (36) (37)
(22)
(20)
(21)
(23)
(24)
(25)
SELECTOR
- select the operation of each
wheel:
VC0 1/SLAVE VCOs
- the BEND wheel affects
VCO1 if the EFFECTS switch is Off. If EFFECTS
is On, then it affects the slave VCOs. The MG1
wheel can modulate VCO1 or the slave VCOs.
Pitch
- the BEND wheel can pitch bend all
VCOs. The MG1 wheel can modulate the pitch.
VCF
- the BEND wheel directly affects the
filter cutoff frequency, and the MG1 wheel
modulates it.
(8)
OUTPUT
- adjust the overall volume level of
the main and headphone outputs. Turn this
down before turning on power, or connecting
headphones or external amplifiers and
equipment.
(9)
FREQUENCY MG1
- adjust the frequency of
Modulation Generator 1 (MG1). The LED will
flash at the current frequency.
WAVEFORM MG1
-
select the wave shape
of MG1 from: triangular, reverse sawtooth,
sawtooth, or pulse.
(10)
FREQUENCY MG2
- adjust the frequency
of Modulation Generator 2 (MG2). The LED
will flash at the current frequency. The MG2
waveform is triangular.
(11)
X-MOD/FREQ-MOD/MODE
- use these
controls to setup the effects, and then
use the EFFECTS switch to turn these on
or off. The various effects are based upon
the relationship between a master VCO,
and slave VCOs.
X-MOD
- adjusts the level of cross-modulation
when in X-MOD or S & X mode.
FREQ MOD
- the knob and switch control the
frequency modulation given to the slave VCOs
only (as set by the SINGLE/DOUBLE switch).
MOD MODES
-
SYNC
- the slave VCOs are synchronised in
tune with their respective master VCO.
S & X
- a combination of synchronised
oscillators (S) and cross-modulation (X).
X-MOD
- cross-modulation, where VCOs are
frequency-modulated by another VCO.
SINGLE
- VCO1 is the master and VCO2-4
are all slaves
DOUBLE
- VCO1 is a master and VCO2 its
slave. VCO3 is a master and VCO4 its slave.
(12)
PWM
- if you select PWM as a waveform
for the VCOs, use these controls to make
adjustments:
VCO EG/MG1/MG2
- selects the source used
to modulate the pulse width.
INTENSITY
- adjusts the modulation intensity.
(13)
PW WIDTH
- if you select PW as a waveform
for the VCOs, use this control to adjust the
pulse width from narrow to wide.
(14)
TRANSPOSE
- this switch raises or lowers
the keyboard by one octave, without having
to adjust any VCO settings. It also affects the
rear panel CV OUT, and the VCF's KYB TRACK
control.
UP
- raises the keyboard by one octave.
NORMAL
- this is the normal octave position.
DOWN
- lowers the keyboard by one octave.
(15)
PORTAMENTO
- adjust the amount of
Portamento (or Glide), between notes as they
are played.
(16)
DETUNE
- adjust this control in Unison mode
to detune the 4 VCOs in opposite directions to
produce a fatter sound. Reset to zero to return
all the VCOs for polyphonic playing.
(17)
MASTER TUNE
- adjust the frequency of all
VCOs 1 to 4.
(18)
VCO 1, 2, 3, 4
- the MONOPOLY has four
voltage controlled oscillators (VCO), with
similar controls. An LED indicates when each
VCO is on.
TUNE
- adjust the frequency of VCO 2, 3, or 4.
WAVEFORM
- select the wave shape from:
triangular, reverse sawtooth, PWM, or PW.
OCTAVE
- select the VCO octave from 2', 4', 8',
and 16'.
LEVEL
- adjust the output level of each VCO.
(19)
VCF
- the voltage controlled filter (VCF) is a
low-pass filter, where audio frequencies above
the cutoff frequency are attenuated.
CUTOFF
- adjusts the cutoff frequency.
RESONANCE
- adjusts the amount of volume
level boost given at the cutoff frequency.
EG INTENSITY
- adjusts how much the Filter
Envelope affects the VCF.
KYB TRACK
- adjusts how much the cutoff
frequency follows (tracks) the keyboard. (For
example, if you play higher notes, does the
cutoff frequency also increase, or stay fixed.)
(EN)
Step 2: Controls