Yamaha CP50 Reference Manual - Page 27
Other Settings for Left & Right, and [ - user sounds
UPC - 086792936963
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Other Settings for Left & Right This section describes how to set volume, panning, note limits, and other parameters for left and right parts. The Part Setting screen is shown on page 11. Edit Sequence Press and hold (for at least one second) the [LEFT 1], [LEFT 2], [RIGHT 1], or [RIGHT 2] button (CP5), or the [LEFT] or [RIGHT] button (CP50) Navigate to the required page using the [- PAGE] and [PAGE 3] buttons Turn or press Knobs 1 to 3 Page 1 On-screen name (and full name) Volume Pan RevSend (Reverb Send) 2 NoteSht (Note Shift) Detune PBRange (Pitch Bend Range) 3 TuningNo. (Micro Tuning Number) Description This parameter is used to adjust the part's output level. Setting values: 0 to 127 This parameter is used to adjust the part's stereo panning. Setting values: L63 (far left) to C (center) to R63 (far right) This parameter is used to set how much of the part's output signal is sent to the Reverb block. Higher values produce a more pronounced reverb sound. Setting values: 0 to 127 This parameter is used to adjust the part's pitch in steps of one semitone. Setting values: -24 to +24 (semitones) This parameter is used to fine tune the part's pitch in steps of 0.1 Hertz. Setting values: -12.8 to +12.7 (Hz) This parameter is used to set the degree to which the Pitch Bend wheel changes the pitch of the current part in steps of one semitone. With a setting of 12, for example, the Pitch Bend wheel can change the pitch between -12 (i.e., one octave down) and +12 (i.e., one octave up). Setting values: 0 to 12 This parameter is used to select a musical tuning system. In total, your CP5 or CP50 can replicate seven tuning systems. While the Equal Temperament tuning system has now become standard for pianos, a wide number of other systems were developed over the years before it was adopted, and these systems invariably paved the way for the birth of new musical styles. By selecting a different tuning system, you can play tunes from the corresponding styles of music and enjoy their unique nuances. Setting values: 00 Equal Temp (Equal Temperament) The range of pitches in each octave is divided equally into twelve parts, with each half-step evenly spaced in pitch. Today, this is by far the most popular tuning system for pianos. 01 PureMaj (Pure Major) 02 PureMin (Pure Minor) These two tuning systems preserve the pure mathematical intervals of each scale, especially for triad chords (root, third, fifth). These characteristics are best heard in vocal harmonies - such as choirs and a cappella singing. 03 Pythag (Pythagorean) This scale was devised by the famous Greek philosopher, Pythagoras, and is created from a series of perfect fifths, which are collapsed into a single octave. The thirds in this tuning are not so smooth, but the fourths and fifths are beautiful and suitable for certain leads. 04 MeanTn (Mean Tone) This scale was created as an improvement on the Pythagorean scale by making the major third interval sound smoother. It was especially popular from the latter part of the 16th century to the end of the 18th century, with Handel being one of its most notable users. Internal Design of the CP5 & CP50 Reference Left & Right Parts 3[VOICE] 3[PRE-AMP] 3[MOD-FX] 3[PWR-AMP] (CP5 only) 3[LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2] (CP5) [LEFT]/[RIGHT] (CP50) 3[COMMON] Song Setting Area 3[SONG SETTING] 3[RECORD] TRACK Part 3[TRACK] MIC INPUT Part 3[MIC INPUT] (CP5 only) Settings for All Parts 3[REVERB] Settings for All Performances 3[MASTER COMPRESSOR] 3[UTILITY] 3[FILE] Appendix 27 CP5/CP50 Reference Manual