Yamaha PSR-SX600 PSR-SX600 Reference Manual - Page 47

High Key/Note Limit, RTR Retrigger Rule, chord changes. Use the Cursor buttons [4

Page 47 highlights

When NTR is set to Guitar All-Purpose This table covers both stroke- and arpeggio-played sounds. Stroke Suitable for strumming sounds of the guitar. Some notes may sound as if they are muted-this is the normal condition when chords are played on guitar by strumming. Arpeggio Suitable for arpeggio-played sound of the guitar, resulting in beautiful four-note arpeggio sounds. 3 High Key/Note Limit The settings here adjust the Octave of the notes converted from the original ones through NTT and NTR. [4 ]/ High Key [5 ] This sets the highest key (upper octave limit) of the note transposition for the chord root change. Any notes calculated to be higher than the highest key are transposed down to the next lowest octave. This setting is available only when the NTR parameter (page 46) is set to "Root Transpose." Example-When the highest key is F. Root changes 2 Notes played Styles [6 ] [7 ] Note Limit Low Note Limit High These set the note range (highest and lowest notes) for Voices recorded to the Style channels. By judicious setting of this range, you can ensure that the Voices sound as realistic as possible-in other words, that no notes outside the natural range are sounded (e.g., high bass sounds or low piccolo sounds). Example-When the lowest note is C3 and the highest is D4. Root changes Notes played High Limit Low Limit 4 RTR (Retrigger Rule) These settings determine whether notes stop sounding or not and how they change pitch in response to chord changes. Use the Cursor buttons [4 ]-[7 ] to select one of the following types. Stop The notes stop sounding. Pitch Shift The pitch of the note will bend without a new attack to match the type of the new chord. Pitch Shift To Root The pitch of the note will bend without a new attack to match the root of the new chord. However, the octave of the new note remains the same. Retrigger The note is retriggered with a new attack at a new pitch corresponding to the next chord. Retrigger To Root The note is retriggered with a new attack at the root note of the next chord. However, the octave of the new note remains the same. PSR-SX600 Reference Manual 47

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115

PSR-SX600 Reference Manual
47
2
Styles
When NTR is set to Guitar
3 High Key/Note Limit
The settings here adjust the Octave of the notes converted from the original ones through NTT and NTR.
4 RTR (Retrigger Rule)
These settings determine whether notes stop sounding or not and how they change pitch in response to
chord changes. Use the Cursor buttons [4

]–[7

] to select one of the following types.
All-Purpose
This table covers both stroke- and arpeggio-played sounds.
Stroke
Suitable for strumming sounds of the guitar. Some notes may sound as if they are
muted—this is the normal condition when chords are played on guitar by strum-
ming.
Arpeggio
Suitable for arpeggio-played sound of the guitar, resulting in beautiful four-note
arpeggio sounds.
[4

]/
[5

]
High Key
This sets the highest key (upper octave limit) of the note transposition for the
chord root change. Any notes calculated to be higher than the highest key are
transposed down to the next lowest octave. This setting is available only when the
NTR parameter (
page 46
) is set to “Root Transpose.”
[6

]
Note Limit Low
These set the note range (highest and lowest notes) for Voices recorded to the
Style channels. By judicious setting of this range, you can ensure that the Voices
sound as realistic as possible—in other words, that no notes outside the natural
range are sounded (e.g., high bass sounds or low piccolo sounds).
[7

]
Note Limit High
Stop
The notes stop sounding.
Pitch Shift
The pitch of the note will bend without a new attack to match the type of the new chord.
Pitch Shift To Root
The pitch of the note will bend without a new attack to match the root of the new chord.
However, the octave of the new note remains the same.
Retrigger
The note is retriggered with a new attack at a new pitch corresponding to the next chord.
Retrigger To Root
The note is retriggered with a new attack at the root note of the next chord. However, the
octave of the new note remains the same.
Example—When the hi
g
hest key is F.
Root changes
Notes played
Example—When the lowest note is C3 and the hi
g
hest is D4.
Root changes
Notes played
High Limit
Low Limit