HP Designjet 4200 HP Designjet cc800ps, 815mfp, 5500mfp, and 4200 scanner - Co - Page 50

Color Balance Needs, Increase in, Strength in, change, Green, Magenta, Yellow

Page 50 highlights

endures a much bigger change. In CMY mode, it is the opposite: moving towards positive values produces greater changes than moving towards negative values. This behavior is shown in the table above where the Cyan, Magenta and Yellow boxes are more saturated (i.e. stronger) than the Red, Green and Blue boxes. This does not exclude the possibility of having slight increases in the amount of Cyan, Magenta and Yellow. These are achieved through the usage of the complementary colors: for example to produce a slight increase of Yellow, you will need to modify Red and Green (in RGB) or Cyan and Magenta (in CMY). It is advisable to use only one system (either RGB or CMY) and not to mix them. If in doubt about which system to choose, you should consider that RGB is, in most cases, more intuitive. The following table is a guideline to the correct actions required to obtain the desired color balance: Color Balance Needs: Increase in Strength in change Hard Red Soft Yellow Hard Soft Green Hard Soft Cyan Hard Soft Hard Blue Soft Hard Magenta Soft Should move to ... values Red Green Blue - - + - + + - - + - + + - - + - + + Should move to ... values Cyan Magenta Yellow + + - + - - + + - + - - + + - + - - Please remember that Orange and Brown lie between Red and Yellow, and Violet is between Magenta and Blue. Color Reproduction for the HP Large Format Color Copiers family: cc800ps, 815mfp, 5500mfp and 4200 scanner 50/50

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Color Reproduction for the HP Large Format Color Copiers family: cc800ps, 815mfp, 5500mfp and 4200 scanner
50/50
endures a much bigger change. In CMY mode, it is the opposite: moving towards
positive values produces greater changes than moving towards negative values.
This behavior is shown in the table above where the Cyan, Magenta and Yellow boxes
are more saturated (i.e. stronger) than the Red, Green and Blue boxes. This does not
exclude the possibility of having slight increases in the amount of Cyan, Magenta and
Yellow. These are achieved through the usage of the complementary colors: for
example to produce a slight increase of Yellow, you will need to modify Red and Green
(in RGB) or Cyan and Magenta (in CMY).
It is advisable to use only one system (either RGB or CMY) and not to mix them. If in
doubt about which system to choose, you should consider that RGB is, in most cases,
more intuitive. The following table is a guideline to the correct actions required to obtain
the desired color balance:
Color Balance Needs:
Should move to … values
Should move to … values
Increase in
Strength in
change
Red
Green
Blue
Cyan
Magenta
Yellow
Hard
-
-
+
+
Red
Soft
+
-
Hard
-
+
Yellow
Soft
+
+
-
-
Hard
-
-
+
+
Green
Soft
+
-
Hard
-
+
Cyan
Soft
+
+
-
-
Hard
-
-
+
+
Blue
Soft
+
-
Hard
-
+
Magenta
Soft
+
+
-
-
Please remember that Orange and Brown lie between Red and Yellow, and Violet is
between Magenta and Blue.