Yamaha PSR-2100 Owner's Manual - Page 111

Creating Accompaniment Styles — Style Creator, About Creating Accompaniment Styles

Page 111 highlights

Creating Accompaniment Styles - Style Creator This powerful feature lets you create your own original styles, which can then be used for auto accompaniment - just as with the preset styles. STANDBY ON STYLE CONTROL ACMP BREAK INTRO SONG EXTRA TRACK TRACK TRACKS 2 1 REPEAT METRONOME (STYLE) (L) (R) REC TOP START/STOP REW FF NEW SONG STYLE POP & ROCK SYNC. START SWING & JAZZ BALLROOM MARCH & WALTZ BALLAD DANCE LATIN USER TRANSPOSE TEMPO MASTER VOLUME RESET RESET STOP FADE IN/OUT MULTI PAD MIN MAX TAP TEMPO DIGITAL RECORDING BACK NEXT DIGITAL STUDIO SOUND CREATOR A F DIGITAL RECORDING B G MIXING CONSOLE C H PART D I MENU DEMO E J HELP FUNCTION STYLE CONTROL BALANCE DIRECT ACCESS ACMP EXIT BREAK CHANNEL ON/OFF 1 2 3 4 5 6 7 8 MAIN LAYER LEFT MUSIC FINDER INTRO LEFT HOLD VOICE EFFECT HARMONY/ DSP TOUCH SUSTAIN ECHO MONO VARIATION VOICE PIANO & HARPSI. E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS BRASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG USER ORGAN FLUTES UPPER OCTAVE MIC. VH TYPE SELECT OVER SIGNAL MIC. SETTING VOCAL HARMONY RESET TALK EFFECT ENTER ONE TOUCH SETTING MAIN MAIN ENDING / rit. AUTO OTS FILL IN LINK SYNC. SYNC. STOP START START/STOP PART DATA ENTRY REGISTRATION MEMORY FREEZE MEMORY ENDING / rit. AUTO OTS FILL IN LINK SYNC. SYNC. STOP START START/STOP About Creating Accompaniment Styles The chart at right shows the basic parts (or "channels") that make up each section of an accompaniment style. To create an accompaniment style, record patterns to Section Channel the various channels one by one, for each of the sections you want to create. INTRO A - D ■ Realtime Recording (page 113) You can record accompaniment styles by simply playing the parts from the MAIN A - D FILL IN A - D BREAK RHYTHM 1, RHYTHM 2, BASS, CHORD 1, CHORD 2, PAD, PHRASE 1, PHRASE 2 keyboard in real time. However, you don't have to record every part yourself ENDING A - D - you can choose an existing preset accompaniment style that is close to the style you want, then add or replace parts in that style as needed to create your own custom style. For information on the part structure of accompaniment Realtime Recording Characteristics styles, see page 97. • Loop recording Since auto accompaniment playback repeats the accompaniment patterns of several measures in a "loop," you can also record patterns in a loop. For example, if you start recording with a two-measure Main section, the two measures are repeatedly recorded. Notes that you record will play back from the next loop (repetition), letting you record new material while hearing the parts you previously recorded. • Overdub recording This feature lets you record new material to a channel already containing recorded data, without deleting the original data. In style recording, the recorded data remains intact, unless you specifically delete it yourself. For example, if you start recording with a two-measure Main section, the two measures are repeated. As you record notes to each pass of the loop (repetition), those notes play back from the next loop, letting you overdub new material while hearing the previous parts. ■ Step Recording (page 114) This method is like writing music notation on paper, since it allows you to enter each note or individually, and specify its length. This is ideal for making precise recordings, or for recording parts that are difficult to play. ■ Assembling an Accompaniment Style (page 115) This convenient feature lets you create composite styles by combining various patterns from the internal preset accompaniment styles. For example, if you want to create your own original 8-beat style, you could take rhythm patterns from the "8 Beat 1" style, use the bass pattern from "8 Beat 2," and import the chord patterns from the "60's 8 Beat" style - combining the various elements to create one accompaniment style. 8Beat 1 Rhythm 1 Rhythm 2 Bass Chord 1 Chord 2 Pad Phrase 1 Phrase 2 8Beat 2 Rhythm 1 Rhythm 2 Bass Chord 1 Chord 2 Pad Phrase 1 Phrase 2 ■ Editing the created Accompaniment Style (page 116) With the editing features, you can custom edit the styles you've created by real time recording, step recording, and assembling from other styles. Rhythm 1 Rhythm 2 Bass Chord 1 Chord 2 Pad Phrase 1 Phrase 2 60's 8 Beat Rhythm 1 Rhythm 2 Bass Chord 1 Chord 2 Pad Phrase 1 Phrase 2 Any voice can be selected for the RHY1 channel, with the exception of Organ Flutes. PSR-2100/1100 111

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111
PSR-2100/1100
Creating Accompaniment Styles — Style Creator
This powerful feature lets you create your own original styles, which can then be used for auto accompaniment — just
as with the preset styles.
About Creating Accompaniment Styles
The chart at right shows the basic parts (or “channels”) that make up each section
of an accompaniment style. To create an accompaniment style, record patterns to
the various channels one by one, for each of the sections you want to create.
Realtime Recording (page 113)
You can record accompaniment styles by simply playing the parts from the
keyboard in real time. However, you don’t have to record every part yourself
— you can choose an existing preset accompaniment style that is close to the
style you want, then add or replace parts in that style as needed to create your
own custom style.
Realtime Recording Characteristics
Loop recording
Since auto accompaniment playback repeats the accompaniment patterns of several measures in a “loop,” you can
also record patterns in a loop. For example, if you start recording with a two-measure Main section, the two
measures are repeatedly recorded. Notes that you record will play back from the next loop (repetition), letting you
record new material while hearing the parts you previously recorded.
Overdub recording
This feature lets you record new material to a channel already containing recorded data, without deleting the
original data. In style recording, the recorded data remains intact, unless you specifically delete it yourself. For
example, if you start recording with a two-measure Main section, the two measures are repeated. As you record
notes to each pass of the loop (repetition), those notes play back from the next loop, letting you overdub new
material while hearing the previous parts.
Step Recording (page 114)
This method is like writing music notation on paper, since it allows
you to enter each note or individually, and specify its length. This is
ideal for making precise recordings, or for recording parts that are
difficult to play.
Assembling an Accompaniment Style (page 115)
This convenient feature lets you create composite styles by combining
various patterns from the internal preset accompaniment styles. For
example, if you want to create your own original 8-beat style, you
could take rhythm patterns from the “8 Beat 1” style, use the bass
pattern from “8 Beat 2,” and import the chord patterns from the “60’s 8
Beat” style — combining the various elements to create one
accompaniment style.
Editing the created Accompaniment Style (page 116)
With the editing features, you can custom edit the styles you’ve
created by real time recording, step recording, and assembling from other styles.
USER
ENTER
EXIT
BALANCE
FUNCTION
HELP
MENU
DEMO
SOUND CREATOR
DIGITAL RECORDING
MIXING CONSOLE
DIGITAL
STUDIO
DIRECT
ACCESS
PART
CHANNEL ON/OFF
FREEZE
MEMORY
DATA ENTRY
ORGAN FLUTES
STRINGS
CHOIR & PAD
GUITAR
MAIN
BACK
NEXT
LEFT
MUSIC
FINDER
LAYER
I
F
J
G
H
D
A
E
B
C
BASS
PIANO & HARPSI.
E.PIANO
XG
UPPER OCTAVE
WOODWIND
PERCUSSION
VARIATION
MONO
TOUCH
SUSTAIN
DSP
HARMONY/
ECHO
LEFT
HOLD
SYNTH.
BRASS
ORGAN &
ACCORDION
VOICE EFFECT
VOICE
ONE TOUCH SETTING
REGISTRATION MEMORY
MIC.
EFFECT
RESET
VOCAL
HARMONY
MIC.
SETTING
VH TYPE
SELECT
TALK
OVER
SIGNAL
8
1
2
3
4
5
6
7
TRANSPOSE
ACMP
STANDBY
ON
INTRO
START/STOP
MAIN
ENDING
/ rit.
AUTO
FILL IN
OTS
LINK
SYNC.
STOP
SYNC.
START
BREAK
BALLAD
USER
LATIN
POP & ROCK
REC
REW
FF
START/STOP
TOP
BALLROOM
DANCE
RESET
MIN
MAX
FADE
IN/OUT
TEMPO
STOP
TAP TEMPO
RESET
NEW SONG
SYNC. START
SONG
STYLE
MARCH &
WALTZ
METRO-
NOME
EXTRA
TRACKS
(STYLE)
(R)
(L)
TRACK
2
TRACK
1
REPEAT
SWING &
JAZZ
MULTI PAD
STYLE CONTROL
MASTER VOLUME
PART
ACMP
INTRO
START/STOP
MAIN
ENDING
/ rit.
AUTO
FILL IN
OTS
LINK
SYNC.
STOP
SYNC.
START
BREAK
STYLE CONTROL
DIGITAL RECORDING
Section
Channel
INTRO A - D
RHYTHM 1, RHYTHM 2,
BASS, CHORD 1,
CHORD 2, PAD,
PHRASE 1, PHRASE 2
MAIN A - D
FILL IN A - D
BREAK
ENDING A - D
For information on the part
structure of accompaniment
styles, see page 97.
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
8Beat 1
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
8Beat 2
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
60’s 8 Beat
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
Any voice can be selected for
the RHY1 channel, with the
exception of Organ Flutes.