Sony STR-DA2100ES Operating Instructions for STRDA2100ES - Page 42

Advanced LEVEL menu, parameters, PHASE NOISE Phase noise, PHASE AUDIO Phase audio, COMP. XXX

Get Sony STR-DA2100ES - Am/fm Es Stereo Receiver PDF manuals and user guides View all Sony STR-DA2100ES manuals
Add to My Manuals
Save this manual to your list of manuals

Page 42 highlights

Advanced LEVEL menu parameters When "MENU EXP." is set to "ON", all of the following parameters are displayed and adjustable. See page 37 for the LEVEL menu adjustments. Initial settings are underlined. All LEVEL menu parameters T. TONE PHASE NOISEa) PHASE AUDIOa) BALANCE CENTER XXX dB SURR L XXX dB SURR R XXX dB SB XXX dBb) SB LEFT XXX dBc) SB RIGHT XXX dBc) SW XXX dB MULTI SW XXX dB D.RANGE COMP. XXXa) EFFECT XXX a) Adjustable only when "MENU EXP." is set to "ON". b) When surround back speaker is set to "SINGLE" or "YES" (page 19). c) When surround back speaker is set to "DUAL" (page 19). x PHASE NOISE (Phase noise) Initial setting: OFF Lets you output the test tone sequentially from two adjacent speaker. x PHASE AUDIO (Phase audio) Initial setting: OFF Lets you output the source sound (instead of the test tone) sequentially from two adjacent speaker. x D.RANGE COMP. XXX (Dynamic range compressor) Lets you compress the dynamic range of the sound track. This may be useful when you want to watch movies at low volumes late at night. • OFF The dynamic range is not compressed. • STD The dynamic range is compressed as intended by the recording engineer. • MAX The dynamic range is compressed dramatically. Tip Dynamic range compressor lets you compress the dynamic range of the soundtrack based on the dynamic range information included in the Dolby Digital signal. Therefore, "STD" is the standard setting, but it only enacts light compression. We recommend using the "MAX" setting. This greatly compresses the dynamic range and lets you view movies late at night at low volumes. Unlike analog limiters, the levels are predetermined and provide a very natural compression. Note Dynamic range compression is possible with Dolby Digital sources only. 42US

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
42
US
Advanced LEVEL menu
parameters
When “MENU EXP.” is set to “ON”, all of the
following parameters are displayed and
adjustable.
See page 37 for the LEVEL menu adjustments.
Initial settings are underlined.
All LEVEL menu parameters
a)
Adjustable only when “MENU EXP.” is set to
“ON”.
b)
When surround back speaker is set to “SINGLE” or
“YES” (page 19).
c)
When surround back speaker is set to “DUAL”
(page 19).
x
PHASE NOISE (Phase noise)
Initial setting: OFF
Lets you output the test tone sequentially from two
adjacent speaker.
x
PHASE AUDIO (Phase audio)
Initial setting: OFF
Lets you output the source sound (instead of the test
tone) sequentially from two adjacent speaker.
x
COMP. XXX
(Dynamic range compressor)
Lets you compress the dynamic range of the sound
track. This may be useful when you want to watch
movies at low volumes late at night.
• OFF
The dynamic range is not compressed.
• STD
The dynamic range is compressed as intended by the
recording engineer.
• MAX
The dynamic range is compressed dramatically.
Tip
Dynamic range compressor lets you compress the
dynamic range of the soundtrack based on the dynamic
range information included in the Dolby Digital signal.
Therefore, “STD” is the standard setting, but it only
enacts light compression. We recommend using the
“MAX” setting. This greatly compresses the dynamic
range and lets you view movies late at night at low
volumes. Unlike analog limiters, the levels are
predetermined and provide a very natural compression.
Note
Dynamic range compression is possible with Dolby
Digital sources only.
T. TONE
PHASE NOISE
a)
PHASE AUDIO
a)
BALANCE
CENTER XXX dB
SURR L XXX dB
SURR R XXX dB
SB XXX dB
b)
SB LEFT XXX dB
c)
SB RIGHT XXX dB
c)
SW XXX dB
MULTI SW XXX dB
COMP. XXX
a)
EFFECT XXX
D.RANGE
D.RANGE