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Bounce (ping-pong) recording procedure, Bus L/R, TRACK lower line, SAFE button, BUS button

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Bounce (ping-pong) recording procedure Bounce (ping-pong) recording procedure Here's how to perform the bounce (ping-pong) recording procedure, which lets you combine multiple tracks onto one or two tracks. HINT • If you plan to add an effect to a speciﬁc track, be sure to insert the effect you plan to use into the appropriate track channel beforehand (→ p. 99). 1 Lower the [STEREO] fader to the -∞ position. 2 In the Quick Navigate section, repeatedly press the [RECORD] key or hold down the [RECORD] key and use the CURSOR [ ]/ [ ] keys to access the BOUNCE page of the RECORD screen. In the BOUNCE page you can select the bouncesource tracks, and record them via the L/R bus onto one or two bounce-destination tracks. F51 2 Mixdown and bounce operations 9 43 1 TRACK (upper line) Selects the bounce-source tracks. B Bus L/R The two horizontal lines indicate the L/R bus signal route. This lets you see the on/off status of the signals that are sent from the bounce-source tracks, and see the selected bounce-destination track(s). C TRACK (lower line) Here you can select the bounce-destination track(s). D SAFE button When you move the cursor to this button and press the [ENTER] key, all bounce-source and bounce-destination assignments will be cancelled. E BUS button When you move the cursor to this button and press the [ENTER] key, the right side of the screen will show a fader for adjusting the output level of the L/R bus, and a dedicated level meter for the L/R bus. F PITCH FIX button Position the cursor at this button and press [ENTER] to engage the PITCH FIX mode. Use PITCH FIX to correct the pitch and other properties of a vocal track (→ p. 89). 88 AW1600 Owner's Manual 3 In the upper TRACK area, select a bounce-source track, move the cursor to the symbol for that track, and press the [ENTER] key. Each time you press the [ENTER] key, the screen will change as follows. HINT • If a track channel is selected as a bounce-source, its assignment to the L/R bus will automatically be turned off. NOTE • The track numbers of muted tracks will be displayed as "M" (mute), but you can still record to muted tracks. • Since 24-bit songs can have a maximum of 8 play tracks (→ p. 143), tracks 9 - 16 are muted and will not play back. 4 Select other bounce-source tracks in the same way. 5 Use the [TRACK SEL] keys to select a bounce-destination track. The [TRACK SEL] key will blink red, indicates that the corresponding track is selected as the bounce-destination. A line will appear in the screen to indicate the connection to the track. (To cancel your selection, press the same key once again.) You can select up to two bounce-destination tracks. If you select track 1, 3, 5, or 7, bus L will be connected. If you select track 2, 4, 6, or 8, bus R will be connected. If you select track 9/10-15/16, bus L will be connected to the odd-numbered track, and bus R will be connected to the even-numbered track. HINT • If you move the cursor to the SAFE button and press the [ENTER] key, all connections will be cancelled. • EQ and dynamics settings will be "ﬂat" for the track channels of the tracks you select as the recording-destination.

Section	Page
Cover	1
PRECAUTIONS	3
Contents	7
1. Before you start	9
Introduction	9
Remember to back up your data	9
About the built-in CD-RW drive	10
Using the CD-RW drive	10
Connecting the AC adaptor	11
Turning the power on/off	11
2. Introducing the AW1600	13
Features of the AW1600	13
AW1600 terminology	15
Recorder section	15
Mixer section	15
Quick Loop Sampler section	16
Overall	16
Parts of the AW1600 and what they do	17
Top panel	17
Rear panel	21
Front panel	23
Basic operation on the AW1600	24
Viewing the display	24
Accessing a screen/page/channel	24
Switching a button on/off	25
Editing a value in the display	25
Inputting text	25
Using the Selected Channel section	26
3. Listening to the demo song	27
Connect external devices and turn on the power	27
Loading the demo song	28
Playing the demo song	29
Mixing the demo song	30
4. Recording to a sound clip	33
Connecting your instrument or mic	33
Adjusting the input level	34
Recording/playing a sound clip	35
5. Track recording	39
Creating a new song	39
Direct recording and Bus recording	40
Assigning input signals to tracks (Direct recording)	42
Assigning input signals to tracks (Bus recording)	45
Enabling the metronome	47
Recording on a track	48
Pairing input channels/track channels	49
Using the input library	50
Using the EQ library	52
Using the dynamics library	53
6. Overdubbing	55
About overdubbing	55
Assigning the input signal to a track	56
Instantly recalling an EQ library	56
Instantly recalling a dynamics library	57
Setting the mix balance and pan	57
Overdubbing	58
Punch-in/out	59
Manual punch-in/out	59
Auto punch-in/out	59
Using the Undo List	61
Switching virtual tracks	62
Saving the current song	63
Loading an existing song	64
7. Various types of playback	65
Using the locator	65
Using markers	67
Adjusting the position of a locate point or marker	68
Erasing a locate point or marker	69
Repeatedly playing a specific region (the A-B Repeat function)	70
Finding a location while you listen to the sound (the Nudge function)	71
Finding a location while you view the waveform	72
8. Using libraries and scene memories	73
About the libraries	73
About scene memories	73
Basic operation for libraries and scene memories	74
Storing library or scene data	74
Recalling library or scene data	75
Deleting library or scene data	75
Naming library or scene data	76
Details on libraries and scene memory	77
Input library	77
EQ library	77
Dynamics library	78
Effect library	78
Mastering library	78
Sample library	78
Channel library	79
Scene memories	79
Using the Recall Safe function	80
9. Mixdown and bounce operations	81
About mixdown and bouncing	81
Preparing for mixdown	83
Using the internal effects via send/return	85
Recording on the stereo track	87
Bounce (ping-pong) recording procedure	88
Correcting a Vocal Track (Pitch Fix)	89
Convenient functions during mixdown/bounce operations	92
Adding input signals or pad performances during mixdown	92
Using meters to check the level of each channel	93
Viewing all parameters for a certain channel	93
Initializing a channel	94
Editing the EQ parameters	95
Editing the dynamics parameters	96
Editing the parameters of an internal effect	97
Inserting an effect into a track channel	99
10. Creating an audio CD	101
Creating an audio CD	101
Types of media that you can use with the CD-RW drive	101
Methods of writing an audio CD	102
Basic settings for the CD-RW drive	103
Writing audio data (Track At Once)	104
Writing audio data (Disc At Once)	106
Finalizing CD-R/RW media	108
Erasing CD-RW media	109
Playing an audio CD	110
11. Quick loop sampler	111
About the quick loop sampler	111
Using sample libraries	113
Recording/playing a pad performance	114
Grid Recording (Step Recording) the Pads	116
Importing from an audio CD/WAV file to a pad	117
Importing from an audio track/stereo track to a pad	119
Importing From a Computer To the Pads	120
Editing the sample name	121
Trimming the playback region	122
Switching the playback mode for each pad	123
Using the Slice function	124
Deleting an unwanted sample	126
12. Track editing	127
What you can do using editing commands	127
Basic procedure for track editing	128
List of editing commands	130
ERASE	130
DELETE	131
INSERT	131
COPY	132
MOVE	133
EXCHANGE	134
TIME COMP/EXP (Time Compression/Expansion)	134
PITCH CHANGE	135
EXPORT	135
MERGE	135
Exporting WAV files and importing audio CD or WAV files	136
Importing and Exporting Audio Data From and To a Computer	136
Exporting WAV files	136
Transferring WAV Files To and From a Computer	137
Importing WAV Files	139
Importing from the CD-RW drive	140
13. Song management	143
About songs	143
Editing the song name	145
Editing various settings for the song	146
Copying or deleting a song	147
Optimizing a song	148
Creating a tempo map	149
Importing data from an existing song	151
Backing up songs and sample libraries	152
Restoring songs or sample libraries	154
Exchanging Song Data With Other AW-series Audio Workstations	155
14. MIDI and utility functions	157
What you can do using MIDI	157
Basic MIDI Settings	158
Setting MIDI messages	158
Using the MIDI Remote function	163
About the MIDI Remote function	163
Using the MIDI Remote function presets	163
Using the user-defined Remote function	165
Using the test tone oscillator	167
Digital input settings and Initializing the internal hard disk	168
Overall settings for the AW1600	169
15. Using the AW1600 with external devices	171
Using the AW1600 with a \	171
Synchronizing the AW1600 with the workstation's sequencer	171
Recording/playing AW1600 mix operations on the workstation's sequencer	172
Switching AW1600 scenes from the workstation's sequencer	173
Remotely controlling a tone generator module	174
Using external effects	175
Connecting a digital recorder such as MD or DAT	177
Mixing down to a digital recorder	177
Recording audio data from a digital recorder	178
Appendix	179
Input library list	179
Mastering library list	180
EQ library list	181
Dynamics Parameters	182
Dynamics library list	185
Effects library list	186
Effects Parameters	188
Sample library list	200
Troubleshooting	202
Display message list	206
About the CD-ROM included with the AW1600	209
MIDI data format	215
MIDI Implementation Chart	219
Specifications	220
Dimensions	222
Index	223

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AW1600

Owner’s Manual

Bounce (ping-pong) recording procedure

Mixdown and bounce operations

Here’s how to perform the bounce (ping-pong) recording procedure, which lets you combine mul-

tiple tracks onto one or two tracks.

Lower the [STEREO] fader to the –

∞

posi-

tion.

In the Quick Navigate section, repeatedly

press the [RECORD] key or hold down the

[RECORD] key and use the CURSOR [

[

] keys to access the BOUNCE page of

the RECORD screen.

In the BOUNCE page you can select the bounce-

source tracks, and record them via the L/R bus onto

one or two bounce-destination tracks.

TRACK (upper line)

Selects the bounce-source tracks.

Bus L/R

The two horizontal lines indicate the L/R bus signal

route. This lets you see the on/off status of the signals

that are sent from the bounce-source tracks, and see

the selected bounce-destination track(s).

TRACK (lower line)

Here you can select the bounce-destination track(s).

SAFE button

When you move the cursor to this button and press the

[ENTER] key, all bounce-source and bounce-destina-

tion assignments will be cancelled.

BUS button

When you move the cursor to this button and press the

[ENTER] key, the right side of the screen will show a

fader for adjusting the output level of the L/R bus, and

a dedicated level meter for the L/R bus.

PITCH FIX button

Position the cursor at this button and press [ENTER]

to engage the PITCH FIX mode. Use PITCH FIX to

correct the pitch and other properties of a vocal track

(

→

p. 89).

In the upper TRACK area,

select a bounce-source

track, move the cursor to

the

symbol for that track,

and press the [ENTER] key.

Each time you press the [ENTER]

key, the screen will change as fol-

lows.

Select other bounce-source tracks in the

same way.

Use the [TRACK SEL] keys to select a

bounce-destination track.

The [TRACK SEL] key will blink red, indicates that

the corresponding track is selected as the bounce-des-

tination. A line will appear in the screen to indicate the

connection to the track. (To cancel your selection,

press the same key once again.)

You can select up to two bounce-destination tracks. If

you select track 1, 3, 5, or 7, bus L will be connected.

If you select track 2, 4, 6, or 8, bus R will be con-

nected. If you select track 9/10–15/16, bus L will be

connected to the odd-numbered track, and bus R will

be connected to the even-numbered track.

Bounce (ping-pong) recording procedure

•

If you plan to add an effect to a speciﬁc track, be sure to insert the effect you plan to use into

the appropriate track channel beforehand (

→

p. 99).

HINT

•

If a track channel is selected as a

bounce-source, its assignment to

the L/R bus will automatically be

turned off.

HINT

•

The track numbers of muted tracks

will be displayed as “M” (mute), but

you can still record to muted tracks.

•

Since 24-bit songs can have a maxi-

mum of 8 play tracks (

→

p. 143),

tracks 9 – 16 are muted and will not

play back.

NOTE

•

If you move the cursor to the SAFE button and press the

[ENTER] key, all connections will be cancelled.

•

EQ and dynamics settings will be “ﬂat” for the track channels

of the tracks you select as the recording-destination.

HINT