Home » Adobe Manuals » Computer Software » Adobe 23101335 » Manual Viewer

Adobe 23101335 User Guide - Page 242

Editing layer styles, Specifying options for layer styles, Shadow, Inner Shadow, and so on. ImageReady

UPC - 718659152833

Add to My Manuals
Save this manual to your list of manuals

Page 242 highlights

232 CHAPTER 8 Using Layers If you create a new layer style using the New Item button, New Style menu command, or Layer Style dialog box, all effects on the current layer are included in the new layer style. 4 To rename a layer style, double-click the new layer style in the Styles palette, rename the layer style, and then click OK. Editing layer styles You can edit the layer effects that compose a layer style applied to a layer. To remove layer styles, see "Removing layer styles" on page 229. To edit the layer style applied to a layer: 1 Do one of the following: • Double-click the effect displayed below the layer name. Click the inverted triangle ( ) next to the layer name to display the effects contained in the layer style. • (Photoshop) Double-click a layer name, thumbnail, or the layer styles icon ( ) next to the layer and choose an effect from the Layer Styles dialog box Styles panel. • (ImageReady) Select the palette named for the effect you want to change. 2 Edit the options. (See "Specifying options for layer styles" on page 232.) Specifying options for layer styles When customizing layer styles, you can specify a number of options for each effect contained in the layer style. In Photoshop, many options can also be set by dragging. For example, when you customize a drop shadow style, you can drag the shadow to position it. Note: In Photoshop, customize layer styles using the Layer Style dialog box. In ImageReady, you can use the palette named for the type of effect such as Drop Shadow, Inner Shadow, and so on. ImageReady provides a subset of the options provided by Photoshop. Angle Determines the lighting angle at which the effect is applied to the layer. You can deﬁne a global angle that applies to all layer effects in the image; you can also assign a local angle that applies only to a speciﬁc layer effect. Using a global angle gives the appearance of a consistent light source shining on the image. Anti-alias Blends the edge pixels of a contour or gloss contour. Most useful on shadows with a small size and complicated contour. Blend Mode Determines how the layer style blends with the underlying layers, which may or may not include the active layer. For example, an inner shadow blends with the active layer because the effect is drawn on top of that layer, but a drop shadow blends only with the layers beneath the active layer. In most cases, the default mode for each effect produces the best results. (See "Specifying layer blending modes" on page 217.)

Section	Page
Table of Contents	3
Getting Started	11
Registration	11
Installing Adobe Photoshop and ImageReady	11
Learning Adobe Photoshop and ImageReady	11
Using Web resources	13
Other learning resources	14
Customer support	15
Adobe Photoshop Basics	19
Using tools and palettes	20
Opening images in Photoshop and ImageReady	22
Streamlining your workflow	24
Making tonal and color adjustments	26
Retouching images	27
Making pixel selections	28
Making edits	30
Using layers	32
Compositing images	34
Painting	36
Drawing shapes	37
Creating type	40
Editing type	41
Designing Web graphics	42
Creating animations (ImageReady)	43
Optimizing Web graphics	44
What’s New in Adobe Photoshop 6.0	49
Superb vector support	50
Enhanced vector output	52
Layer styles	52
Interactive image warping	54
Enhanced slicing capabilities	55
Enhanced support for image maps and rollovers	57
Weighted optimization	58
Improved Web workflow	58
Streamlined interface	59
Enhanced layer management	60
Expanded text features	61
Preset Manager	63
Other new and enhanced features	63
Looking at the Work Area	67
Using the toolbox	67
Using the tool options bar	69
Using palettes	70
Using context menus	74
Viewing images	74
Correcting mistakes	78
Reverting to any state of an image	79
Duplicating images	83
Using rulers, the measure tool, guides, and the grid	84
Working with Extras	87
Displaying status information	88
Displaying file and image information	88
Annotating images (Photoshop)	90
Jumping between applications	92
Previewing an image in a browser	94
Managing libraries with the Preset Manager (Photoshop)	95
Setting preferences	96
Resetting all warning dialogs	97
Monitoring operations	98
Closing files and quitting	98
Getting Images into Photoshop and ImageReady	101
About bitmap images and vector graphics	101
About image size and resolution	102
Changing image size and resolution	105
Scanning images	109
Creating new images	110
Opening and importing images	111
Placing files	114
Managing files with WebDAV	116
Working with Color	119
About color modes and models (Photoshop)	119
Color gamuts (Photoshop)	124
Adjusting the monitor display	124
Channels and bit depth (Photoshop)	126
Converting between color modes (Photoshop)	127
Converting to indexed color (Photoshop)	128
Applying colors	128
Making color and tonal adjustments	128
Producing Consistent Color (Photoshop)	131
Why colors sometimes don’tmatch	131
About color management	131
Do you need color management?	132
Creating a viewing environment for color management	133
Setting up color management	134
Using predefined color management settings	134
Customizing color management settings	136
Specifying working spaces	137
Specifying color management policies	138
Customizing advanced color management settings	140
Saving and loading color management settings	140
Synchronizing color management between applications	141
Soft-proofing colors	141
Changing the color profile of a document	143
Embedding profiles in saved documents	144
Obtaining, installing, and updating color profiles	144
Creating an ICC monitor profile	146
Selecting	149
About selections	149
Making pixel selections	149
Adjusting pixel selections	156
Softening the edges of a selection	157
Moving, copying, and pasting selections and layers	159
Working with snap	162
Saving and loading selections	163
Deleting selections	163
Removing fringe pixels from a selection (Photoshop)	164
Extracting objects from their background (Photoshop)	164
Drawing and Editing	171
About drawing and painting	171
Drawing shapes and paths	171
Using the shape tools	174
Using the pen tools (Photoshop)	176
Drawing overlapping shapes (Photoshop)	181
Using the Paths palette (Photoshop)	181
Editing paths (Photoshop)	182
Managing paths (Photoshop)	189
Converting between paths and selection borders (Photoshop)	190
Adding color to paths (Photoshop)	192
Transforming and retouching	192
Using Channels and Masks	195
About channels	195
Using the Channels palette (Photoshop)	195
Managing channels (Photoshop)	197
Mixing color channels (Photoshop)	200
Adding spot colors (Photoshop)	201
Using channel calculations to blend layers and channels (Photoshop)	204
About masks (Photoshop)	207
Creating temporary masks in Quick Mask mode (Photoshop)	207
Storing masks in alpha channels	209
Using Layers	215
About layers	215
About layer sets	216
Using the Layers palette	216
Creating a layered image	220
Grouping layers into sets	223
Moving and aligning the contents of layers	224
Editing layers	226
Creating clipping groups	228
Specifying layer properties	229
Using the Layer Style dialog box (Photoshop)	230
Setting layer blending options	231
Using layer styles	236
Customizing layer styles	240
Creating and editing contours (Photoshop)	246
Hiding portions of a layer	247
Using adjustment layers or fill layers (Photoshop)	252
Managing layered images	256
Using Type	261
About type	261
Creating type	261
Working with type layers	264
Formatting characters	268
Formatting paragraphs	275
Controlling hyphenation and justification	277
Working with composition	277
Setting options for Chinese, Japanese, and Korean type (Photoshop)	277
Designing Web Pages	281
About designing Web pages with Photoshop and ImageReady	281
Creating and viewing slices	282
Selecting and modifying slices	286
Specifying slice options	291
Creating and viewing image maps (ImageReady)	296
Selecting and modifying image maps (ImageReady)	298
Specifying image map options (ImageReady)	301
Selecting an image map type (ImageReady)	302
Working with rollovers (ImageReady)	302
Creating Web photo galleries (Photoshop)	307
Creating Animations (ImageReady)	311
About animation	311
Creating animations	311
Working with layers in animations	316
Viewing animations	319
Optimizing animations	319
Viewing animated images in Photoshop	320
Saving animations	320
Opening and importing files as animations	321
Optimizing Images for theWeb	325
About optimization	325
Viewing images during optimization	326
Choosing a file format for optimization	327
Optimizing images	330
Using weighted optimization	337
Optimizing colors in GIF and PNG-8 images	340
Working with hexadecimal values for color	347
Making transparent and matted images	349
Previewing and controlling dithering	351
Setting optimization preferences (ImageReady)	355
Using a droplet to automate optimization settings (ImageReady)	356
Saving optimized images	357
Setting output options	358
Creating background images	362
Saving and Exporting Images	367
Saving images	367
About file formats	374
Adding file information (Photoshop)	376
Adding digital copyright information	376
Setting preferences for saving files (Photoshop)	376
Creating multiple-image layouts (Photoshop)	377
Placing Photoshop images in other applications (Photoshop)	379
Printing (Photoshop)	385
About printing	385
Printing images	386
Positioning and scaling images	387
Setting output options	388
Selecting halftone screen attributes	389
Printing part of an image	392
Choosing a print encoding method	392
Printing vector graphics	392
Using color management when printing	392
Printing with Adobe PressReady	393
Creating color traps	394
Printing duotones	394
Printing color separations	399
Automating Tasks	403
About actions	403
Using the Actions palette	404
Recording actions	404
Playing actions	409
Setting playback options (Photoshop)	410
Editing actions	410
Managing actions in the Actions palette	412
Using the Batch command (Photoshop)	415
Using droplets	416
Using the Automate commands (Photoshop)	420
External automation	421
Index	423

Match case Limit results 1 per page

CHAPTER 8

232

Using Layers

If you create a new layer style using the New Item

button, New Style menu command, or Layer Style

dialog box, all effects on the current layer are

included in the new layer style.

To rename a layer style, double-click the new

layer style in the Styles palette, rename the layer

style, and then click OK.

Editing layer styles

You can edit the layer effects that compose a layer

style applied to a layer. To remove layer styles,

see “Removing layer styles” on page 229.

To edit the layer style applied to a layer:

Do one of the following:

•

Double-click the effect displayed below the layer

name. Click the inverted triangle (

) next to the

layer name to display the effects contained in the

layer style.

•

(Photoshop) Double-click a layer name,

thumbnail, or the layer styles icon (

) next to the

layer and choose an effect from the Layer Styles

dialog box Styles panel.

•

(ImageReady) Select the palette named for the

effect you want to change.

Edit the options. (See “Specifying options for

layer styles” on page 232.)

Specifying options for layer styles

When customizing layer styles, you can specify a

number of options for each effect contained in the

layer style. In Photoshop, many options can also be

set by dragging. For example, when you customize

a drop shadow style, you can drag the shadow to

position it.

Note:

In Photoshop, customize layer styles using the

Layer Style dialog box. In ImageReady, you can use

the palette named for the type of effect such as Drop

Shadow, Inner Shadow, and so on. ImageReady

provides a subset of the options provided by

Photoshop.

Angle

Determines the lighting angle at which the

effect is applied to the layer. You can deﬁne a global

angle that applies to all layer effects in the image;

you can also assign a local angle that applies only

to a speciﬁc layer effect. Using a global angle gives

the appearance of a consistent light source shining

on the image.

Anti-alias

Blends the edge pixels of a contour or

gloss contour. Most useful on shadows with a

small size and complicated contour.

Blend Mode

Determines how the layer style

blends with the underlying layers, which may or

may not include the active layer. For example,

an inner shadow blends with the active layer

because the effect is drawn on top of that layer,

but a drop shadow blends only with the layers

beneath the active layer. In most cases, the default

mode for each effect produces the best results.

(See “Specifying layer blending modes” on

page 217.)