Yamaha AW1600 Owner's Manual - Page 185
Dynamics library list, E.B.finger
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Dynamics library list Dynamics library list These are the preset dynamics settings provided by the AW1600. For details on the function of each parameter, refer to page 182. 001 A.Dr.BD (CMP) 002 A.Dr.BD (EXP) 003 A.Dr.BD (GAT) 004 A.Dr.BD (CPH) Use these presets to apply CMP, EXP, GAT, or CPH respectively to the bass drum of an acoustic drum kit. 005 A.Dr.SN (CMP) 006 A.Dr.SN (EXP) 007 A.Dr.SN (GAT) 008 A.Dr.SN (CPS) These presets modify preset programs 1 - 4 for use with a snare drum. 009 A.Dr.Tom (EXP) Expander for acoustic toms automatically reduces the volume when the toms are not played, helping to differentiate the bass and snare drums clearly. 010 A.Dr.OverTop (CPS) Soft compander to emphasize the attack and ambience of cymbals using overhead microphones. It automatically reduces the volume when the cymbals are not played, helping differentiate the bass and snare drums clearly. 011 E.B.finger (CMP) Compressor to equalize the attack and volume level of a finger-picked electric bass guitar. 012 E.B.slap (CMP) Compressor to equalize the attack and volume level of a slap electric bass guitar. 013 Syn.Bass (CMP) Compressor to adjust and/or emphasize the level of a synth bass. 014 Piano1 (CMP) 015 Piano2 (CMP) Piano1 brightens the sound to make it stand out slightly. Piano2 uses a deeper threshold setting, producing a more consistent overall level and sense of attack. 016 E.Guitar (CMP) Suitable for electric guitar chording or arpeggios. Try various adjustments depending on your tone or playing style. 017 A.Guitar (CMP) Compressor intended for acoustic guitar playing rhythm chords or arpeggios. 018 Strings1 (CMP) 019 Strings2 (CMP) 020 Strings3 (CMP) Compressor suitable for strings. Numbers 19 and 20 can also be used on low-range instruments (cello, contrabass). 021 BrassSection (CMP) Compressor intended for brass sounds with fast and strong attack. 022 Syn.Pad (CMP) This has a restraining effect on sounds that tend to become diffuse. For example, this is ideal for some rich-sounding synth pads that conversely lack definition. 023 SamplingPerc (CPS) 024 Sampling BD (CMP) 025 Sampling SN (CMP) 026 Hip Comp (CPS) It is effective to apply these programs to sampled sounds (such as from a CD-ROM) that are used among acoustic instruments, so that they will not seem to lack power and clarity. Four variations are provided; for Perc, BD, SN, and for looped materials (Hip Comp). 027 Solo Vocal1 (CMP) 028 Solo Vocal2 (CMP) These are variations that are suitable for solo vocal sources. 029 Chorus (CMP) This variation of Vocal is suitable for choruses. 030 Compander(H) (CPH) 031 Compander(S) (CPS) A template for the compander program. 032 Click Erase (EXP) Expander to remove click track sounds that may bleed out of the monitor headphones the musicians are using. 033 Announcer (CPH) Hard compander reduces the level during the interval between the words, making the voice sound even. 034 Easy Gate (GAT) A template for the gate program. 035 BGM Ducking (DUK) Ducking background music for voiceovers, typically keyed from the announcer's channel. 036 Limiter 1 (CPS) 037 Limiter 2 (CMP) A limiter template. 1 has a slow release, and 2 is a peak stopping type. 038 Total Comp1 (CMP) 039 Total Comp2 (CMP) 040 Total Comp3 (CMP) Since these presets are effective in restraining the overall level or improving the overall definition, it is useful to apply them to the stereo output during mixdown. You can apply theses presets to a stereo source, and adjust them to create interesting effects. Appendix AW1600 Owner's Manual 185