Yamaha PSR-330 Owner's Manual - Page 32

,,QQ,,QQAut,,QQoAcc,,QQompa,,QQnimen,,QQt ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ q F1: The FINGERED 1 Mode F1 FngrngMd The Fingered 1 mode lets you finger your own chords on the AUTO ACCOMPANIMENT section of the keyboard (i.e. all keys to the left of and including the splitpoint key - normally 54) while the PSR-330 supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected style. The FINGERED 1 mode recognizes the following chords: Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth add ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh sharp eleventh [M7#11] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh add ninth [m7(9)] Minor seventh eleventh [m7_11] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh flatted thirteenth [7b13] Seventh ninth [7(9)] Seventh sharp eleventh [7#11] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus five [1+2+5] Normal Voicing 1 - 3 - 5 1 - 2 - 3 - 5 1 - (3) - 5 - 6 1 - 2 - 3 - (5) - 6 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 1 - 2 - 3 - (5) - 7 1 - 2 - 3 - #4 - (5) - 7 or 1 - (2) - 3 - #4 - 5 - 7 1 - 3 - b5 1 - 3 - b5 - 7 1 - 4 - 5 1 - 3 - #5 1 - (3) - #5 - 7 1 - b3 - 5 1 - 2 - b3 - 5 1 - b3 - 5 - 6 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 1 - (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 1 - b3 - b5 - 6 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 1 - 2 - 3 - #4 - (5) - b7 or 1 - (2) - 3 - #4 - 5 - b7 1 - 3 - (5) - 6 - b7 1 - #2 - 3 - (5) - b7 1 - 3 - b5 - b7 1 - 3 - #5 - b7 1 - 4 - (5) - b7 1 - 2 - 5 Chord (C) C C(9) C6 C6(9) CM7 Display C C(9) C6 C6(9) CM7 CM7(9) CM7 #11 CM7(9) CM7#11 C( b5) CM7 b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7_11 CmM7 CmM7(9) Cm7 b5 CmM7b5 Cdim Cdim7 C7 C(b5) CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7 11 CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 C7( b9) C7b13 C7(9) C7#11 C7(b9) C7b13 C7(9) C7#11 C7(13) C7( #9) C7b5 C7aug C7sus4 C1+2+5 C7(13) C7(#9) C7b5 C7aug C7sus4 C • Notes in parentheses can be omitted. • If you play any three adjacent keys (including black keys), the chord sound will be cancelled and only the rhythm instruments will continue playing (CHORD CANCEL function). • An octave produces accompaniment based only on the root. • A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. • The chord fingerings listed are all in "root" position, but other inversions can be used - with the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), m7_11, 1+2+5. • Inversion of the 7sus4, 7#11 chord are not recognized if the 5th is omitted. 30