Yamaha AW2816 Tutorial - Page 15

Channel 5: Hi-hat, Channel 6: Acoustic bass, EQ ATT -7 dB, DYNAMICS Comp

Page 15 highlights

Mixdown s Channel 5: Hi-hat By using a HPF (high pass filter) to cut the sound below the LOW 125 Hz point, we will simultaneously remove sounds other than the hi-hat. By adding a 2.5 dB boost to the L-MID 595 Hz region, we will emphasize the crispness of the hi-hat, clarifying the sense of beat. 1 Press the channel 5 [SEL] key to select the hi-hat channel. 2 Press the MIXER section [EQ] key. 3 Make sure that EQ is on for the selected channel. 4 Use the CURSOR keys and the [DATA/JOG] dial to set the EQ as follows. EQ (ATT -7 dB) LOW Q HPF L-MID 0.70 F 125 Hz 595 Hz G ON 2.5 dB H-MID 0.70 4.00 kHz 0.0 dB HIGH H.SHLF 16.0 kHz -3.5 dB 5 Press the MIXER section [DYN] key to access the dynamics parameters. 6 In the TYPE area, "COMP" should already be selected (the default setting). Move the cursor to "ON/OFF" and turn dynamics "ON" for the selected channel. 7 Use the CURSOR keys and the [DATA/JOG] dial to make the following dynamics settings. DYNAMICS Comp Threshold Ratio Out Gain Attack Release Knee -24 dB 2:1 6.5 dB 12ms 70 ms hard s Channel 6: Acoustic bass We will lower the LOW 35 Hz region by -7.5 dB to add warmth to the sound. By lowering the L-MID 111 Hz region by 2.5 dB we will clarify the sense of pitch, and by adding a 5.5 dB boost at the H-MID 2.82 kHz region we will emphasize the fingerboard noise to enhance the characteristic flavor of an acoustic bass. 1 Press the channel 6 [SEL] key to select the bass channel. 2 Press the MIXER section [EQ] key. 3 Make sure that the EQ of the selected channel is turned on. 4 Use the CURSOR keys and the [DATA/JOG] dial, or the EQ controls at the right of the display, to make the following EQ settings for the bass. EQ (ATT -8 dB) LOW Q L.SHLF F 35 Hz G -7.5 dB L-MID 5.0 111 Hz 2.5 dB H-MID 2.5 2.82 kHz 5.5 dB HIGH H.SHLF 4.00 kHz 0.0 dB 14 Tutorial

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31

Mixdown
14
Tutorial
Channel 5: Hi-hat
By using a HPF (high pass filter) to cut the sound
below the LOW 125 Hz point, we will simultaneously
remove sounds other than the hi-hat. By adding a
2.5 dB boost to the L-MID 595 Hz region, we will
emphasize the crispness of the hi-hat, clarifying the
sense of beat.
1
Press the channel 5 [SEL] key to select the
hi-hat channel.
2
Press the MIXER section [EQ] key.
3
Make sure that EQ is on for the selected
channel.
4
Use the CURSOR keys and the [DATA/JOG]
dial to set the EQ as follows.
EQ (ATT –7 dB)
5
Press the MIXER section [DYN] key to
access the dynamics parameters.
6
In the TYPE area, “COMP” should already
be selected (the default setting). Move the
cursor to “ON/OFF” and turn dynamics
“ON” for the selected channel.
7
Use the CURSOR keys and the [DATA/JOG]
dial to make the following dynamics set-
tings.
DYNAMICS Comp
Channel 6: Acoustic bass
We will lower the LOW 35 Hz region by –7.5 dB to
add warmth to the sound. By lowering the L-MID
111 Hz region by 2.5 dB we will clarify the sense of
pitch, and by adding a 5.5 dB boost at the H-MID
2.82 kHz region we will emphasize the fingerboard
noise to enhance the characteristic flavor of an acous-
tic bass.
1
Press the channel 6 [SEL] key to select the
bass channel.
2
Press the MIXER section [EQ] key.
3
Make sure that the EQ of the selected
channel is turned on.
4
Use the CURSOR keys and the [DATA/JOG]
dial, or the EQ controls at the right of the
display, to make the following EQ settings
for the bass.
EQ (ATT –8 dB)
LOW
L-MID
H-MID
HIGH
Q
HPF
0.70
0.70
H.SHLF
F
125 Hz
595 Hz
4.00 kHz
16.0 kHz
G
ON
2.5 dB
0.0 dB
–3.5 dB
Threshold
Ratio
Out Gain
Attack Release
Knee
–24 dB
2:1
6.5 dB
12ms
70 ms
hard
LOW
L-MID
H-MID
HIGH
Q
L.SHLF
5.0
2.5
H.SHLF
F
35 Hz
111 Hz
2.82 kHz
4.00 kHz
G
–7.5 dB
2.5 dB
5.5 dB
0.0 dB