Yamaha CVP-203 Owner's Manual - Page 139

Receiving MIDI Data — Receive, Setting Root Note Channels — Root

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Making Global and Other Important Settings - Function Receiving MIDI Data - Receive This determines which parts will receive MIDI data and over which MIDI channel the data will be received. Determines the channel for changing receive settings. The dots corresponding to each channel (1 - 32) flash briefly whenever any data is received on the channel(s). The MIDI IN/OUT terminals and Port A of the TO HOST terminal (Port A of the CBX driver) correspond to channels 1 - 16. Port B of the TO HOST terminal (Port B of the CBX driver) corresponds to channels 17 - 32. Determines the Part for the selected channel. See below for details about the receive parts. Turns reception of the specified data type on or off. See page 138 for details on the data types. MIDI Receive Parts OFF No MIDI data is received. SONG MAIN Normally, the part receiving the MIDI data corresponds to the part/voice used in playing back the song data. Channels 1 - 16 correspond to song channels 1 - 16, respectively. The MAIN part is controlled by the MIDI data received on the corresponding channel. LAYER LEFT The LAYER part is controlled by the MIDI data received on the corresponding channel. The LEFT part is controlled by the MIDI data received on the corresponding channel. KEYBOARD MIDI note data received by the Clavinova plays the corresponding notes in the same way as if they are played on the keyboard. ACMP RHYTHM1-2 The received notes are used as the accompaniment RHYTHM 1 and RHYTHM 2 notes. ACMP BASS The received notes are used as the accompaniment BASS notes. ACMP CHORD1-2 The received notes are used as the accompaniment CHORD 1 and CHORD 2 notes. ACMP PAD The received notes are used as the accompaniment PAD notes. ACMP PHRASE1-2 The received notes are used as the accompaniment PHRASE 1 and PHRASE 2 notes. EXTRA PART1-5 There are five parts specially reserved for receiving and playing MIDI data. Normally, these parts are not used by the instrument itself. When these five channels are enabled, you can use the instrument as a 32-channel multi-timbral tone generator. Setting Root Note Channels - Root The note ON/OFF messages received at the channel(s) set to "ON" are recognized as the root notes in the accompaniment section. The root notes will be detected regardless of the accompaniment ON/OFF and split point settings. Selects the channels in groups of eight: 1 - 8, 9 - 16, 17 - 24, and 25 - 32, respectively. The MIDI IN/OUT terminals and Port A of the TO HOST terminal (Port A of the CBX driver) correspond to channels 1 - 16. Port B of the TO HOST terminal (Port B of the CBX driver) corresponds to channels 17 - 32. Sets the desired channel to ON or OFF. When several channels are simultaneously set to "ON," the root note is detected from merged MIDI data received over the channels. Sets all channels to OFF. Setting Chord Channels - Chord Detect The note ON/OFF messages received at the channel(s) set to "ON" are recognized as the chord notes in the accompaniment section. The chords to be detected depend on the fingering type. The root notes will be detected regardless of the accompaniment ON/OFF and split point settings. The operation procedure is basically the same as that of the ROOT display above. CVP-205/203 139

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Making Global and Other Important Settings — Function
139
CVP-205/203
Receiving MIDI Data
—
Receive
MIDI Receive Parts
Setting Root Note Channels
—
Root
The note ON/OFF messages received at the channel(s) set to “ON” are recognized as the root notes in the
accompaniment section. The root notes will be detected regardless of the accompaniment ON/OFF and split point
settings.
Setting Chord Channels
—
Chord Detect
The note ON/OFF messages received at the channel(s) set to “ON” are recognized as the chord notes in the
accompaniment section. The chords to be detected depend on the fingering type. The root notes will be detected
regardless of the accompaniment ON/OFF and split point settings. The operation procedure is basically the same as that
of the ROOT display above.
OFF
No MIDI data is received.
SONG
Normally, the part receiving the MIDI data corresponds to the part/voice used in playing back the song data.
Channels 1 - 16
correspond to song channels 1 - 16, respectively.
MAIN
The MAIN part is controlled by the MIDI data received on the corresponding channel.
LAYER
The LAYER part is controlled by the MIDI data received on the corresponding channel.
LEFT
The LEFT part is controlled by the MIDI data received on the corresponding channel.
KEYBOARD
MIDI note data received by the Clavinova plays the corresponding notes in the same way as if they are played on the keyboard.
ACMP RHYTHM1-2
The received notes are used as the accompaniment RHYTHM 1 and RHYTHM 2 notes.
ACMP BASS
The received notes are used as the accompaniment BASS notes.
ACMP CHORD1-2
The received notes are used as the accompaniment CHORD 1 and CHORD 2 notes.
ACMP PAD
The received notes are used as the accompaniment PAD notes.
ACMP PHRASE1-2
The received notes are used as the accompaniment PHRASE 1 and PHRASE 2 notes.
EXTRA PART1-5
There are
fi
ve parts specially reserved for receiving and playing MIDI data.
Normally, these parts are not used by the instrument
itself.
When these
fi
ve channels are enabled, you can use the instrument as a 32-channel multi-timbral tone generator.
Determines the channel for
changing receive settings.
Determines the Part for the
selected channel. See below for
details about the receive parts.
Turns reception of the
speci
fi
ed data type on or off.
See page 138 for details on
the data types.
The dots corresponding to each
channel (1 - 32)
fl
ash brie
fl
y
whenever any data is received
on the channel(s).
The MIDI IN/OUT terminals
and Port A of the TO HOST
terminal (Port A of the CBX
driver) correspond to chan-
nels 1 - 16. Port B of the TO
HOST terminal (Port B of the
CBX driver) corresponds to
channels 17 - 32.
This determines which parts will
receive MIDI data and over which
MIDI channel the data will be
received.
Selects the channels in groups of
eight: 1 - 8, 9 - 16, 17 - 24, and 25
- 32, respectively.
Sets the desired channel to ON or OFF.
Sets all channels to OFF.
The MIDI IN/OUT terminals
and Port A of the TO HOST
terminal (Port A of the CBX
driver) correspond to chan-
nels 1 - 16. Port B of the TO
HOST terminal (Port B of the
CBX driver) corresponds to
channels 17 - 32.
When several channels are
simultaneously set to
“
ON,
”
the root note is detected
from merged MIDI data
received over the channels.