Yamaha PSR-A5000 PSR-A5000 Reference Manual_EN - Page 95

Mixer, Editing Filter Parameters (Filter

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9 Mixer Contents Editing Filter Parameters (Filter 95 Editing EQ Parameters (EQ 96 Editing Effect Parameters (Effect 98 • Editing and Saving the Effect settings 99 Editing Effect Parameters (Chorus/Reverb 100 • Editing and Saving the Chorus/Reverb settings 100 Editing Pan/Volume Settings (Pan/Volume 100 Editing Master Compressor Settings (Compressor 101 Block Diagram ...103 The Owner's Manual covers the basic procedure of using the Mixer function. This Reference Manual provides more detailed information on each display (or function) of the Mixer display called up via [MENU]  [Mixer]. The "Panel"-"Song" Part Selection tabs at the top of the Mixer display let you adjust the sound for each corresponding part, while "Master" lets you make overall sound adjustments for the entire instrument. NOTE Knobs and sliders appear on the setting displays only when the relevant parameters are available. For a visual indication of the signal flow and configuration of the Mixer, refer to the Block Diagram on page 103. Editing Filter Parameters (Filter) This function modifies the tonal characteristics (brightness, etc.) of the sound by cutting the output of a specific frequency portion of the sound. This is not available when you select "Master" from among the tabs at the top of the Mixer display. 9 Mixer Resonance Cutoff Allows you to adjust the Resonance effect (page 47) for each part. This can be used in combination with the "Cutoff" parameter to add further character to the sound. Determines the brightness of the sound for each part by adjusting the cutoff frequency (page 47). PSR-A5000 Reference Manual 95

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PSR-A5000
Reference Manual
95
9
9
9
Mixer
Mixer
Contents
Editing Filter Parameters (Filter)
............................................................................................
95
Editing EQ Parameters (EQ)
...................................................................................................
96
Editing Effect Parameters (Effect)
..........................................................................................
98
• Editing and Saving the Effect settings
.................................................................................
99
Editing Effect Parameters (Chorus/Reverb)
.........................................................................
100
• Editing and Saving the Chorus/Reverb settings
.................................................................
100
Editing Pan/Volume Settings (Pan/Volume)
..........................................................................
100
Editing Master Compressor Settings (Compressor)
............................................................
101
Block Diagram
.........................................................................................................................
103
The Owner’s Manual covers the basic procedure of using the Mixer function. This Reference Manual provides more
detailed information on each display (or function) of the Mixer display called up via [MENU]
[Mixer].
The “Panel”–“Song” Part Selection tabs at the top of the Mixer display let you adjust the sound for each
corresponding part, while “Master” lets you make overall sound adjustments for the entire instrument.
For a visual indication of the signal flow and configuration of the Mixer, refer to the Block Diagram on
page 103
.
This function modifies the tonal characteristics (brightness, etc.) of the sound by cutting the output of a specific
frequency portion of the sound. This is not available when you select “Master” from among the tabs at the top of the
Mixer display.
Knobs and sliders appear on the setting displays only when the relevant parameters are available.
Editing Filter Parameters (Filter)
Resonance
Allows you to adjust the Resonance effect (
page 47
) for each part. This can be used in combination
with the “Cutoff” parameter to add further character to the sound.
Cutoff
Determines the brightness of the sound for each part by adjusting the cutoff frequency (
page 47
).
NOTE