Yamaha GW10 Owner's Manual - Page 33

Sense, Frequency FREQ, Range

Page 33 highlights

Pitch Shift output (only the original sound is heard). The midpoint setting corresponds to 50%, or an equal mix of the original direct sound and the Pitch Shift output. The maximum setting corresponds to 100%, or no original sound output (only the Pitch Shift sounds are heard). Wah Wah is a filter sweep effect that, as its name implies, produces a "wah" type sound. Two different Wah types are available: Touch and Pedal. Touch lets you vary the sweep of the filter according to the input level (how hard or loud you play) while Pedal lets you "play" the Wah effect with the Foot Controller. The Touch type is normally active; to select Pedal, make sure WAH is enabled in the Foot Controller block. The illustration below shows how the various parameters and two types are related. RANGE FREQ (Center Frequency: surrounding frequencies are cut.) Frequency Pedal Pedal minimum Pedal maximum Touch Guitar minimum Guitar maximum Pedal, the movement of the Foot Controller determines the movement of the isolated frequency across the set range. Touch, the level of the guitar signal determines the position of the isolated frequency within the set Range. When the level of the guitar is low, the isolated frequency remains around the minimum frequency of the set Range. As the guitar level increases, the isolated frequency moves further toward the maximum. The Wah effect employs a movable band pass filter to create the filter sweep or filter emphasis effect. Frequencies on either side of the center frequency (set in the Frequency parameter) are cut or filtered out, isolating the center frequency. This frequency band is then moved across the specified frequency range (set in Range), as shown in the Pedal and Touch portions of the graph above. HINT - About the Wah Types (Touch and Pedal) s The Touch type lets you control the Wah effect by the level of the input signal (or how hard you play). In Touch, the filter sweep (or "wah" sound) starts at the beginning each time it is triggered. Touch is normally active when you select the Wah effect. The Pedal setting lets you sweep the filter manually with the Foot Controller. This setting is available only when WAH has been selected in the Foot Controller block. If the WAH LED in the Foot Controller block is already lit, the Pedal type is active. To change between the two types, press B until one of the Foot Controller block LEDs flashes, then press T to either select WAH (for Pedal type) or another parameter's LED (for Touch type). s Sense Determines how sensitive the Wah effect is to the instrument input. (Not available for Pedal Wah operation.) The higher the value, the more sensitive the trigger of the Wah effect becomes to low level signals; the movement of the band pass filter responds to even slight level changes. HINT s For best results, when playing a solo or a line, try setting Sense to a high value; when performing backing or rhythm parts, try setting Sense to a low value. (This is because playing a single string results in a lower level than playing all six strings.) s Frequency (FREQ) Determines the center frequency of the band pass filter. The Wah effect sweeps this isolated portion below and above the center frequency, over a specific frequency range determined by the Range parameter. (See illustration at left.) Range Determines the width of the frequency sweep, or how far the sweep extends above and below the center frequency. Higher values create a more pronounced "wah" sound. (See illustration at left.) Reference 29

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29
Reference
Pitch Shift output (only the original sound is
heard).
The midpoint setting corresponds to
50%, or an equal mix of the original direct
sound and the Pitch Shift output.
The maximum
setting corresponds to 100%, or no original
sound output (only the Pitch Shift sounds are
heard).
Wah
Wah is a filter sweep effect that, as its name
implies, produces a “wah” type sound.
Two
different Wah types are available: Touch and
Pedal.
Touch lets you vary the sweep of the
filter according to the input level (how hard or
loud you play) while Pedal lets you “play” the
Wah effect with the Foot Controller.
The Touch
type is normally active; to select Pedal, make
sure WAH is enabled in the Foot Controller
block.
The illustration below shows how the
various parameters and two types are related.
HINT — About the Wah Types (Touch and
Pedal)
The Touch type lets you control the
Wah effect by the level of the input signal (or how
hard you play).
In Touch, the filter sweep (or
“wah” sound) starts at the beginning each time it
is triggered. Touch is normally active when you
select the Wah effect.
The Pedal setting lets you sweep the filter
manually with the Foot Controller.
This setting is
available only when WAH has been selected in
the Foot Controller block.
If the WAH LED in the
Foot Controller block is already lit, the Pedal type
is active.
To change between the two types, press
B
until one of the Foot Controller block LEDs
flashes, then press
T
to either select WAH
(for Pedal type) or another parameter’s LED (for
Touch type).
Sense
Determines how sensitive the Wah effect is to
the instrument input. (Not available for Pedal
Wah operation.)
The higher the value, the more
sensitive the trigger of the Wah effect becomes
to low level signals; the movement of the band
pass filter responds to even slight level changes.
HINT
For best results, when playing a solo or a
line, try setting Sense to a high value; when
performing backing or rhythm parts, try setting
Sense to a low value.
(This is because playing a
single string results in a lower level than playing
all six strings.)
Frequency (FREQ)
Determines the center frequency of the band pass
filter.
The Wah effect sweeps this isolated
portion below and above the center frequency,
over a specific frequency range determined by
the Range parameter.
(See illustration at left.)
Range
Determines the width of the frequency sweep, or
how far the sweep extends above and below the
center frequency.
Higher values create a more
pronounced “wah” sound.
(See illustration at
left.)
Pedal,
the movement of the Foot Controller determines the
movement of the isolated frequency across the set range.
Touch,
the level of the guitar signal determines the position
of the isolated frequency within the set Range.
When the
level of the guitar is low, the isolated frequency remains
around the minimum frequency of the set Range.
As the
guitar level increases, the isolated frequency moves further
toward the maximum.
Frequency
Pedal
minimum
Pedal
Touch
Pedal
maximum
Guitar
minimum
Guitar
maximum
FREQ
RANGE
(Center Frequency: surrounding
frequencies are cut.)
The Wah effect employs a movable band pass filter to create
the filter sweep or filter emphasis effect.
Frequencies on
either side of the center frequency (set in the Frequency
parameter) are cut or filtered out, isolating the center
frequency.
This frequency band is then moved across the
specified frequency range (set in Range), as shown in the
Pedal and Touch portions of the graph above.