Yamaha CP50 Reference Manual - Page 19

On-screen name (and full name) R Rate Associated effects Small Phaser Reso (Resonance Offset) S Sens. (Sensitivity) Touch Wah and Pedal Wah Touch Wah Speed T Top Type Max90, Max100, Flanger, Chorus, 816Chorus, and Symphonic Touch Wah and Pedal Wah Max90 D Chorus Description This parameter is used to adjust the modulation speed. This parameter is used to set the resonance offset value. This parameter is used to adjust how sensitive the filter-sweep effect is to playing velocity. This parameter is used to adjust the modulation speed. This parameter is used to set the highest point in the filter's sweep range. This parameter is used to select the phaser type. This parameter is used to select the chorus type. Parameters for Other effects On-screen name (and full name) Description A AEG Phase This parameter is used to offset the AEG phase. AM Depth This parameter is used to set the depth of amplitude modulation. AM Inverse R This parameter is used to adjust the phase of the right channel's amplitude modulation. AM Speed This parameter is used to adjust the speed of amplitude modulation. AM Wave This parameter is used to select a waveform for amplitude modulation. AMP Type This parameter is used to set the type of amplifier to be simulated. Analog Feel This parameter is used to add the sonic characteristics of an analog flanger to the effect sound. Attack This parameter is used to set the amount of time that elapses between arrival of an input signal and activation of the compressor. Attack Time This parameter is used to adjust the envelope follower's attack time. B Bit Assign This parameter is used to set the way in which the Word Length setting affects the input signal. C Click Density This parameter is used to adjust the frequency of clicks added to the input signal. Click Level This parameter is used to adjust the volume of clicks added to the input signal. Common Release Affecting all three compression bands, this parameter is used to set the amount of time that elapses until the sound is no longer being compressed. Compress This parameter is used to set the input-signal level at which the compressor starts to process the sound (i.e., the threshold). D Decay This parameter is used to control the way in which the reverb sound decays. Delay Level C This parameter is used to set the delay volume for the center channel. Delay Mix This parameter is used to set the delay volume in cases where multiple effects are applied. Delay Offset This parameter is used to set an offset for the modulation delay time. Delay Time This parameter is used to set the delay time as a note value or absolute time. Delay Time C, L, R These parameters are used to set delay times for the center, left, and right channels. Delay Time L>R This parameter is used to set the time that elapses between input of sound via the left channel and output via the right channel. Delay Time Ofst R This parameter is used to set the delay time for the right channel as an offset. 19 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 Reference Left & Right Parts 3
[VOICE] 3
[PRE-AMP] 3
[MOD-FX] 3
[PWR-AMP] (CP5 only) 3
[LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2] (CP5) [LEFT]/[RIGHT] (CP50) 3
[COMMON] Song Setting Area 3
[SONG SETTING] 3
[RECORD] TRACK Part 3
[TRACK] MIC INPUT Part 3
[MIC INPUT] (CP5 only) Settings for All Parts 3
[REVERB] Settings for All Performances 3
[MASTER COMPRESSOR] 3
[UTILITY] 3
[FILE] Appendix