Yamaha PSR-S950 Reference Manual - Page 31

Recording Bass, Chord 1-2, Pad and Phrase 1-2, If necessary

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Page 31 highlights

Styles  Recording Bass, Chord 1-2, Pad and Phrase 1-2 The procedure below applies to Step 4 in the Basic Procedure on page 28. 1 From the BASIC page, while holding down the [F] (REC CH) button, press one of the [3 ]-[8 ] buttons to select the desired channel as Record target. A confirmation message appears, prompting you whether or not to delete the already recorded data of the selected channel. Press the [G] (YES) button to delete data and the selected channel is specified as the Record target. Note that channel data of the preset Style cannot be overdubbed. 2 2 If necessary, select a Voice then practice the bass line, chord backing, or phrase to be recorded. Press one of the [3 ]-[8 ] buttons (selected channel) to call up the Voice Selection display then select the desired Voice. After selecting, press the [EXIT] button to return to the original display. With the selected Voice, practice the phrase or chord backing to be recorded. • Available Voices for recording Any except for the Organ Flutes Voice/Drum Kit/SFX kit Voices can be used for recording. • Record a phrase in C Maj7 which will play appropriate notes as change chords during performance Rules when recording a Main or Fill With the default initial settings, the Source Root/Chord is set to CMaj7. This means that you should record a Source Pattern using a CMaj7 scale, which will change according to the chords you specify during normal performance. Record a bass line, phrase or chord backing which you want to hear when CMaj7 is specified. See below for details. • Use only the CMaj7 scale tones when recording the BASS and PHRASE channels (i.e., C, D, E, G, A, and B). • Use only the chord tones when recording the CHORD and PAD channels (i.e., C, E, G, and B). C = Chord note C R C C R C C, R = Recommended note If you observe this rule, Style playback notes are appropriately converted depending on the chord changes you make during your performance. Rules when recording an Intro or Ending These Sections are designed assuming that the chord is not changed during playback. This is why you need not observe the rule for Main and Fill-In Sections described above, and you can create special chord progressions when recording. However, follow the rules below since the Source Root/Chord is set to CMaj7. • When recording the Intro, make sure that the recorded phrase leads properly into the CMaj7 scale. • When recording the Ending, make sure that the recorded phrase begins with or properly follows a CMaj7 scale. PSR-S950/S750 Reference Manual 31

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PSR-S950/S750 Reference Manual
31
2
Styles
Recording Bass, Chord 1–2, Pad and Phrase 1–2
The procedure below applies to Step 4 in the Basic Procedure on
page 28
.
1
From the BASIC page, while holding down the [F] (REC CH) button, press one of the
[3
]–[8
] buttons to select the desired channel as Record target.
A confirmation message appears, prompting you whether or not to delete the already recorded data of the
selected channel. Press the [G] (YES) button to delete data and the selected channel is specified as the
Record target. Note that channel data of the preset Style cannot be overdubbed.
2
If necessary, select a Voice then practice the bass line, chord backing, or phrase to be
recorded.
Press one of the [3
]–[8
] buttons (selected channel) to call up the Voice Selection display then select
the desired Voice. After selecting, press the [EXIT] button to return to the original display. With the
selected Voice, practice the phrase or chord backing to be recorded.
•
Available Voices for recording
Any except for the Organ Flutes Voice/Drum Kit/SFX kit Voices can be used for recording.
•
Record a phrase in C Maj7 which will play appropriate notes as change chords during
performance
Rules when recording a Main or Fill
With the default initial settings, the Source Root/Chord is set to CMaj7. This means that you should
record a Source Pattern using a CMaj7 scale, which will change according to the chords you specify
during normal performance. Record a bass line, phrase or chord backing which you want to hear when
CMaj7 is specified. See below for details.
•
Use only the CMaj7 scale tones when recording the BASS and PHRASE channels (i.e., C, D, E, G, A,
and B).
•
Use only the chord tones when recording the CHORD and PAD channels (i.e., C, E, G, and B).
If you observe this rule, Style playback notes are appropriately converted depending on the chord
changes you make during your performance.
Rules when recording an Intro or Ending
These Sections are designed assuming that the chord is not changed during playback. This is why you
need not observe the rule for Main and Fill-In Sections described above, and you can create special
chord progressions when recording. However, follow the rules below since the Source Root/Chord is set
to CMaj7.
•
When recording the Intro, make sure that the recorded phrase leads properly into the CMaj7 scale.
•
When recording the Ending, make sure that the recorded phrase begins with or properly follows a
CMaj7 scale.
CRC
CRC
C = Chord note
C, R = Recommended note