Yamaha CVP-405 Owner's Manual - Page 199

MIDI Receive Settings, Setting the Bass Note for Style Playback via MIDI Receive

Page 199 highlights

MIDI Settings n When different parts are assigned to the same transmit channel If the same transmit channel is assigned to several different parts, the transmitted MIDI messages are merged to a single channel- resulting in unexpected sounds and possible glitches in the connected MIDI device. n About the protected Songs Write-protected Songs cannot be transmitted even if the proper Song channels 1-16 are set to be transmitted. ■ MIDI messages which can be transmitted or received (recognized) The following MIDI messages can be set on the TRANSMIT/RECEIVE display. • Note (Note events page 160 • CC (CONTROL CHANGE page 160 • PC (PROGRAM CHANGE page 160 • PB (Pitch Bend page 160 • AT (Aftertouch page 160 MIDI Receive Settings RECEIVE display ● Rx MONITOR The dots corresponding to each channel (1-16) flash briefly whenever any data is received on the channel(s). n Parameter Lock You can "lock" specific parameters (e.g., effect, split point, etc.) to make them selectable only via the panel controls (page 128). ■ MIDI transmission/reception via the USB terminal and MIDI terminals The relationship between the [MIDI] terminals and the [USB] terminal which can be used for transmitting/ receiving 32 channels (16 channels x 2 ports) of the MIDI messages is as follows: MIDI reception [USB TO [MIDI IN] jack HOST] jack MIDI transmission [USB TO [MIDI OUT] jack HOST] jack Port handling USB1 USB2 Merge MIDI/USB1 01-16 Merge USB2 01-16 MIDI/USB 01-16 The explanations here apply to the RECEIVE display to be called up in step 4 of the "Basic Operation" on page 196. This determines which parts will receive MIDI data and over which MIDI channels the data will be received. Operation Select the channel to be received and the part via which the selected channel will be received. You can also determine the types of data to be received. ● The instrument can receive MIDI messages over 32 channels (16 channels x 2 ports) by USB connection. ● With the exception of the two parts below, the configuration of the parts is the same as those already explained elsewhere in this manual. • KEYBOARD The received note messages control the instrument's keyboard performance. • EXTRA PART 1-5 There are five parts specially reserved for receiving and playing MIDI data. Normally, these parts are not used by the instrument itself. The instrument can be used as a 32-channel multi-timbral tone generator by using these five parts in addition to the general parts (except for the microphone sound). BASS display Setting the Bass Note for Style Playback via MIDI Receive The explanations here apply to the BASS display to be called up in step 4 of the "Basic Operation" on page 196. These settings let you determine the bass note for Style playback, based on the note messages received via MIDI. The note on/off messages received at the channel(s) set to "ON" are recognized as the bass note of the chord of Style playback. The bass note will be detected regardless of the [ACMP ON/OFF] or split point settings. When several channels are simultaneously set to "ON," the bass note is detected from merged MIDI data received over the channels. Operation Select the channel and set the "ON/OFF" for that channel. Use the All OFF item to set all channels to OFF. CVP-405/403/401 Owner's Manual 199 Using Your Instrument with Other Devices

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Using Your Instrument with Other Devices
CVP-405/403/401 Owner’s Manual
199
MIDI Settings
n
When different parts are assigned to the same transmit channel
If the same transmit channel is assigned to several different parts,
the transmitted MIDI messages are merged to a single channel—
resulting in unexpected sounds and possible glitches in the con-
nected MIDI device.
n
About the protected Songs
Write-protected Songs cannot be transmitted even if the proper
Song channels 1–16 are set to be transmitted.
MIDI messages which can be transmitted or
received (recognized)
The following MIDI messages can be set on the TRANS-
MIT/RECEIVE display.
• Note (Note events)
.......................................
page 160
• CC (CONTROL CHANGE)
..........................
page 160
• PC (PROGRAM CHANGE)
...........................
page 160
• PB (Pitch Bend)
............................................
page 160
• AT (Aftertouch)
.............................................
page 160
MIDI Receive Settings
The explanations here apply to the RECEIVE display to be
called up in step 4 of the “Basic Operation” on page 196.
This determines which parts will receive MIDI data and
over which MIDI channels the data will be received.
Operation
Select the channel to be received and the part via which
the selected channel will be received. You can also
determine the types of data to be received.
The instrument can receive MIDI messages over
32 channels (16 channels x 2 ports) by USB con-
nection.
With the exception of the two parts below, the
configuration of the parts is the same as those
already explained elsewhere in this manual.
• KEYBOARD
The received note messages control the instrument’s
keyboard performance.
• EXTRA PART 1–5
There are five parts specially reserved for receiving
and playing MIDI data. Normally, these parts are not
used by the instrument itself. The instrument can be
used as a 32-channel multi-timbral tone generator by
using these five parts in addition to the general parts
(except for the microphone sound).
Rx MONITOR
The dots corresponding to each channel (1–16) flash
briefly whenever any data is received on the channel(s).
n
Parameter Lock
You can “lock” specific parameters (e.g., effect, split
point, etc.) to make them selectable only via the panel
controls (page 128).
MIDI transmission/reception via the USB ter-
minal and MIDI terminals
The relationship between the [MIDI] terminals and the
[USB] terminal which can be used for transmitting/
receiving 32 channels (16 channels x 2 ports) of the
MIDI messages is as follows:
Setting the Bass Note for Style Playback
via MIDI Receive
The explanations here apply to the BASS display to be
called up in step 4 of the “Basic Operation” on
page 196.
These settings let you determine the bass note for Style
playback, based on the note messages received via
MIDI. The note on/off messages received at the chan-
nel(s) set to “ON” are recognized as the bass note of the
chord of Style playback. The bass note will be detected
regardless of the [ACMP ON/OFF] or split point set-
tings. When several channels are simultaneously set to
“ON,” the bass note is detected from merged MIDI data
received over the channels.
Operation
Select the channel and set the “ON/OFF” for that chan-
nel. Use the All OFF item to set all channels to OFF.
RECEIVE display
MIDI/USB1
01–16
USB2
01–16
USB2
USB1
MIDI/USB 01–16
[MIDI IN] jack
MIDI reception
MIDI transmission
[USB TO
HOST] jack
[MIDI OUT] jack
[USB TO
HOST] jack
Port
handling
Merge
Merge
BASS display