Yamaha CVP-701 CVP-701 Reference Manual - Page 68

TALK TALK MIXING selected by [E] button

Get Yamaha CVP-701 PDF manuals and user guides View all Yamaha CVP-701 manuals
Add to My Manuals
Save this manual to your list of manuals

Page 68 highlights

NOISE GATE (selected by [C]/[D] buttons) This effect mutes the input signal when the input from the microphone falls below a specified level. This effectively cuts off extraneous noise, allowing the desired signal (vocal, etc.) to pass. [1] [2] SW (Switch) Turns the Noise Gate on or off. TH. (Threshold) Adjusts the input level at which the gate begins to open. COMPRESSOR (selected by [C]/[D] buttons) This effect holds down the output when the input signal from the microphone exceeds a specified level. This is especially useful for smoothing out vocals that have widely varying dynamics. It effectively "compresses" the signal, making soft parts louder and loud parts softer. For a maximum compression effect, set RATIO to a high setting and adjust the OUT parameter for optimum volume. [3] [4] [5] [6] SW (Switch) Turns the Compressor on or off. TH. (Threshold) Adjusts the input level above which the Compressor is applied. RATIO Adjusts the compression ratio. Higher ratios result in a more compressed sound, with a reduced dynamic range. OUT Adjusts the final output level. TALK Page 7 The settings here are for your speech or announcements (NOT your singing performance), and are active when the TALK (page 66) is set to ON. All indications and parameters (with the exception of TALK MIXING below) are the same as in the VOCAL page. However, the settings are independent from those in the VOCAL page. Microphone - Connecting a Microphone and Singing Along with Your Performance - TALK MIXING (selected by [E] button) [1] [2] [3] [4] [5]/ [6] VOLUME PAN REVERB DEPTH CHORUS DEPTH REDUCTION LEVEL Determines the output volume of the microphone sound. Determines the stereo pan position of the microphone sound. Determines the depth of the reverb effects applied to the microphone sound. Determines the depth of the chorus effects applied to the microphone sound. Determines the amount of reduction to be applied to the overall sound (excepting the microphone input) - allowing you to effectively adjust the balance between your voice and the overall instrument sound. 68 CVP-701 Reference Manual

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
68
CVP-701 Reference Manual
Microphone – Connecting a Microphone and Singing Along with Your Performance –
7
NOISE GATE (selected by [C]/[D] buttons)
This effect mutes the input signal when the input from the microphone falls below a specified level. This
effectively cuts off extraneous noise, allowing the desired signal (vocal, etc.) to pass.
COMPRESSOR (selected by [C]/[D] buttons)
This effect holds down the output when the input signal from the microphone exceeds a specified level.
This is especially useful for smoothing out vocals that have widely varying dynamics. It effectively
“compresses” the signal, making soft parts louder and loud parts softer. For a maximum compression
effect, set RATIO to a high setting and adjust the OUT parameter for optimum volume.
TALK Page
The settings here are for your speech or announcements (NOT your singing performance), and are active when
the TALK (
page 66
) is set to ON. All indications and parameters (with the exception of TALK MIXING
below) are the same as in the VOCAL page. However, the settings are independent from those in the VOCAL
page.
TALK MIXING (selected by [E] button)
[1

]
SW (Switch)
Turns the Noise Gate on or off.
[2

]
TH. (Threshold)
Adjusts the input level at which the gate begins to open.
[3

]
SW (Switch)
Turns the Compressor on or off.
[4

]
TH. (Threshold)
Adjusts the input level above which the Compressor is applied.
[5

]
RATIO
Adjusts the compression ratio. Higher ratios result in a more compressed
sound, with a reduced dynamic range.
[6

]
OUT
Adjusts the final output level.
[1

]
VOLUME
Determines the output volume of the microphone sound.
[2

]
PAN
Determines the stereo pan position of the microphone sound.
[3

]
REVERB
DEPTH
Determines the depth of the reverb effects applied to the microphone
sound.
[4

]
CHORUS
DEPTH
Determines the depth of the chorus effects applied to the microphone
sound.
[5

]/
[6

]
REDUCTION
LEVEL
Determines the amount of reduction to be applied to the overall sound
(excepting the microphone input) — allowing you to effectively adjust
the balance between your voice and the overall instrument sound.