Nikon D3200 User Manual - Page 94

Picture Control Settings, all Picture Controls

Page 94 highlights

Picture Control Settings Manual adjustments (all Picture Controls) Option Description Choose from options between -2 and +2 to reduce or exaggerate the effect Quick adjust of the selected Picture Control (note that this resets all manual adjustments). For example, choosing positive values for Vivid makes pictures more vivid. Not available with Neutral or Monochrome Picture Controls. Control the sharpness of outlines. Select A to adjust sharpening Sharpening automatically according to the type of scene, or choose from values between 0 (no sharpening) and 9 (the higher the value, the greater the sharpening). Select A to adjust contrast automatically according to the type of scene, or choose from values between -3 and +3 (choose lower values to prevent Contrast highlights in portrait subjects from being "washed out" in direct sunlight, higher values to preserve detail in misty landscapes and other low-contrast subjects). Brightness Choose -1 for reduced brightness, +1 for enhanced brightness. Does not affect exposure. t Control the vividness of colors. Select A to adjust saturation automatically Saturation according to the type of scene, or choose from values between -3 and +3 (lower values reduce saturation and higher values increase it). Hue Filter effects Choose negative values (to a minimum of -3) to make reds more purple, blues more green, and greens more yellow, positive values (up to +3) to make reds more orange, greens more blue, and blues more purple. Simulate the effect of color filters on monochrome photographs. Choose from Off, yellow, orange, red, and green (0 79). Toning Choose the tint used in monochrome photographs from B&W (black-andwhite), Sepia, Cyanotype (blue-tinted monochrome), Red, Yellow, Green, Blue Green, Blue, Purple Blue, Red Purple (0 79). Manual adjustments Manual adjustments (non-monochrome only) (monochrome only) D "A" (Auto) Results for auto sharpening, contrast, and saturation vary with exposure and the position of the subject in the frame. 78

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78
t
Picture Control Settings
Option
Description
Quick adjust
Choose from options between
–2
and
+2
to reduce or exaggerate the effect
of the selected Picture Control (note that this resets all manual adjustments).
For example, choosing positive values for
Vivid
makes pictures more vivid.
Not available with
Neutral
or
Monochrome
Picture Controls.
Manual adjustments
(all Picture Controls)
Sharpening
Control the sharpness of outlines.
Select
A
to adjust sharpening
automatically according to the type of scene, or choose from values between
0
(no sharpening) and
9
(the higher the value, the greater the sharpening).
Contrast
Select
A
to adjust contrast automatically according to the type of scene, or
choose from values between
–3
and
+3
(choose lower values to prevent
highlights in portrait subjects from being “washed out” in direct sunlight,
higher values to preserve detail in misty landscapes and other low-contrast
subjects).
Brightness
Choose
–1
for reduced brightness,
+1
for enhanced brightness.
Does not
affect exposure.
Manual adjustments
(non-monochrome only)
Saturation
Control the vividness of colors.
Select
A
to adjust saturation automatically
according to the type of scene, or choose from values between
–3
and
+3
(lower values reduce saturation and higher values increase it).
Hue
Choose negative values (to a minimum of
–3
) to make reds more purple,
blues more green, and greens more yellow, positive values (up to
+3
) to
make reds more orange, greens more blue, and blues more purple.
Manual adjustments
(monochrome only)
Filter
effects
Simulate the effect of color filters on monochrome photographs.
Choose
from
Off
, yellow, orange, red, and green (
0
79).
Toning
Choose the tint used in monochrome photographs from
B&W
(black-and-
white),
Sepia
,
Cyanotype
(blue-tinted monochrome),
Red
,
Yellow
,
Green
,
Blue Green
,
Blue
,
Purple Blue
,
Red Purple
(
0
79).
D
“A” (Auto)
Results for auto sharpening, contrast, and saturation vary with exposure and the position of
the subject in the frame.