Yamaha CP50 Reference Manual - Page 18

For non-piano voices: *OT5ZQF


& Effect category .0%  4NBMM1IB Effect name In the case of non-piano voices, effects can be selected from the categories that make up the Other group as described above. In addition, the modulation effects, which are primarily for PIANO and E.PIANO voices, are grouped together in the MOD category. For more details regarding these effects, see For PIANO and E.PIANO voices (page 15). All effects for non-piano voices function as insertion effects. Configuring Modulation Effect Block Parameters Edit Sequence Press and hold the [MOD FX] button (for at least one second)  Navigate to the second and subsequent pages using the [- PAGE] and [PAGE 3] buttons  Turn Knobs 1 to 3 Each Modulation Block effect is configured using a different set of parameters, which adjust the sound of the effect in various ways. The following tables will describe the functions of each of these parameters in alphabetic order, first for the modulation effects (specially designed for PIANO and E.PIANO voices) and then for the effects from the Other group. NOTE For more details on the specific parameters associated with each different type of effect, see the Modulation Effect parameter list in the Data List pdf document. Parameters for modulation effects On-screen name (and full name) B Bottom Associated effects Touch Wah and Pedal Wah C Color Small Phaser D Delay Symphonic Depth Drive Flanger, Chorus, 816Chorus, and Symphonic Small Phaser and Max90 Touch Wah and Pedal Wah F Feedback Flanger and 816Chorus M Manual Mix Mode P PdlCtrl (Pedal Control) Phase Flanger Flanger, Chorus, 816Chorus, and Symphonic Max100 Pedal Wah 816Chorus Description This parameter is used to set the lowest point in the filter's sweep range. This parameter is used to adjust the way in which the phaser sweeps. This parameter is used to set an offset for the modulation delay time. This parameter is used to adjust the depth of modulation. This parameter is used to set the phaser's input level. This parameter is used to adjust the way in which the sound distorts. This parameter is used adjust the degree to which output from the effect is fed back into its input. This parameter is used to set the offset value for delay modulation. This parameter is used to adjust the volume of the wet sound (i.e., the sound produced by the effect). This parameter is used to select the phaser mode. This parameter is used to set the cutoff frequency for the wah filter. This parameter is used to set the phase offset for the chorus effect. 18 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 Reference Left & Right Parts 3
[VOICE] 3
[PRE-AMP] 3
[MOD-FX] 3
[PWR-AMP] (CP5 only) 3
[LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2] (CP5) [LEFT]/[RIGHT] (CP50) 3
[COMMON] Song Setting Area 3
[SONG SETTING] 3
[RECORD] TRACK Part 3
[TRACK] MIC INPUT Part 3
[MIC INPUT] (CP5 only) Settings for All Parts 3
[REVERB] Settings for All Performances 3
[MASTER COMPRESSOR] 3
[UTILITY] 3
[FILE] Appendix