Yamaha CP50 Reference Manual - Page 20

On-screen name (and full name) Description D Delay Time R>L This parameter is used to set the time that elapses between input of sound via the right channel and output via the left channel. Density Reverb effects: This parameter is used to set the reverb density. Early Reflections: This parameter is used to set the density of early reflections. Depth This parameter is used to set the depth of the simulated room. Detune This parameter is used to set the degree to which pitches are detuned. Device This parameter is used to select one of a number of devices that distort the sound in different ways. Diffusion This parameter is used to adjust the spaciousness of the sound produced. Direction This parameter is used to set the direction of envelope-follower modulation. Divide Freq High This parameter is used to set the mid-to-high frequency when splitting the sound into three bands. Divide Freq Low This parameter is used to set the low-to-mid frequency when splitting the sound into three bands. Drive Distortion effects, Noisy, and Slice: This parameter is used to adjust the way in which the sound distorts. Miscellaneous effects: This parameter is used to set the degree to which the effect is applied. Drive Horn This parameter is used to set the depth of modulation produced through rotation of the high-frequency horn. Drive Rotor This parameter is used to set the depth of modulation produced through rotation of the low-frequency rotor. Dry Level This parameter is used to adjust the volume of the dry sound (i.e., the unprocessed sound). Dry LPF Cutoff Frequency This parameter is used to set the cutoff frequency for the low pass filter applied to the dry sound. Dry Mix Level This parameter is used to adjust the volume of the dry sound (i.e., the unprocessed sound). Dry Send to Noise This parameter is used to adjust how much of the dry signal is sent to the noise effect. Dry/Wet Balance This parameter is used to set the balance between the dry sound and the wet sound (i.e., the sound produced by the effect). Dyna Level Offset This parameter is used to set an offset for adjusting the level of the envelope follower's output. Dyna Threshold Level This parameter is used to set the minimum level at which the envelope follower affects the input signal. E Edge This parameter is used to specify a curve that determines how the sound is distorted. Emphasis This parameter is used to change the high-frequency characteristics of the processed sound. EQ Frequency This parameter is used to set the EQ frequency. EQ Gain This parameter is used to set how much the EQ will boost or cut the sound at the corresponding frequency. EQ High Frequency This parameter is used to set the center frequency of the high-frequency EQ band. EQ High Gain This parameter is used to set the amount by which the high-frequency EQ band is boosted or cut. EQ Low Frequency This parameter is used to set the center frequency of the low-frequency EQ band. EQ Low Gain This parameter is used to set the amount by which the low-frequency EQ band is boosted or cut. EQ Mid Frequency This parameter is used to set the center frequency of the mid-frequency EQ band. EQ Mid Gain This parameter is used to set the amount by which the mid-frequency EQ band is boosted or cut. 20 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 Reference Left & Right Parts 3
[VOICE] 3
[PRE-AMP] 3
[MOD-FX] 3
[PWR-AMP] (CP5 only) 3
[LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2] (CP5) [LEFT]/[RIGHT] (CP50) 3
[COMMON] Song Setting Area 3
[SONG SETTING] 3
[RECORD] TRACK Part 3
[TRACK] MIC INPUT Part 3
[MIC INPUT] (CP5 only) Settings for All Parts 3
[REVERB] Settings for All Performances 3
[MASTER COMPRESSOR] 3
[UTILITY] 3
[FILE] Appendix