Yamaha PSR-S900 Owner's Manual - Page 97

EQ Equalizer, Select a Preset EQ type - styles free

Page 97 highlights

Editing the Volume and Tonal Balance (MIXING CONSOLE) 14 Use the [3π†]-[6π†] buttons to select the destination for saving the effect. The maximum number for effects that can be saved differs depending on the effect block. 15 Using, Creating and Editing Voices 14 15 Press the [I] (SAVE) button to save the effect (page 73). When recalling the saved effect, use the same procedure as in step 8. EQ (Equalizer) Equalizer (also called "EQ") is a sound processor that divides the frequency spectrum into multiple bands that can be boosted or cut as required to tailor the overall frequency response. Usually an equalizer is used to correct the sound from speakers to match the special character of the room. For example, you can cut some of the low range frequencies when playing in large spaces where the sound is too "boomy," or boost the high frequencies in rooms and close spaces where the sound is relatively "dead" and free of echoes. The instrument possesses a high-grade fiveband digital EQ. With this function, a final effect-tone control can be added to the output of your instrument. You can select one of the five preset EQ settings in the EQ display. You can even create your own custom EQ settings by adjusting the frequency bands, and save the settings to one of two User Master EQ types. Gain Bandwidth (also called "Shape" or "Q") 0 Freq (Frequency) 5 bands → LOW LOW MID MID HIG MID HIGH EQ1 EQ2 EQ3 EQ4 EQ5 ■ Select a Preset EQ type 1-3 Same operation as in the "Basic Procedure" on page 91. In step 2, select the EQ tab. 4 Use the [A]/[B] buttons to select a preset EQ type to suit your perfor- mance (music style or environment). PSR-S900/S700 Owner's Manual 97

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
  • 181
  • 182
  • 183
  • 184
  • 185
  • 186
  • 187
  • 188
  • 189
  • 190
  • 191
  • 192
  • 193
  • 194
  • 195
  • 196
  • 197
  • 198
  • 199
  • 200
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
  • 224

Editing the Volume and Tonal Balance (MIXING CONSOLE)
PSR-S900/S700 Owner’s Manual
97
Using, Creating and Editing Voices
14
Use the [3
π†
]–[6
π†
] buttons to select the destination for saving
the effect.
The maximum number for effects that can be saved differs depending on the
effect block.
15
Press the [I] (SAVE) button to save the effect (page 73).
When recalling the saved effect, use the same procedure as in step 8.
EQ (Equalizer)
Equalizer (also called “EQ”) is a sound processor that divides the frequency spec-
trum into multiple bands that can be boosted or cut as required to tailor the overall
frequency response. Usually an equalizer is used to correct the sound from speak-
ers to match the special character of the room. For example, you can cut some of
the low range frequencies when playing in large spaces where the sound is too
“boomy,” or boost the high frequencies in rooms and close spaces where the sound
is relatively “dead” and free of echoes. The instrument possesses a high-grade five-
band digital EQ. With this function, a final effect—tone control can be added to the
output of your instrument. You can select one of the five preset EQ settings in the
EQ display. You can even create your own custom EQ settings by adjusting the fre-
quency bands, and save the settings to one of two User Master EQ types.
Select a Preset EQ type
1–3
Same operation as in the “Basic Procedure” on page 91. In step 2,
select the EQ tab.
4
Use the [A]/[B] buttons to select a preset EQ type to suit your perfor-
mance (music style or environment).
15
14
0
Gain
5 bands
Bandwidth
(also called “Shape” or “Q”)
Freq (Frequency)
EQ1
EQ2
EQ3
EQ4
EQ5
LOW LOW MID
MID
HIG MID
HIGH