Onkyo HT-R667 Owner Manual - Page 67

Onkyo Original DSP Modes, Audio and Blu-ray Secondary Audio. Also broadcast

Page 67 highlights

Using the Listening Modes-Continued DTS-ES Discrete This mode is for use with DTS-ES Discrete soundtracks, that use a discrete surround back channel for true 6.1/7.1-channel playback. The seven totally separate audio channels provide better spatial imaging and 360degree sound localization, perfect for sounds that pan across the surround channels. Use it with DVDs that bear the DTS-ES logo, especially those with a DTS-ES Discrete soundtrack. DTS-ES Matrix This mode is for use with DTS-ES Matrix soundtracks, that use a matrix-encoded back-channel for 6.1/7.1channel playback. Use it with DVDs that bear the DTSES logo, especially those with a DTS-ES Matrix soundtrack. DTS Neo:6 This mode expands any 2-channel source for 7.1-channel playback. It uses seven full-bandwidth channels of matrix decoding for matrix-encoded material, providing a very natural and seamless surround sound experience that fully envelops the listener. • Neo:6 Cinema Use this mode with any stereo movie (e.g., TV, DVD, VHS). • Neo:6 Music Use this mode with any stereo music source (e.g., CD, radio, cassette, TV, VHS, DVD). 5.1-channel source + Neo:6 This mode uses Neo:6 to expand 5.1-channel sources for 6.1/7.1-channel playback. DTS-HD High Resolution Audio Developed for use with HDTV, including the new video disc formats Blu-ray and HD DVD, this is the latest multichannel audio format from DTS. It supports up to 7.1 channels with 96 kHz sampling rate. DTS-HD Master Audio Designed to take full advantage of the additional storage space offered by the new Blu-ray and HD DVD disc formats, this new DTS format offers up to 7.1 discrete channels of digital audio with 48/96 kHz, up to 5.1-channels with 192 kHz sampling rate. For the signals supported by the AV receiver, see page 64. DTS Express This format supports up to 5.1 channels and a lower sampling rate of 48 kHz. Applications include interactive audio and commentary encoding for HD DVD Sub Audio and Blu-ray Secondary Audio. Also broadcast and media servers. DSD DSD stands for Direct Stream Digital and is the format used to store digital audio on Super Audio CDs (SACD). This mode can be used with SACDs that feature multichannel audio. Onkyo Original DSP Modes Mono Movie This mode is suitable for old movies and other mono sources. The center speaker outputs the sound as it is, while reverb is applied to the sound output by the other speakers, giving presence to even mono material. Orchestra Suitable for classical or operatic music, this mode emphasizes the surround channels in order to widen the stereo image and simulates the natural reverberation of a large hall. Unplugged Suitable for acoustic instruments, vocals, and jazz, this mode emphasizes the front stereo image, giving the impression of being right in front of the stage. Studio-Mix Suitable for rock or pop music, listening to music in this mode creates a lively sound field with a powerful acoustic image, like being at a club or rock concert. TV Logic This mode adds realistic acoustics to TV shows produced in a TV studio, surround effects to the entire sound, and clarity to voices. All Ch Stereo Ideal for background music, this mode fills the entire listening area with stereo sound from the front, surround, and surround back speakers. Full Mono In this mode, all speakers output the same sound in mono, so the sound you hear is the same regardless of where you are within the listening room. T-D (Theater-Dimensional) or With this mode you can enjoy a virtual 5.1 surround sound even with only two or three speakers. This works by controlling how sounds reach the listener's left and right ears. Good results may not be possible if there's too much reverb, so we recommend that you use this mode in an environment with little or no natural reverb. 67

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100

67
Using the Listening Modes
—Continued
DTS-ES Discrete
This mode is for use with DTS-ES Discrete soundtracks,
that use a discrete surround back channel for true
6.1/7.1-channel playback. The seven totally separate
audio channels provide better spatial imaging and 360-
degree sound localization, perfect for sounds that pan
across the surround channels. Use it with DVDs that bear
the DTS-ES logo, especially those with a DTS-ES Dis-
crete soundtrack.
DTS-ES Matrix
This mode is for use with DTS-ES Matrix soundtracks,
that use a matrix-encoded back-channel for 6.1/7.1-
channel playback. Use it with DVDs that bear the DTS-
ES logo, especially those with a DTS-ES Matrix
soundtrack.
DTS Neo:6
This mode expands any 2-channel source for 7.1-chan-
nel playback. It uses seven full-bandwidth channels of
matrix decoding for matrix-encoded material, providing
a very natural and seamless surround sound experience
that fully envelops the listener.
Neo:6 Cinema
Use this mode with any stereo movie (e.g., TV,
DVD, VHS).
Neo:6 Music
Use this mode with any stereo music source (e.g.,
CD, radio, cassette, TV, VHS, DVD).
5.1-channel source + Neo:6
This mode uses Neo:6 to expand 5.1-channel sources for
6.1/7.1-channel playback.
DTS-HD High Resolution Audio
Developed for use with HDTV, including the new video
disc formats Blu-ray and HD DVD, this is the latest mul-
tichannel audio format from DTS. It supports up to 7.1
channels with 96 kHz sampling rate.
DTS-HD Master Audio
Designed to take full advantage of the additional storage
space offered by the new Blu-ray and HD DVD disc for-
mats, this new DTS format offers up to 7.1 discrete chan-
nels of digital audio with 48/96
kHz, up to 5.1-channels
with 192 kHz sampling rate.
For the signals supported by the AV receiver, see
page 64.
DTS Express
This format supports up to 5.1 channels and a lower sam-
pling rate of 48 kHz. Applications include interactive
audio and commentary encoding for HD DVD Sub
Audio and Blu-ray Secondary Audio. Also broadcast and
media servers.
DSD
DSD stands for Direct Stream Digital and is the format
used to store digital audio on Super Audio CDs (SACD).
This mode can be used with SACDs that feature multi-
channel audio.
Onkyo Original DSP Modes
Mono Movie
This mode is suitable for old movies and other mono
sources. The center speaker outputs the sound as it is,
while reverb is applied to the sound output by the other
speakers, giving presence to even mono material.
Orchestra
Suitable for classical or operatic music, this mode
emphasizes the surround channels in order to widen the
stereo image and simulates the natural reverberation of a
large hall.
Unplugged
Suitable for acoustic instruments, vocals, and jazz, this
mode emphasizes the front stereo image, giving the
impression of being right in front of the stage.
Studio-Mix
Suitable for rock or pop music, listening to music in this
mode creates a lively sound field with a powerful acous-
tic image, like being at a club or rock concert.
TV Logic
This mode adds realistic acoustics to TV shows pro-
duced in a TV studio, surround effects to the entire
sound, and clarity to voices.
All Ch Stereo
Ideal for background music, this mode fills the entire lis-
tening area with stereo sound from the front, surround,
and surround back speakers.
Full Mono
In this mode, all speakers output the same sound in
mono, so the sound you hear is the same regardless of
where you are within the listening room.
T-D (Theater-Dimensional)
or
With this mode you can enjoy a virtual 5.1 surround
sound even with only two or three speakers. This works
by controlling how sounds reach the listener’s left and
right ears. Good results may not be possible if there’s too
much reverb, so we recommend that you use this mode
in an environment with little or no natural reverb.