Canon 1629B001 XH G1 XH A1 Instruction Manual - Page 40

Selecting the Frame Rate

Page 40 highlights

Selecting the Frame Rate You can select from the following frame rates depending on the recording mode: HD 60i, 30F, 24F (2:3 pulldown-converted) SD 60i, 30F, 24F (2:3 pulldown-converted or 2:3:3:2 pulldown-converted) 60i Mode Records in 60 fps interlaced mode, the same as standard-definition TV signals. 30F Mode Records in 30 fps progressive mode and outputs signals converted into 60 fps interlaced. Video output from the HDV/DV terminal will be in 30p. HD 30F (camera) A B C D E F G H I J 30F (tape) A B C D E F G H I J 60i (playback) a a b b c c d d e e f f g g h h i i j j SD 30F (camera) A B C D E F G H I J 60i (tape) a a b b c c d d e e f f g g h h i i j j 24F Mode Records in 24 fps progressive mode like movie cameras, creating a true cinematic feel to the picture. 24F (camera) A B C D E F G H HD The video signal will be output from the HDV/DV terminal in 24 fps progressive mode. The signal output from the HD/SD SDI terminal ( only) and the COMPONENT OUT terminal will be down-converted to 60i using the 2:3 pulldown method. 24F (tape) A B C D E F G H 60i (playback) a a b b b c c d d d e e f f f g g h h h SD 24F (2:3) Mode Signals are down-converted to 60i using the 2:3 pulldown method. This 24F mode is suited for playback on a TV screen but may require the extension/compression of some frames while editing. 24F (camera) A B C D E F G H 60i aabbbccdddee f f f gghhh (tape/playback) 24F (2:3:3:2) Mode Signals are down-converted to 60i using the 2:3:3:2 pulldown method. This 24F mode is ideal for extracting true 24 frames per second in order to transfer to film simply by discarding the 3:3 adjacent frames (bc and fg in the figure). 24F (camera) A B C D E F G H 60i aabbbcccddee f f f ggghh (tape/playback) 40

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40
Selecting the Frame Rate
You can select from the following frame rates depending on the recording mode:
60i, 30F, 24F (2:3 pulldown-converted)
60i, 30F, 24F (2:3 pulldown-converted or 2:3:3:2 pulldown-converted)
60i Mode
Records in 60 fps interlaced mode, the same as standard-definition TV signals.
30F Mode
Records in 30 fps progressive mode and outputs
signals converted into 60 fps interlaced. Video output
from the HDV/DV terminal will be in 30p.
24F Mode
Records in 24 fps progressive mode like movie cameras,
creating a true cinematic feel to the picture.
The video signal will be output from the HDV/DV
terminal in 24 fps progressive mode. The signal output
from the HD/SD SDI terminal (
only) and the
COMPONENT OUT terminal will be down-converted to
60i using the 2:3 pulldown method.
2
4F (2:3) Mode
Signals are down-converted to 60i using the 2:3
pulldown method. This 24F mode is suited for
playback on a TV screen but may require the
extension/compression of some frames while editing.
24F (2:3:3:2) Mode
Signals are down-converted to 60i using the 2:3:3:2
pulldown method. This 24F mode is ideal for extracting
true 24 frames per second in order to transfer to film
simply by discarding the 3:3 adjacent frames (bc and
fg in the figure).
HD
SD
A
B
C
D
E
F
G
H
I
J
aa
bb
cc
dd
ee
f
f
gg
hh
i
i
j
j
A
B
C
D
E
F
G
H
I
J
aa
bb
cc
dd
ee
f
f
gg
hh
i
i
j
j
A
B
C
D
E
F
G
H
I
J
30F (camera)
60i (tape)
HD
SD
30F (camera)
30F (tape)
60i (playback)
aabbbccdddeef
f
fggh
hh
A
B
C
D
E
F
G
H
A
B
C
D
E
F
G
H
24F (camera)
24F (tape)
60i (playback)
HD
SD
aa
bb
bc
cd
dd
ee
f
f
fg
gh
hh
A
B
C
D
E
F
G
H
24F (camera)
60i
(tape/playback)
aa
bb
bc
cc
dd
ee
f
f
fg
gg
hh
A
B
C
D
E
F
G
H
60i
(tape/playback)
24F (camera)