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Yamaha CVP-405 Owner's Manual - Page 117

Step Recording EDIT, Rules when recording non-rhythm channels

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Style Creator Rules when recording non-rhythm channels • Use only the CM7 scale tones when recording the BASS and PHRASE channels (i.e., C, D, E, G, A, and B). • Use only the chord tones when recording the CHORD and PAD channels (i.e., C, E, G, and B). C = Chord notes C, R = Recommended notes CRC CRC Using the data recorded here, the auto accompaniment (Style playback) is appropriately converted depending on the chord changes you make during your performance. The chord which forms the basis for this note conversion is called the Source Chord, and is set by default to CM7 (as in the example illustration above). You can change the Source Chord (its root and type) from the PARAMETER display on page 123. Keep in mind that when you change the Source Chord from the default CM7 to another chord, the chord notes and recommended notes will also change. For details on chord notes and recommended notes, see page 124. Any desired chord or chord progression can be used for the INTRO and ENDING sections. Changing the Source Chord If you want to record the pattern with a Source Chord other than CM7, set the PLAY ROOT and PLAY CHORD parameters on the PARAMETER page (page 123) before recording. Step Recording (EDIT) The explanation here applies when selecting the EDIT tab in step 4 of "Realtime Recording" (page 115). Using, Creating and Editing the Auto Accompaniment Styles In the EDIT display, you can record notes with absolutely precise timing. This Step Recording procedure is essentially the same as that for Song Recording (page 117), with the exception of the points listed below: • In the Song Creator, the End Mark position can be changed freely; in the Style Cre- ator, it cannot be changed. This is because the length of the Style is automatically ﬁxed, depending on the selected section. For example, if you create a Style based on a section of four measures length, the End Mark position is automatically set to the end of the fourth measure, and cannot be changed in the Step Recording display. CVP-405/403/401 Owner's Manual 117

Section	Page
Table of Contents	7
Enhanced Realism and Natural Expressiveness	10
Panel Controls	12
Playing the Keyboard	14
Setting Up	16
Music Rest	16
Sheet Music Braces (CVP-405/403)	16
Using Headphones	17
Changing the Display Language	18
Display Settings	18
Handling the Floppy Disk Drive (FDD) and Floppy Disks	21
Handling the USB Storage Device (USB Flash Memory/Floppy Disk, etc)	22
Playing the Demos	23
Operations in the Basic Displays	25
Operation of the Main Display	25
Operation of the File Selection Display	26
Operation of the Function Display	27
Playing Voices	28
Playing the Piano Voice	28
Playing Various Voices	32
Practicing with the Songs	35
Playing Back Songs Before Practicing	35
Displaying Music Notation (Score)	38
One-handed Practice with the Guide Lamps	39
Practicing with the Repeat Playback Function	41
Recording Your Performance	42
Playing Backing Parts with the performance assistant Technology	43
Playing Accompaniment with the Auto Accompaniment Feature (Style Playback)	44
Playing “Mary Had a Little Lamb” with the Auto Accompaniment Feature	45
Calling Up Ideal Setups for Each Song-Music Finder	52
Calling up the panel settings to match the Style (Repertoire)	53
Singing Along with Song Playback (Karaoke) or Your Own Performance	54
Connecting a Microphone (CVP-405/403)	54
Singing with the Lyrics Display	55
Convenient Functions for Karaoke	56
Convenient Functions for Singing Along with Your Own Performance	58
Recording Your Performance as Audio (USB Audio Recorder) (CVP-405/403)	60
Recording Your Performance as Audio	60
Playing Back the Recorded Performance	62
Basic Operation	63
Selecting Message Language	63
The Messages Shown in the Display	63
Instant Selection of the Displays- Direct Access	64
Basic Displays (Main Display and File Selection Display)	65
Main Display	65
File Selection Display Configuration and Basic Operation	66
File/Folder Operations in the File Selection Display	69
Restoring the Factory-programmed Settings	75
Restoring the Factory-programmed System	75
Restoring the Factory-programmed Settings Independently by Item	76
Saving and Recalling Your Original Settings as a Single File	76
Data Backup	77
Backup procedure	78
Using, Creating and Editing Voices	79
Voice Characteristics	79
Playing Different Voices Simultaneously	80
Keyboard Parts (Right 1, Right 2, Left)	80
Playing Two Voices Simultaneously (Right 1 and 2 Parts)	81
Playing Different Voices with the Left and Right Hands (Right 1 and Left Parts)	82
Changing Pitch	83
Transpose	83
Fine-tuning the Pitch of the Entire Instrument	83
Scale Tuning	83
Adding Effects to Voices Played on the Keyboard	85
Editing the Volume and Tonal Balance (MIXING CONSOLE)	87
Basic Procedure	87
Voice Creating (Sound Creator)	96
Basic Procedure	96
Creating Your Original Organ Flutes Voices	100
Using, Creating and Editing the Auto Accompaniment Styles	103
Style Characteristics	103
Selecting a Chord Fingering Type	103
Playing Only the Rhythm Channels of a Style	104
Style Playback-related Settings	105
Split Point Settings	107
Editing the Volume and Tonal Balance of the Style (MIXING CONSOLE)	108
Convenient Music Finder feature	108
Searching the Records	108
Creating a Set of Favorite Records	110
Editing Records	110
Saving the Record	111
Style Creator	113
Style Structure	113
Creating a Style	114
Editing the Created Style	119
Registering and Recalling Custom Panel Setups-Registration Memory	127
Registering and Saving Custom Panel Setups	127
Recalling the Registered Panel Setups	128
Deleting an Unneeded Panel Setup/Naming a Panel Setup	129
Disabling Recall of Specific Items (Freeze Function)	129
Calling Up Registration Memory Numbers in Order-Registration Sequence	130
Using, Creating and Editing Songs	132
Compatible Song Types	132
Operations for Song Playback	133
Adjusting the Volume Balance and Voice Combination, etc. (MIXING CONSOLE)	136
Using the Practice Function (Guide)	137
Selecting the Guide Function Type	137
Recording Your Performance	139
Recording Methods	139
Editing a Recorded Song	154
Using a Microphone (CVP-405/403)	163
Editing Vocal Harmony Parameters	163
Adjusting the Microphone and Harmony Sound	166
Talk Setting	170
Connecting the Clavinova Directly to the Internet	172
Connecting the Instrument to the Internet	172
Accessing the Special Website	173
Operations in the Special Website	173
Scrolling the Display	173
Following Links	174
Entering Characters	174
Return to the Previous Web Page	174
Refreshing a Web Page/Canceling Loading of a Web Page	175
Purchasing and Downloading Data	176
Registering Bookmarks of Your Favorite Pages	176
About the Internet Settings Display	179
Changing the Home Page	182
Initializing Internet Settings	183
Glossary of Internet Terms	184
Using Your Instrument with Other Devices	185
Using Headphones (1 [PHONES] jacks)	185
Connecting a Microphone or Guitar (2 [MIC./LINE IN] jack) (CVP-405/403)	185
Connecting Audio & Video Devices (345)	185
Using External Audio Devices for playback and Recording (3 [AUX OUT] Jacks)	185
Playing External Audio Devices with the Built-in Speakers (4 [AUX IN] Jacks)	186
Showing the Instrument’s Display Contents on a Separate TV Monitor (5 [VIDEO OUT] Terminal) (CVP-405)	186
Using the Footswitch or Foot Controller (6 [AUX PEDAL] jack)	187
Assigning Specific Functions to Each Foot Pedal	187
Connecting External MIDI Devices (7 [MIDI] Terminals)	190
Connecting a Computer, USB Device, or Internet (789) )	190
Connecting a Computer (8 [USB TO HOST] and 7 [MIDI] Terminals)	190
Connecting to a USB-type LAN Adaptor and USB Storage Device (9 via the [USB TO DEVICE] Terminal)	191
Connect to the Internet (10) [LAN] Port)	192
What is MIDI?	192
What You Can Do With MIDI	195
MIDI Settings	196
Basic Operation	196
Pre-Programmed MIDI Templates	197
MIDI System Settings	198
MIDI Transmit Settings	198
MIDI Receive Settings	199
Setting the Bass Note for Style Playback via MIDI Receive	199
Setting the Chord Type for Style Playback via MIDI Receive	200
Troubleshooting	201
CVP-405: Keyboard Stand Assembly	206
CVP-403: Keyboard Stand Assembly	208
CVP-401: Keyboard Stand Assembly	210
Installing the Floppy Disk Drive (Optional) (CVP-405)	212
Specifications	213
Index	215
Numerics	215
A	215
B	215
C	215
D	215
E	215
F	215
G	216
H	216
I	216
K	216
L	216
M	216
N	216
O	216
P	216
Q	216
R	217
S	217
T	217
U	217
V	217
W	217
X	217
Panel Button Chart	218
Symbol	218
Number	218
A	218
B	218
C	218
D	218
E	218
F	218
G	218
I	218
K	218
L	218
M	218
O	218
P	218
R	218
S	218
T	218
U	218

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Style Creator

CVP-405/403/401 Owner’s Manual

117

Using, Creating and Editing the Auto Accompaniment Styles

Step Recording (EDIT)

The explanation here applies when selecting the EDIT tab in step 4 of “Realtime

Recording” (page 115).

In the EDIT display, you can record notes with absolutely precise timing. This Step

Recording procedure is essentially the same as that for Song Recording (page 117),

with the exception of the points listed below:

• In the Song Creator, the End Mark position can be changed freely; in the Style Cre-

ator, it cannot be changed. This is because the length of the Style is automatically

ﬁxed, depending on the selected section. For example, if you create a Style based on

a section of four measures length, the End Mark position is automatically set to the

end of the fourth measure, and cannot be changed in the Step Recording display.

Any desired chord or chord pro-

gression can be used for the

INTRO and ENDING sections.

Changing the Source Chord

If you want to record the pattern

with a Source Chord other than

CM7, set the PLAY ROOT and

PLAY CHORD parameters on the

PARAMETER page (page 123)

before recording.

Rules when recording non-rhythm channels

• Use only the CM7 scale tones when recording the BASS and PHRASE

channels (i.e., C, D, E, G, A, and B).

• Use only the chord tones when recording the CHORD and PAD chan-

nels (i.e., C, E, G, and B).

Using the data recorded here, the auto accompaniment (Style playback) is

appropriately converted depending on the chord changes you make dur-

ing your performance. The chord which forms the basis for this note con-

version is called the Source Chord, and is set by default to CM7 (as in the

example illustration above). You can change the Source Chord (its root and

type) from the PARAMETER display on page 123. Keep in mind that when

you change the Source Chord from the default CM7 to another chord, the

chord notes and recommended notes will also change. For details on

chord notes and recommended notes, see page 124.

CRC

C = Chord notes

C, R = Recommended notes